Today we’re talking with Oscar nominee and multiple BAFTA nominee Barney Pilling, ACE about editing Wes Anderson’s Asteroid City. Barney has been nominated for BAFTAs for his editing of Spooks, Life on Mars, and The Grand Budapest Hotel. He was also nominated for a BAFTA and won an ACE Eddie for The Grand Budapest Hotel.  His other work includes Mrs. Harris Goes to Paris, Annihilation, and Suffragette. Also, numerous TV series including Outcasts, Playhouse Presents, and Mum. 

Today we’re talking with Michael Andrews, ACE, editor of the incredible animated feature, Spider-Man: Across the Spider-Verse. Anyone who has seen this has to just be in awe of how something like this got made - and Mike’s gonna shed some light on that for us. Mike’s credits include editing Paws of Fury: The Legend of Hank, The SpongeBob Movie: Sponge on the Run, Mr. Peabody and Sherman, Megamind, Shrek, Shrek 2, and Shrek the Third. When you figure that each of those was probably a multi-year commitment, that is a lot of animation editing experience. There are some truly amazing behind the scenes facts in this interview.

Today we’re talking with three of the editors of the Disney Plus series, Andor - John Gilroy, ACE. Yan Miles, ACE and Simon Smith. John Gilroy, ACE is an editor and also a producer on the series. He was nominated for a BAFTA and an ACE Eddie for the feature film Michael Clayton. And he was nominated for an ACE Eddie and a BAFTA for Nightcrawler. His feature work includes Rogue One: A Star Wars Story, Suicide Squad, Pacific Rim, The Bourne Legacy, and Salt, among many others.  Yan Miles, ACE has edited some of the great TV series of recent years including Game of Thrones and Band of Brothers.  He won an Emmy and was nominated for an ACE Eddie for The Crown and he won an Emmy, a BAFTA and an ACE Eddie for Sherlock.  Simon Smith has been on Art of the Cut before when he won the Emmy, the BAFTA and the ACE Eddie for Chernobyl. He also recently won the ACE Eddie for cutting the “One Way Out” episode of Andor. 

Today we’re talking with two of the editors of the TV series, The Last of Us - Timothy Good, ACE and Emily Mendez. Tim edited the feature Dead Man Down and numerous TV series including The Umbrella Academy, The Resident and others. Emily Mendez was an assistant editor on all 9 episodes of The Last of Us and editor for four of them. She was an assistant editor on TV series like The Umbrella Academy and The Resident, and an editor on the series Light as a Feather. 

Today is the 400th episode of Art of the Cut. We’re talking with two of the editors of the TV series, Wednesday. They are Jay Prychidny, CCE and Ana Yavari. Jay joined us just a few months ago to chat about editing Scream 6. Jay has won or been nominated for numerous Canadian Cinema Editors Awards for projects including The Alienist, Orphan Black, Canada’s Next Top Model, The Next Step, and Lost and Found Music Studios. He also won a BAFTA for The Next Step. His other credits include the TV series Snowpiercer, Altered Carbon, and Wednesday. Ana edited the TV series From, which is currently airing. She was also an editor on The Handmaid’s Tale, and The Hardy Boys.

Today we’re talking with the editors of the TV series, Poker Face. Those editors are Bob Ducsay, ACE, Glenn Garland, ACE, Paul Swain, and Shaheed Qaasim. Bob’s been on the show several times, most recently for the two Knives Out mysteries. He also edited Star Wars: The Last Jedi, Looper, Godzilla King of the Monsters, and Rampage among many others. Glenn is a fellow editing podcaster himself. He hosts the Editors on Editing podcast, so the pressure is on. His work includes King of California and Halloween. Paul’s work includes The Unicorn, Brockmire, and Guilty Party. Shaheed’s work includes A Black Lady Sketch Show, which has been featured on Art of the Cut, The Walking Dead: World Beyond, Modern Family, and Deadwood.

Today we’re talking with the editor of the TV series, Star Trek: Picard. Discussing season 3, is editor Drew Nichols, who is also an associate producer on the show. Drew started off in reality and documentary programming about 15 years ago and transitioned into scripted as an assistant editor on great shows like Mad Men and True Detective. He moved into the scripted  television editors chair on 12 Monkeys, The In Between, American Cartel, and MacGyver. 

Today we’re talking with Harry Yoon, ACE, Laura Zempel, Jordan Kim, and Nat Fuller about the TV series Beef. This is the first in a series of six Art of the Cut episodes leading up to Emmy voting. Upcoming shows will feature editors from Andor, Picard, Poker Face, The Last of Us, and Wednesday. Harry Yoon has been on Art of the Cut many times before, most recently for the film, Minari, but also for the films Detroit, Shang-Chi and the Legend of the Ten Rings, and Best of Enemies. Harry was also an editor on the TV series Euphoria. Laura Zempel was also a previous guest on our Euphoria episode. She’s also been an editor on the TV series Dispatches from Elsewhere. Jordan Kim’s credits - among others - include Portlandia, Yo Gabba Gabba, Awkwafina is Nora from Queens, and the great satirical show Documentary Now which was featured on Art of the Cut several years ago Finally, Nat Fuller edited the Film The Peanut Butter Falcon, with Kevin Tent, ACE. He was also an editor on numerous episodes of Stranger Things among other projects. 

Today on Art of the Cut, editors Fred Raskin, ACE and Greg D'Auria discuss the editing of James Gunn's Guardians of the Galaxy: Volume 3. Fred’s been a guest on Art of the Cut for Quentin Tarantino's Hateful Eight. He was also a guest for Once Upon a Time in ... Hollywood. He was on for the previous Guardians movie and for The Suicide Squad. He also edited the first Guardians movie, Django Unchained, Fast and Furious, Fast And Furious: Tokyo Drift, and Fast Five. Greg is also an alum of the Fast movies, having cut Fast and Furious 6, and Fast 9. His other work includes Star Trek: Beyond, among others. Raskin and D'Auria go back as assistant editors, both working on Kill Bill: Volume 1 under the legendary Sally Menke. They were also both editors on Bone Tomahawk.

Today we’re talking with Langdon Page, one of the two editors on the  Oscar and BAFTA-winning documentary, Navalny. For which the editors won a British Film Editors award and were nominated for an ACE Eddie. Langdon’s credits include documentaries including Detainee 1, The Cost of Silence, and Maplethorpe: Look at the Pictures. He’s also edited the feature film Mary. Navalny was co-edited with Maya Hawke, who was unable to join the discussion.