The Art Angle

Alison M. Gingeras, a curator and art historian who recently organized The Woman Question exhibition at the Museum of Modern Art in Warsaw, delves into the historical and contemporary landscape of women artists. She explores the origins of the 'woman question' from Christine de Pizan to the self-portraits of artists like Artemisia Gentileschi. Alison discusses forgotten female artists and the evolving dynamics of all-women exhibitions, while emphasizing the importance of inclusivity and the continuous narrative of women in art.

Chika Okeke-Agulu, an art historian and Princeton professor, dives into the rich landscape of Nigerian modernism. He reveals how artists navigated the turbulence of postcolonial identity through innovative styles. From Aina Onabolu's tension with European realism to Uche Okeke's theory of natural synthesis, the conversation explores the revival of ancestral forms in contemporary art. Chika also addresses the impact of the Civil War on artistic expression, highlighting powerful works that emerged from this challenging period.

Jo Lawson-Tancred, an Artnet European news reporter, joins to dissect the $102 million heist at the Louvre, exposing security gaps and the thieves' questionable tactics. She also shares insights from Art Basel Paris and Frieze London, noting a tentative market recovery and Paris's rising influence. Plus, they dive into the Sora 2 AI app, debating whether it boosts or compromises video art. Lawson-Tancred raises concerns about AI's impact on creativity while hoping it reignites appreciation for human craftsmanship.

Jeanette Andrews, a former professional magician turned artist, captivates with her unique blend of magic and contemporary art. She explores how magic can express complex concepts rather than merely entertain. Andrews discusses her groundbreaking projects that intertwine the science of perception with illusion, including performances that challenge viewers' expectations. She reveals her work inspired by CIA spycraft, highlighting magic's role in manipulating attention and belief. Andrews proves that magic can find a vital place in museums, inviting us to rethink its significance.

Andrew Adams, a seasoned prosecutor with a focus on art-related financial crimes, shares insights on the dramatic capture of dealer Inigo Philbrick in Vanuatu. He discusses the DOJ and FBI's unique approaches to investigating art fraud, including the importance of financial trails and victim tips. As Philbrick faces charges for a staggering $86 million fraud, the conversation dives into the repercussions of his actions and whether he could ever regain his place in the art world. The episode illuminates the evolving landscape of money laundering in the art industry.

Nicole Coolidge Rousmaniere, a curator specializing in Japanese art and manga, discusses her latest project, the Art of Manga exhibition at the De Young Museum. She delves into manga's intriguing historical roots, linking it to Japanese art, and explores its rise in museums today. Nicole shares anecdotes about commissioning works at the British Museum and the significant impact of the 2019 exhibition. She highlights how manga, defined by its unique visual language, can connect modern audiences through its compelling storytelling and artistic expression.

Art World Infamy is a special series from the team behind The Art Angle, investigating the scandals and schemes that have rocked the art world. In the first chapter, told over four episodes, senior market reporter Eileen Kinsella unravels the rise and fall of dealer Inigo Philbrick.   After a bombshell $13 million lawsuit from angry collectors, Inigo Philbrick vanished. What followed was a cascade of international claims from clients who had entrusted him with millions, drawn in by his supposed Midas touch in the art market. From art fairs to gallery openings to gala dinners, the question on everyone’s lips was the same: Where’s Inigo? In this third episode, we examine the fallout from Philbrick’s fraudulent deals, and the frenzy that erupted in the art world after his sudden disappearance.

Join Margaret Carrigan, a news editor and host specializing in art market insights, as she tackles the existential challenges facing museums today. They dive into the impact of federal funding cuts and rising political scrutiny in the U.S., as well as the collapse of China's private museum boom. The conversation also highlights ethical dilemmas around corporate sponsorships and new strategies for revenue diversification. Margaret emphasizes that next-gen donors crave holistic engagement, pushing museums towards innovative, collaborative models for survival and relevance.

Art World Infamy is a special series from the team behind The Art Angle, investigating the scandals and schemes that have rocked the art world. In the first chapter, told over four episodes, senior market reporter Eileen Kinsella unravels the rise and fall of dealer Inigo Philbrick.   Long before headlines exposed his $86 million fraud, Inigo Philbrick was just another ambitious intern at one of the most powerful galleries in the world. Then a student at Goldsmiths College, Philbrick caught the attention of legendary dealer Jay Jopling and landed a coveted internship at White Cube—the gallery that defined 1990s London, and launched the YBAs (Young British Artists) including Damien Hirst and Tracey Emin. In this second episode, we explore how Philbrick so quickly ingratiated himself into the upper echelons of the art world that, within just a few years, he was running his own eponymous gallery. With hindsight, were there early warning signs of what was to come that the art world failed to see?

Dive into the wild story of Inigo Philbrick, once the darling of the art world, who built an $86 million empire based on deception. Discover the chaotic landscape of art transactions marked by complex disputes and overlapping ownership claims. Fans of high-stakes drama will love the insights on how fractional ownership can lead to risky investments. The episode explores the glamorous, yet dangerous mixing of art and speculative markets, set against the backdrop of iconic sales like Jeff Koons’s Rabbit.