Today on Art of the Cut, we’re talking with Kirk Baxter, ACE, about editing David Fincher’s latest: The Killer, which is now on Netflix. Kirk’s been on Art of the Cut before - for Gone Girl and for Mank. He was nominated for an Oscar, a BAFTA and an ACE Eddie for The Curious Case of Benjamin Button. He won an Oscar, a BAFTA and an ACE Eddie for The Social Network. He was nominated for an ACE Eddie and won an Oscar for The Girl with the Dragon Tattoo. Was nominated for an Emmy for House of Cards. Was nominated for an ACE Eddie for Gone Girl. Was nominated for an ACE Eddie for Mindhunter. Was nominated for an ACE Eddie for Mank and won an ACE Eddie for Love, Death and Robots.

Today on Art of the Cut, we’re talking with Dean Zimmerman, ACE about the limited Netflix series, All the Light We Cannot See, directed by his long-time collaborator, Shawn Levy. Dean’s been on Art of the Cut before for “Free Guy” and “Stranger Things” and “Mazerunner.” He’s part of a legendary editing family, headed by his father Don Zimmerman, who just received the Lifetime Achievement Award from the American Cinema Editors this year. Dean won an Emmy and was nominated for an ACE Eddie in 2017 for Stranger Things. And then in 2020, two more Emmy nominations for Stranger Things. Other work includes The Adam Project, Holmes and Watson, and Night At the Museum: Secret of the Tomb. Don't forget that you can READ this interview with visuals like clips, trailers and the occasional timeline screenshot at: borisfx.com/blog/aotc

Today on Art of the Cut, it’s my pleasure to speak with legendary editor Thelma Schoonmaker, ACE, about working with her legendary director, Martin Scorsese, about their latest film, “Killers of the Flower Moon.” Thelma’s filmography includes editing eight Oscar Best Picture nominated films.  She was nominated for her first Oscar for Best editing for “Woodstock” in 1971. Her co-editor on that film was Martin Scorsese, actually.  She won an ACE Eddie, a BAFTA and an Oscar for editing "Raging Bull." She won a BAFTA and was nominated for an Oscar and an ACE Eddie for “Goodfellas.” Nominated for an ACE Eddie for “Casino.” Won an ACE Eddie and was nominated for a BAFTA and an Oscar for “Gangs of New York.” Nominated for a BAFTA and won an ACE Eddie and an Oscar for “The Aviator.” Nominated for a BAFTA and won an ACE Eddie and the Oscar for “The Departed.” Nominated for an ACE Eddie, a BAFTA and an Oscar for “Hugo.” Nominated for an ACE Eddie and a BAFTA for “Wolf of Wall Street.”  Nominated for an ACE Eddie a BAFTA and an Oscar for “The Irishman.”  And was awarded a career achievement award by the American Cinema Editors. 

Today on Art of the Cut, it’s my pleasure to speak with Errol Morris’s longtime editor, Steven Hathaway. This discussion is about Morris’s latest documentary, The Pigeon Tunnel, about one of the world’s most famous novelists… and spy, John le Carre. The film recently released in theaters and is currently streaming on Apple Plus. Hathaway has edited several films for Morris including American Dharma, The Unknown Known, and Standard Operating Procedure. He was also an associate editor on Morris’s Oscar-winning documentary “The Fog of War.” Be sure to read along and check out the Avid timeline and other visual elements on borisfx.com/blog/aotc.

Today on Art of the Cut, it’s my pleasure to speak with ACE Eddie-winning and Emmy-winning editor, Taylor Mason, ACE, about the film Birth/Rebirth, which was in theaters earlier this year and is now available on Amazon Prime or Apple TV. Previously, Taylor has edited A Black Lady Sketch Show, Dahmer: Monster - The Jeffrey Dahmer Story, and Pose. She’s also been an assistant editor on Bladerunner 2049, Dune, and DC League of Super-Pets. Read along with the podcast for visuals and videos and even a timeline! Visit borisfx.com/blog/aotc/ https://podcasters.spotify.com/pod/show/art-of-the-cut/episodes/BIRTH-REBIRTH-e2b2p8s

Today on Art of the Cut, we speak with Darrin Navarro, ACE, who started his career with the legendary Roger Corman and has edited films including The Lovers, The End of the Tour, Killer Joe and I Love Dick.  Darrin has worked with legendary director William Friedkin for years, starting as an assistant editor. Novarro talks about The Caine Mutiny Court Martial - his final collaboration with Friedkin - who passed away recently. Check out the blog of this podcast here: https://borisfx.com/blog/aotc/caine-mutiny-court-martial/

Today on Art of the Cut, we speak with one of the editors of the movie The Burial. Edited by Lee Percy, ACE and Jay Cassidy, ACE - BOTH have been guests on Art of the Cut in the past. This time around, we spoke with Lee about his work on the film. Lee previously spoke to Art of the Cut about his work on The Mountain Between Us. Lee won an ACE Edie back in 1995 for his work on the film, Against the Wall. He won an Emmy for his work on Grey Gardens and another Eddie for the film, Taking Chance. If you want to READ this interview with visual support and clips and trailers, go to  https://borisfx.com/blog/aotc/the-burial

Today on Art of the Cut, we speak with four members of the editorial team for Gareth Edwards film, “The Creator.” Joining me to discuss the challenges and rewards of this film are Oscar winning editor, Joe Walker, ACE. Also Oscar-nominated editor, Hank Corwin, ACE. We’ll also be talking to Scott Morris, and an old friend Job ter Burg, ACE - NCE, who served as additional editor. Walker’s credits - just the ones he’s been on Art of the Cut for in the past - include 12 Years a Slave, Sicario, Arrival, Widows, Bladerunner 2049, and Dune, for which he won the Oscar. Corwin was nominated for Oscars for Don’t Look Up, Vice, and The Big Short, for which he won the ACE Eddie. He’s also been nominated for an ACE Eddie for “The Horse Whisperer” and was an additional editor on “JFK” which won the Oscar for Best Editing. Scott Morris edited the feature Armageddon Time, and was an additional editor on Don’t Look Up and Ad Astra. Job ter Burg, ACE and NCE, his films include Benedetta, Elle, Brimstone, Black Book and The Informer.

Today on Art of the Cut, we speak with director, Rudy Valdez, and his editor Viridiana Lieberman about the new documentary, Carlos about guitar legend, Carlos Santana.  Rudy is a two-time Emmy Award-winning filmmaker. His HBO documentary The Sentence was a Sundance Audience Award-winner. He’s also worked on numerous other projects as a cinematographer. Viri, also worked on The Sentence with Rudy as his editor, and she’s a director in her own right, directing the ESPN documentary, Born to Play, which she also edited. Together, she and Rudy are off on their next project already, a documentary series called Choir.

Today on Art of the Cut, we speak with Lucy Donaldson, the editor of Kenneth Branagh’s latest film, “A Haunting in Venice.”  Lucy’s feature film work includes Unspoken, Breaking News in Yuba County, Ma, Stuck, and Choice.