EU Scream

The European Union has embarked on a push against racism amid protests following the killing of George Floyd. But important questions remain about whether some EU leaders and policies, and the bloc’s broadly federalist priorities, are the best choices for achieving that goal. Mehreen Khan, EU correspondent for the Financial Times, assesses the anti-racism credentials of the European Commission under the leadership of President Ursula von der Leyen. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Computing known as artificial intelligence sorts vast amounts of data — faces, our web browsing habits, even our gestures — into automated predictions used by companies and governments. The technology holds great promise for applications like diagnosing disease and preventing catastrophes. Yet it can exacerbate discrimination and inequality, and be used to erode democracy. Despite concerns about human rights and civil liberties, and about the activities of companies like Clearview AI and Palantir Technologies, European Union authorities are shaping a 21st-century industrial policy around artificial intelligence. That includes opening access to vast amounts of data — data from both the private and the public sectors — in the name of innovation and entrepreneurship. Critics warn that Europe could find itself in an untenable position, caught between upholding privacy ethics that have helped burnish its global reputation, and seeking to boost its competitiveness and security by promoting intrusive industries. We speak with four experts and legislators about how to keep A.I. safe for citizens: Samira Rafaela, a Dutch member of the European Parliament; Joanna Bryson, professor of Ethics and Technology at the Hertie School in Berlin; Sarah Chander, senior policy adviser for the European Digital Rights Association, EDRi; and Patrick Breyer, a member of the European Parliament who represents the German Pirates in alliance with the Greens. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Standing up to bullies was ingrained in Frans Timmermans from his schooldays. The Dutchman came to prominence six years ago as his country's foreign minister with an emotional speech at the United Nations. Russian-backed separatists had shot down Flight MH17 packed with Dutch nationals, and Timmermans channelled the sentiments of a shocked nation to the world. In his next job as first vice president of the European Commission, he squared off with right-wing populists like the U.K.’s Nigel Farage and with autocratically minded leaders in Hungary and Poland. Last year Timmermans, a member of the Dutch Labour Party, led a passionate and energetic campaign to become the president of the Commission. And for a week it seemed he would be appointed. But his tenaciousness had stirred too much bad blood with Budapest and Warsaw, and that opened the way for conservatives to coalesce around a Christian Democrat alternative, Ursula von der Leyen. Timmermans took a role overseeing the European Green Deal as one of the Commission’s three Executive Vice Presidents. To succeed he needs to stand up to governments and vested interests rushing to reboot economies crashed by the coronavirus. That means ensuring the trillions of euros that the EU and its member states spend transform rather than entrench polluting industries and infrastructure. Timmermans starts off his first podcast interview with how songwriters from Jacques Brel to Bruce Springsteen have been a source of solace and inspiration for him. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Lockdowns in response to the coronavirus mean cities are quieter, skies clearer, and breathing is easier. For many city dwellers the lack of cars tearing through their streets has been a revelation amid the suffering and loss inflicted by Covid-19. Now, as lockdowns ease, some cities are putting plans to keep cars out into hyperdrive. Those moves foretell the kind of Europe where living together more sustainably becomes the norm. But such an outcome is not inevitable. Pollution lobbies and the challenges facing mass transit systems are among factors that could hold back a green recovery in some cities, says Mark Watts who heads the influential C40 network of global megacities. Pascal Smet is the popular secretary of state for urban development in Brussels who has fought for car-free urban space for years. In car-addicted Belgium, that goal once seemed like a galaxy far far away. Now it seems tantalisingly within reach. We’re grateful to the European Cultural Foundation for supporting this episode as a contribution to its Europe Day celebration. Visit the foundation's Europe Day website for more to see, read and experience. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Italians were hit hardest when the coronavirus landed in Europe but the European Union was slow to help the country. The president of the European Commission Ursula von der Leyen has apologised — twice. The contrition is better late than never, says Marco Zatterin, deputy editor of La Stampa newspaper in Turin. Even so, far-right anti-European forces have been able to exploit the procrastination to regain traction. That has renewed anxiety about an Italexit — a scenario where Italy falls out of the Eurozone and even the EU. Throughout the crisis, Zatterin, a former Brussels correspondent and an accomplished author, has led one of two teams at La Stampa that published the newspaper without interruption as the virus tore through Turin and the neighboring Lombardy region. The episode also features poems by Ben Ray whose volumes include What I heard on the Last Cassette Player in the World. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

The coronavirus outbreak has been a pretext for government censorship and a crackdown on journalists, who have been exposed to new criminal charges as well as violent attacks. Among those targeted by official smear campaigns is Blaž Zgaga, a best-selling author from Slovenia. To keep tabs on the abuses linked to Covid-19, press freedom organization Reporters sans frontières has created a service called Tracker 19. Head of the organization’s Brussels office Julie Majerczak warns that the ongoing assault on free expression is a profound threat to public health that's already cost lives. Director of the Bulgarian service for Radio Free Europe/Radio Liberty Ivan Bedrov observes that showy donations by China make it even more of a struggle to report on the significant role the European Union can play in fighting the virus. The episode also features a poem by Ben Ray, whose volumes include What I heard on the Last Cassette Player in the World. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Eric Mamer took over last year as chief spokesperson for the European Commission, an institution he’s served since mid-1990s. When journalists were barred from his press room in March because of coronavirus, the amiable Frenchman had to improvise. His challenge is to put a crisis to good use: by reaffirming the relevance of the Commission’s midday briefing even as member states stretch the rules his institution is meant to enforce to breaking point. Israel Butler is head of advocacy for Liberties, a Berlin-based civil liberties organisation. Butler describes how citizens and journalists can frame discussions about Covid-19 in ways that burnish the appeal of democratic freedoms, rather than detract from them. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Věra Jourová is the Czech politician who is vice-president for values and transparency at the European Commission, the body that proposes and enforces laws across the European Union. She was listed among the 100 most influential people of 2019 by Time magazine for helping pass GDPR — rules protecting Europeans' personal data — in her prior role as Europe’s justice commissioner. The Covid-19 emergency has added urgency to her new job, which includes responsibility for upholding democracy in Europe and countering disinformation and misinformation. In a March 27 interview Jourová says Brussels will vet moves in Hungary to give Prime Minister Viktor Orbán scope to rule by decree; she urges Facebook and Google to push official health advice to WhatsApp and YouTube; and she pledges to help safeguard the rights of Europeans if their mobile devices are used to track movements and enforce quarantines. “We definitely will not go the Chinese or Israeli way, where the use of these technologies to trace the people goes beyond what we want to see in Europe,” says Jourová. “Even in emergency situations the data privacy rules should be respected,” she says. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Concern is growing that emergency powers deployed to control the coronavirus pandemic are being used to erode democracy and civil rights. Joelle Grogan, a senior lecturer in law at Middlesex University London, describes the curbs on liberty that may be coming your way — and what can be done so such measures are proportionate and fair. Grogan also sounds the alarm about steps that could allow Hungarian Prime Minister Viktor Orban to rule by decree in response to the outbreak. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Michael Peel of the Financial Times unpicks the patterns underlying the authoritarian revival in Europe and worldwide. His recently published book, The Fabulists, explores how leaders menace democracy and human rights while claiming to be modernizers and saviors. It's an artfully written journalistic memoir from a decade of foreign correspondence. It's also a cautionary tale about how quickly countries catch the autocracy virus. Among Peel’s most conspicuous warnings: Europeans who think they are immune, are wrong. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Fantasy in my Mind" by Alan Špiljak is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show