Great Audiobooks

It’s 2072, sixty years after the scarlet plague has depopulated the planet. James Howard Smith is one of the few survivors of the pre-plague era left alive in the San Francisco area, and as he realizes his time grows short, he tries to impart the value of knowledge and wisdom to his grandsons. Through his narrative, we learn how the plague spread throughout the world and of the struggles of the handful of survivors it left in its wake.  The Scarlet Plague was originally published in London Magazine in 1912. (Adapted from Wikipedia.)  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consumers of biography are familiar with the division between memoirs of the living or recently dead written by those who "knew" the subject more or less intimately, and the more objective or scholarly accounts produced by later generations.  In the case of Wilde, as presented to us by Frank Harris, we are in a way doubly estranged from the subject. We meet with Oscar the charismatic talker, whose tone of voice can never be reproduced – even if a more scrupulous biographer had set down his words accurately.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy