The coronavirus outbreak has been a pretext for government censorship and a crackdown on journalists, who have been exposed to new criminal charges as well as violent attacks. Among those targeted by official smear campaigns is Blaž Zgaga, a best-selling author from Slovenia. To keep tabs on the abuses linked to Covid-19, press freedom organization Reporters sans frontières has created a service called Tracker 19. Head of the organization’s Brussels office Julie Majerczak warns that the ongoing assault on free expression is a profound threat to public health that's already cost lives. Director of the Bulgarian service for Radio Free Europe/Radio Liberty Ivan Bedrov observes that showy donations by China make it even more of a struggle to report on the significant role the European Union can play in fighting the virus. The episode also features a poem by Ben Ray, whose volumes include What I heard on the Last Cassette Player in the World. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Eric Mamer took over last year as chief spokesperson for the European Commission, an institution he’s served since mid-1990s. When journalists were barred from his press room in March because of coronavirus, the amiable Frenchman had to improvise. His challenge is to put a crisis to good use: by reaffirming the relevance of the Commission’s midday briefing even as member states stretch the rules his institution is meant to enforce to breaking point. Israel Butler is head of advocacy for Liberties, a Berlin-based civil liberties organisation. Butler describes how citizens and journalists can frame discussions about Covid-19 in ways that burnish the appeal of democratic freedoms, rather than detract from them. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Věra Jourová is the Czech politician who is vice-president for values and transparency at the European Commission, the body that proposes and enforces laws across the European Union. She was listed among the 100 most influential people of 2019 by Time magazine for helping pass GDPR — rules protecting Europeans' personal data — in her prior role as Europe’s justice commissioner. The Covid-19 emergency has added urgency to her new job, which includes responsibility for upholding democracy in Europe and countering disinformation and misinformation. In a March 27 interview Jourová says Brussels will vet moves in Hungary to give Prime Minister Viktor Orbán scope to rule by decree; she urges Facebook and Google to push official health advice to WhatsApp and YouTube; and she pledges to help safeguard the rights of Europeans if their mobile devices are used to track movements and enforce quarantines. “We definitely will not go the Chinese or Israeli way, where the use of these technologies to trace the people goes beyond what we want to see in Europe,” says Jourová. “Even in emergency situations the data privacy rules should be respected,” she says. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Concern is growing that emergency powers deployed to control the coronavirus pandemic are being used to erode democracy and civil rights. Joelle Grogan, a senior lecturer in law at Middlesex University London, describes the curbs on liberty that may be coming your way — and what can be done so such measures are proportionate and fair. Grogan also sounds the alarm about steps that could allow Hungarian Prime Minister Viktor Orban to rule by decree in response to the outbreak. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Michael Peel of the Financial Times unpicks the patterns underlying the authoritarian revival in Europe and worldwide. His recently published book, The Fabulists, explores how leaders menace democracy and human rights while claiming to be modernizers and saviors. It's an artfully written journalistic memoir from a decade of foreign correspondence. It's also a cautionary tale about how quickly countries catch the autocracy virus. Among Peel’s most conspicuous warnings: Europeans who think they are immune, are wrong. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Fantasy in my Mind" by Alan Špiljak is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

How are campaigners winning progressive victories in the age of bigots and bullies? Kajal Odedra is the UK director of Change.org, a global petition service that allows members of the public to mobilise support for issues they care about. She’s also the author of the 2019 book Do Something: Activism for Everyone. Andrew Stroehlein is the European Media Director for Human Rights Watch, an international non-governmental organisation that investigates and reports on abuses worldwide. His Twitter feed on human rights violations and campaigns for justice has more than 90,000 followers. Magid Magid is among the more than 70 UK members of the European Parliament who had to leave office because of Brexit. One of his final initiatives as an MEP was to gather nominations for Europe’s Biggest Bigot Awards — and Europe’s Biggest Bigot-Busters. Click to Magid’s site for the winners. Musician Wael Koudaih contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for our episode art and for more EU Scream.Support the show

For many people, Emmanuel Macron still represents the great hope for an open and liberal Europe. So what to make of the French president’s growing preoccupation with Islam, terror and security? Mehreen Khan of The Financial Times dissects Macron’s policies and his recent interview with The Economist. For more on Macron, we go to Majlinda Bregu, the Sarajevo-based secretary general of the Regional Cooperation Council. She criticises Macron’s decision to veto EU membership talks with North Macedonia and Albania. She also rebuts prejudices about Albania heard over dinner in Brussels. Others in this episode include co-President of the European Greens Philippe Lamberts; the Emperor Charlemagne; and European Commission Vice President Albert Kuñardocz. Kuñardocz, who was formerly responsible for inland waterways and catering, is active on Twitter. In fact, Twitter is the only place you’ll find him. The celebrated Lebanese musician Wael Koudaih kindly contributed his tracks “Baghdad” and “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.Support the show

Far-right trolls often target women and minorities and seek to subvert the work of politicians, journalists and activists. But technology platforms and their supporters tend to resist the kinds of legislation that could help tame the trolls. Effective rules still could be years away. So how can we, as users, deal with this fantastically dark side of life online? Andrew Stroehlein, the European Media Director for Human Rights Watch, has returned to EU Scream with concrete advice on how to respond to troll attacks. David Babbs led the successful digital campaign group 38 Degrees, and so he also knows a thing or two about social media. These days Babbs is the lead consultant for an initiative called CUTI, or Clean up the Internet. The idea is to oblige platforms like Facebook and Twitter to give users ways to protect themselves from anonymous trolls and abusers. Full disclosure: CUTI is funded by the Laura Kinsella Foundation, which also has granted support to EU Scream.Support the show

Ahdaf Soueif is a model of the politically engaged artist. She wrote the bestselling novel The Map of Love, she was a frequent commentator during the revolution in her native Egypt, and she is in the news again after resigning as a trustee of the British Museum over its reluctance to discuss issues like repatriation. Throughout her adult life, Soueif has moved between Britain and Egypt, and she grew up in a Cairo where Europeans and Arabs lived side-by-side. It’s a world she calls a Mezzaterra, a term she coined for a place where people drift peaceably between cultures. As Soueif’s Mezzaterra has crumbled, peoples on both sides of the Mediterranean have become culturally poorer and less secure. Soueif discussed the Mezzaterra with EU Scream after receiving the 2019 ECF Princess Margriet Award for Culture in Amsterdam. She also talked about the persistence of racist thinking, EU-funded authoritarianism in Egypt, and the Cold War roots of terror. Visit our website for episode art and for more EU Scream. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Support the show

André Wilkens is the director of the European Cultural Foundation, an organisation created after the Second World War to help heal the continent’s wounds. Under Wilkens the Foundation has stepped up grantmaking to arts and media aiming to strengthen democracy at another pivotal moment in Europe's history. Marta Keil is a serious figure in the Polish arts scene. She co-runs a performing arts institute, curates festivals, and written extensively on dance and choreography. She knows first hand the pressure on culture from the ruling Law and Justice party. Her overview begins at the Polski theatre in the city of Wrocław. She describes an epic clash between Croatian director Oliver Frljić and Polish Culture Minister Piotr Gliński, and the steady hollowing out of the Polish museum sector. Support the show