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A young Easterner, Hollis, a newspaper reporter, arrives in a small western town, to inherit his father’s ranch and his newspaper. He discovers that the town and the entire county are controlled by an unscrupulous cattleman, Dunlavey. This guy is a law unto himself, stealing cattle from his neighbors, who are powerless to defend themselves because he also owns the local sheriff. Can Hollis overcome these obstacles and insure that the county is run by the rule of law?  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A young Easterner, Hollis, a newspaper reporter, arrives in a small western town, to inherit his father’s ranch and his newspaper. He discovers that the town and the entire county are controlled by an unscrupulous cattleman, Dunlavey. This guy is a law unto himself, stealing cattle from his neighbors, who are powerless to defend themselves because he also owns the local sheriff. Can Hollis overcome these obstacles and insure that the county is run by the rule of law?  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A short travelogue of Egypt, this book was written as part of an early 20th century series of travelogues on exotic destinations.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A short travelogue of Egypt, this book was written as part of an early 20th century series of travelogues on exotic destinations.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

El Castillo Interior or Las Moradas (trans.: The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa,  "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures."  With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century.  An English translation was published in London in 1852. (Adapted from Wikipedia.)  Translated by John Dalton.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

El Castillo Interior or Las Moradas (trans.: The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa,  "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures."  With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century.  An English translation was published in London in 1852. (Adapted from Wikipedia.)  Translated by John Dalton.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

El Castillo Interior or Las Moradas (trans.: The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa,  "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures."  With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century.  An English translation was published in London in 1852. (Adapted from Wikipedia.)  Translated by John Dalton.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

El Castillo Interior or Las Moradas (trans.: The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa,  "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures."  With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century.  An English translation was published in London in 1852. (Adapted from Wikipedia.)  Translated by John Dalton.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

El Castillo Interior or Las Moradas (trans.: The Interior Castle or The Mansions) was written by Saint Teresa of Ávila in 1577. After being ordered to write her autobiographical La Vida de la Santa Madre Teresa de Jesús (The Life of S. Teresa of Jesus), Teresa was hesitant to begin writing again on her views of the perfection found in internal prayer. In the hands of the Inquisition at that time, her Life was commonly believed to be the weight in the scale of whether to call her experiences heretical or not. Her humility and claims that, “I am not meant for writing; I have neither the health nor the wits for it,” almost prevented Teresa from composing The Interior Castle. However, according to a letter written by Fray Diego, one of Teresa’s former confessors, Teresa was finally convinced to write her book after a she received a vision from God. Diego wrote that God revealed to Teresa,  "...a most beautiful crystal globe, made in the shape of a castle, and containing seven mansions, in the seventh and innermost of which was the King of Glory, in the greatest splendour, illumining and beautifying them all. The nearer one got to the centre, the stronger was the light; outside the palace limits everything was foul, dark and infested with toads, vipers and other venomous creatures."  With that, Interior Castle was born. It contained the basis for what she felt should be the ideal journey of faith, comparing the contemplative soul to a castle with seven successive interior courts, or chambers, analogous to the seven heavens. Teresa's consumption of chivalric romances as a child subsequently influenced such imagery, which is prevalent in many of her mystical works. It is also not unduly speculative that living in a walled city like Ávila must have influenced her thinking. The concept of an "interior" life is still important in Spanish thinking in the twenty-first century.  An English translation was published in London in 1852. (Adapted from Wikipedia.)  Translated by John Dalton.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy