BIC TALKS

All of Mumbai’s memories and castaway possessions come to die at the Deonar garbage mountains. And among these vast, teetering piles of discarded things – medical waste, rotten food, old clothes, broken glass and twisted metal – a small, forgotten community lives and works. Scouring the dump for whatever can be resold or recycled, waste pickers also mark the familiar milestones of babies born, love found, illnesses suffered and recovered from. Like a mirror image, their stories are shaped by the influx of unwanted things from the world outside. But now, as Deonar’s toxic halo becomes undeniable, a change is coming. And as officials try to close it, the lives that the pickers have built on the Mountain seem more fragile than ever. In this episode of BIC Talks, author of Mountain Tales: Love and Loss in the Municipality of Castaway Belongings, Saumya Roy and V Ravichandar, full time champion of lost causes and hon. Director of Bangalore international centre, delve deep into the process of writing this powerful and delightful book about people who are trapped in the gravitational force of a garbage mountain in Mumbai centred around a deeply moving love story with unforgettable characters while also illuminating a country and a culture.

India’s Five-Year Plans were one of the developing world’s most ambitious experiments. After nearly two centuries of colonial rule, planning the economy was meant to be independent India’s route from poverty to prosperity. Planning Democracy explores how India married liberal democracy to a socialist economy. Planning not only built India’s data systems, it even shaped the nature of its democracy. In this episode of BIC talks, author and Assistant Professor of History at the University of Notre Dame Nikhil Menon and economist and financial journalist Niranjan Rajadhyaksha discuss how India walked a tightrope between capitalism and communism and worked on the project of nation-building in the aftermath of empire. In this compelling history, Nikhil Menon brings the world of planning to life through the intriguing story of a gifted scientist known as the Professor, a trail-blazing research institute in Calcutta, and the alluring idea of ‘democratic planning’. Planning Democracy recasts our understanding of the Indian republic, uncovering how planning came to define the nation and revealing the ways in which it continues to shape our world today BIC Talks is brought to you by the Bangalore International Centre. Visit the BIC website for show notes, links and more information about the guests.

In the 1990s, Girish’s work and his public persona took a distinctly political turn as he began to respond overtly to what was happening around him. Here, Girish talks about how he created strong women characters in his plays, how he saw Islam and Muslims as an integral part of our nation’s fabric, how he became a secular humanist.  He also talks for the first time about two short stories that he wrote in Kannada. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

Does god exist? What is the source of morality? Girish’s plays often take on big moral and philosophical questions, questions that he asked himself about how to live in the world and how to be a good human being. Here Girish talks about what he learnt from the Mahabharata and explores what he took from European Existentialism. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies  

What was Girish’s impact on the national theatre scene? Did his plays influence or inspire other playwrights and theatre makers? In Part 2 of this episode, Shanta Gokhale and Sunil Shanbag talk about how the 60s and 70s were such a critical moment for theatre in different parts of India. They talk about the unique sensibilities that Girish brought to the stage and how Girish set himself apart from his contemporaries such as Vijay Tendulkar. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

What was Girish’s impact on the national theatre scene? Did his plays influence or inspire other playwrights and theatre makers? Part 1 of this 2-part episode features Shanta Gokhale and Sunil Shanbag remembering the exhilaration of watching Hayavadana for the first time. They talk more about Girish’s major collaborators and what that meant as a newly independent nation developed its own norms of cultural expression. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (ಹಯವದನ), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward. Supported by Nilekani Philanthropies

Girish talks more about his dramatic and literary influences which range from classical Sanskrit plays like Mricchakatika to such avant garde practitioners as Jerzy Grotowski. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward.

Girish was a Kannada playwright, but his knowledge of theatre came from all over the world and from many languages. We explore his relationship with English and other languages and literatures. Girish talks about his plays that he believes do not work, what he learned from them, and how he responded to their failure. About the Series: In June 2019, a few days before his death, Girish Karnad and Arshia Sattar had extensive conversations about his work, his life, and the concerns that had occupied him over almost sixty years as a writer and a public intellectual. This podcast is a distillation of those freewheeling conversations, a short intellectual biography to celebrate the life and work of one of India’s finest playwrights and thinkers. In this series, we hear Girish talk about Kannada literature, existentialism, making of modern Indian theatre, the art and craft of playwriting, and his life as a public intellectual. The series is hosted by Arshia Sattar and Anmol Tikoo, with special guests such as Vivek Shanbhag, Shanta Gokhale, and Sunil Shanbag, who provide the context for Girish’s comments. Each episode also contains scenes from his plays read by members of Bangalore’s theatre community. The readings show us how closely his philosophical and political ideas were to what he wrote. They also provide an opportunity for audiences, particularly those who might not be already familiar with Girish’s works, to experience the power of his work. The title for the series is taken from the song in Hayavadana (Kannada title), a song which has been musically recreated for us by Pallavi MD and Konarak Reddy. Apart from the fact that Neerina Mele Chitra remains one of Kannada’s most beloved ranga geethe, we found it to be particularly evocative as we remember a man who profoundly impacted India’s cultural arena in the last half of the 20th century. This podcast series, we hope, will bear witness to Girish Karnad, a man who gave us so much to remember, but also so much to take forward.