Great Audiobooks

Thomas Mann’s epic novel depicts a decaying, corrupted European society on the eve of the First World War. Set in a luxurious sanatorium high up in the Swiss mountains, we follow the destinies of a variety of exotic characters – members of a bourgeois elite drawn from all parts of Europe.Most suffer from consumption, dream of a cure - yet are at the same time squeezing as much pleasure and distraction as they can out of a situation ever-shadowed by sickness, pain, and death. Part surreal comedy, part grim tragedy, part allegory, and part novel of ideas, Mann’s novel is regarded by many as one of the key literary texts of the twentieth century.Translated by Helen Tracy Lowe-Porter.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Anyone, as Freud tells us in Reflections on War and Death, forced to react against his own impulses may be described as a hypocrite, whether he is conscious of it or not. One might even venture to assert—it is still Freud's argument—that our contemporary civilisation favours this sort of hypocrisy and that there are more civilised hypocrites than truly cultured persons, and it is even a question whether a certain amount of hypocrisy is not indispensable to maintain civilisation. When this travesty of civilisation, this infallible state that has regimented and dragooned its citizens into obedience, goes to war, Freud is pained but not surprised that it makes free use of every injustice, of every act of violence that would dishonour the individual, that it employs not only permissible cunning but conscious lies and intentional deception against the enemy, that it absolves itself from guarantees and treaties by which it was bound to other states and makes unabashed confession of its greed and aspiration to power. For conscience, the idea of right and wrong, in the Freudian sense, is not the inexorable judge that teachers of ethics say it is: it has its origin in nothing but "social fear," and whereas in times of peace the state forbids the individual to do wrong, not because it wishes to do away with wrongdoing but because it wishes to monopolise it, like salt or tobacco, it suspends its reproach in times of war. The suppression of evil desires also ceases, and men, finding the moral ties loosened between large human units, commit acts of cruelty, treachery, deception and brutality the very possibility of which would have been considered incompatible with their degree of culture.Translated by Abraham A. Brill and Alfred B. Kuttner.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Anyone, as Freud tells us in Reflections on War and Death, forced to react against his own impulses may be described as a hypocrite, whether he is conscious of it or not. One might even venture to assert—it is still Freud's argument—that our contemporary civilisation favours this sort of hypocrisy and that there are more civilised hypocrites than truly cultured persons, and it is even a question whether a certain amount of hypocrisy is not indispensable to maintain civilisation. When this travesty of civilisation, this infallible state that has regimented and dragooned its citizens into obedience, goes to war, Freud is pained but not surprised that it makes free use of every injustice, of every act of violence that would dishonour the individual, that it employs not only permissible cunning but conscious lies and intentional deception against the enemy, that it absolves itself from guarantees and treaties by which it was bound to other states and makes unabashed confession of its greed and aspiration to power. For conscience, the idea of right and wrong, in the Freudian sense, is not the inexorable judge that teachers of ethics say it is: it has its origin in nothing but "social fear," and whereas in times of peace the state forbids the individual to do wrong, not because it wishes to do away with wrongdoing but because it wishes to monopolise it, like salt or tobacco, it suspends its reproach in times of war. The suppression of evil desires also ceases, and men, finding the moral ties loosened between large human units, commit acts of cruelty, treachery, deception and brutality the very possibility of which would have been considered incompatible with their degree of culture.Translated by Abraham A. Brill and Alfred B. Kuttner.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Albert Bigelow Paine was Samuel Langhorne Clemens' (Mark Twain's) biographer. He lived with Twain, collecting ideas and material for a biography, for a few years before Twain's death in 1910. Six years later Paine published this "story of a man who made the world laugh and love him".For those who have read or listened to Mark Twain's works, Paine's work is an invaluable resource to better understand Twain, the stories behind his stories and his life with those he loved and with whom he worked.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Albert Bigelow Paine was Samuel Langhorne Clemens' (Mark Twain's) biographer. He lived with Twain, collecting ideas and material for a biography, for a few years before Twain's death in 1910. Six years later Paine published this "story of a man who made the world laugh and love him".For those who have read or listened to Mark Twain's works, Paine's work is an invaluable resource to better understand Twain, the stories behind his stories and his life with those he loved and with whom he worked.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Albert Bigelow Paine was Samuel Langhorne Clemens' (Mark Twain's) biographer. He lived with Twain, collecting ideas and material for a biography, for a few years before Twain's death in 1910. Six years later Paine published this "story of a man who made the world laugh and love him".For those who have read or listened to Mark Twain's works, Paine's work is an invaluable resource to better understand Twain, the stories behind his stories and his life with those he loved and with whom he worked.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Albert Bigelow Paine was Samuel Langhorne Clemens' (Mark Twain's) biographer. He lived with Twain, collecting ideas and material for a biography, for a few years before Twain's death in 1910. Six years later Paine published this "story of a man who made the world laugh and love him".For those who have read or listened to Mark Twain's works, Paine's work is an invaluable resource to better understand Twain, the stories behind his stories and his life with those he loved and with whom he worked.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Albert Bigelow Paine was Samuel Langhorne Clemens' (Mark Twain's) biographer. He lived with Twain, collecting ideas and material for a biography, for a few years before Twain's death in 1910. Six years later Paine published this "story of a man who made the world laugh and love him".For those who have read or listened to Mark Twain's works, Paine's work is an invaluable resource to better understand Twain, the stories behind his stories and his life with those he loved and with whom he worked.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy