The Biblio File hosted by Nigel Beale

Founded in Minnesota in 1980 by Emilie Buchwald and R.W. Scholes, Milkweed Editions is one of America's leading independent, nonprofit literary publishers, releasing between fifteen and twenty new books each year in fiction, nonfiction, poetry, and children's literature. Much of its nonfiction is addresses critical environmental issues and works to expand ecological consciousness. Milkweed’s authors come from Minnesota and around the world. Today more than one million Milkweed books are in circulation. Collectively they have received more than 190 awards and special designations, including the Los Angeles Times Book Prize for Poetry, two American Book Awards, the Liberatur Prize for Fiction, seven New York Times Book Review Notable Books of the Year, and ten Minnesota Book Awards. Milkweed’s mission, which combines an emphasis on the literary arts with a concern for the fabric of society, leads it to be active in the Minneapolis community in ways that demonstrate the social relevance of literary writing. I met with co-founder Emilie Buchwald to talk about the history of Milkweed, and how interested parties might go about collecting its books.

Hard not to like Randy Bachman. He's smart, friendly, interested, passionate...and a collector. Why a collector? Because in 1976 his favourite guitar was stolen from a Toronto hotel room, and he wanted to get it back. What? A late-1950s orange Gretsch guitar, the Chet Atkins model.Bachman used it -- "my first real professional guitar" -- on the Guess Who hit Shakin' All Over, and later for Bachman-Turner Overdrive's Takin' Care of Business. He has yet to find it. Not all was lost however. Thirty years of hunting, on and off line, through music stores, pawn shops, websites and garage sales resulted in the world's largest and finest collection of Gretsch electric guitars. This trove of roughly 380 instruments was sold to the Gretsch company several years ago for its museum in Savannah, Ga. I met with Bachman in Ottawa - he was here to promote his new book Randy Bachman's Vinyl Tap Stories, a written telling of stories told on his popular CBC radio program of the same name. Please listen here as we discuss the madness and wonder that is guitar, vinyl and book collecting. Budding collectors: be sure to note the records he suggests you go after.

Coffee House started out as the Toothpaste Press in Iowa in the early 1970s. Founded by Allan Kornblum after taking a University of Iowa typography course with the famed printer Harry Duncan, this small publishing house dedicated itself to producing poetry pamphlets and letterpress books. After 10 years, Kornblum closed the press, moved to Minneapolis, reopened it as a nonprofit organization, and began publishing trade books.  In the early 1990s, books such as Donald Duk by Frank Chin and Through the Arc of the Rainforest by Karen Tei Yamashita (a 1991 American Book Award winner) drew national attention and helped cement the press's reputation as a publisher of exceptional works by writers of color. According to Kornblum, Coffee House has actively published writers of color as writers, "as representatives of the best in contemporary literature, first and foremost—then, only secondly, as representatives of minority communities." This could well be the press's most important contribution to American literature. In July 2011, after a two-year leadership transition process, Kornblum stepped down to become the press’s senior editor. Chis Fischbach, who began at the press as an intern in 1994, succeeded him as publisher. Coffee House has published more than 300 books, and releases 15-20 new titles each year. It is known for long-term commitment to the authors it chooses to publish, and is currently located in the historic Grain Belt Bottling House in Northeast Minneapolis, where I met with Kornblum to conduct this interview. Please note: Allan Kornblum died in November, 2014 

In 1965, Stan Bevington, moved to Toronto from Edmonton, rented an old coach house, installed an antique Challenge Gordon platen press and set up Coach House Press. Over the years his small publishing house introduced the world to the early works of bpNichol, Michael Ondaatje, Margaret Atwood, George Bowering, Frank Davey, Ann-Marie MacDonald, Anne Michaels and many other important Canadian writers. Known for its experimental production techniques and innovative designs, Coach House has published more than 500 titles of its own since 1965, and printed thousands more for other presses, libraries and art galleries. In addition to employing some of Canada's greatest type and book designers, Bevington also kept Coach House at the forefront of  new printing and computer technology advancements, collaborating with artists, programmers and e–book designers. He has lectured at York University and the Rochester Visual Studies Workshop, at the Banff Publishing workshop and Radcliffe at Harvard, and has received numerous grants, prizes, honourary degrees and life time achievement awards for his work in publishing and the Arts. We met in Toronto, outside the Coach House premises, to talk about the history of the Press, and, more specifically, about those books, among the many it has published, that might be of greatest interest to the collector.   

George Walker is a wood engraver, book artist, author, illustrator and educator who has taught courses at the Ontario College of Art & Design since 1985. For over twenty years he has exhibited his wood engravings and limited edition books internationally. Among many book projects, George has illustrated two hand-printed editions written by Neil Gaiman. He is the author of The Inverted Line (2000 Porcupine's Quill), Images From the Neocerebellum (Porcupine's Quill 2007), The Woodcut Artist's Handbook (Firefly Books 2005), and Graphic Witness (Firefly Books 2007). Elected to the Royal Canadian Academy of Art in 2002, Walker belongs to The Loving Society of Letterpress Printers, The Binders of Infinite Love and the Canadian Bookbinders and Book Artists Guild (CBBAG). I met with George and his partner/wife Michelle Hogan-Walker in Ottawa over breakfast. We talked about the various presses that the two of them have owned and operated, about his oeuvre, and his book collecting habit. Finally, we discuss Frans Masereel,  Max Ernst , and Laurence Hyde, and the thread that traces Walker's work back to the early part of the last century. 

Johanna Skibsrud's debut novel The Sentimentalists won the 2010 Scotiabank Giller Prize and the 2009 Alcuin Award for best designed work of prose fiction, the first book ever to achieve this double win. The Sentimentalists was first published by Gaspereau Press, a highly regarded small press based in Kentiville Nova Scotia, in a print run of 800 copies. The firm had difficulty filling demand for the book after it won the Giller. Chapters-Indigo, Canada's dominant bookstore chain, claimed not to have any of the books in stock anywhere in Canada during the week the Giller was announced. One result was a significant increase in ebook sales; the novel quickly became the top-selling title in the Kobo ebookstore. Within about two weeks Gaspereau announced that it had sold trade paperback rights to Douglas & McIntyre; at the same time it continued to print small runs of the novel in its original format. As if this weren't enough, Giller juror Ali Smith, a British writer, spoke to literary agent and friend Tracy Bohan about the book before it was long-listed. Just days before the long-list was announced, Bohan secured a deal for the rights to distribute the book internationally. She subsequently sold the book to her boyfriend, Jason Arthur, a director of Random House UK imprint William Heinemann. According to The National Post, Andrew Steeves, co-owner of Gaspereau Press, says he received an email from Skibsrud in which “She told me that Tracy Bohan had contacted her and that an author, Ali Smith, had recommended that Tracy read The Sentimentalists.” Before the long-list was revealed in September, “Tracy was very interested in making a deal with me that morning.” After the long-list was revealed, Steeves admitted, “it looked a little funny to me.” I met with Skibsrud in Ottawa. We talked about all of the events surrounding publication of The Sentimentalists (surly already, despite its short life, one of the most storied books in Canadian publishing history) and about the book itself as object.  Skibsrud has also published two books of poetry, including Late Nights with Wild Cowboys in 2008. The Sentimentalists was written for her Master's thesis at Concordia University. She lives in Tuscon Arizona.   

Etgar Keret is an Israeli writer known for his short stories, graphic novels, and scriptwriting for film and television. His first work, a collection of short stories, was largely ignored when it was published in 1992. His second book, Missing Kissinger, a collection of fifty very short stories, was a hit. The story "Siren", which deals with paradoxes in modern Israeli society, is included in the curriculum for the Israeli matriculation exam in literature. Keret has co-authored several comic books, written a children's book (Dad Runs Away with the Circus) and served as a writer for the popular TV show The Cameri Quintet . He and his wife Shira directed the 2007 film Jellyfish, based on a story written by Shira. This is what we talked about when we met earlier this year in Ottawa. Please listen here:

  Whilst in Texas recently I did what all crazed literary tourists do, I checked around for listings of interesting conferences that were taking place at the time, in the area. The Popular Culture Association was holding one in San Antonio, and this is where I caught up with Cheryl Torsney, (at the time Dean of Hiram College, now Interim Provost and Vice President for Academic Affairs at the State University of New York at New Paltz), who was delivering a paper called Collecting as Pedagogy. We talk about it. 

  James Keeline liked to take apart radios as a young boy. He was also interested in space technology and computers. While in school he worked for a used bookstore. He ended up managing the place and running its web site and computer network. He also started researching and writing about children's series books. His particular interest and expertise is the Stratemeyer Syndicate and its founder Edward Stratemeyer. I met James recently in San Antonio to talk about collecting the Tom Swift series of books. 

Whilst in the Lone Star state, Texas, I had the opportunity to meet and talk with Kathy Doyle Thomas, Executive Vice President at Half Price Books' headquarters in Dallas. The company has been in business now for almost 50 years and has enjoyed considerable success, some say at the expense of independent used bookstores. I met with Doyle, who, incidentally serves as Chairman of the Retail Advertising Marketing Association (RAMA), a division of the National Retail Federation, to talk about this and other topics of interest to those who sell used and rare books.