Songwriters on Process

Mike Campbell, legendary guitarist for Tom Petty and the Heartbreakers, shares his boundless creativity and songwriting process. He humorously admits he’s always writing, with guitars strategically positioned throughout his home. Campbell discusses the delicate balance of inspiration versus routine, overcoming writer’s block, and how everyday moments fuel his creativity. He highlights the influence of poetry on songwriting and the importance of revisiting past ideas to spark new ones, making the art of songwriting a truly dynamic journey.

I always love having my buddy Derek Miller of Sleigh Bells on the pod! This is Miller's third time as a guest. I don't know how he ever has time to do interviews because the man is either writing music, about to write music, or thinking about why he's not writing music. Miller is inspired by everything, and I mean everything. Even LSU football. (Go Dawgs, sorry Derek!)We also talk about his newfound sobriety and how bands like R.E.M, the B-52s, and The Cars influence his music.The latest album by Sleigh Bells (Miller and Alexis Krauss) is Bunky Becky Birthday Boy, out now on Mom + Pop Music.*photo by David Perez

I'm a much better songwriter when I'm reading," Annie DiRusso says. Truer words have never been spoken; a clear through line connects quality songwriting and reading. And the fact that DiRusso loves poetry makes me even more of a fan. DiRusso does most of her songwriting in her "giant mess" of a bed. "It's covered in guitars, notebooks, pens, a laptop, mics. There's ink stains all over the sheets too," she says on the pod. DiRusso's new album Super Pedestrian is out now

Running and poetry are all Denison Witmer needs as a songwriter."When I'm being physically active, my brain opens up," he says. Running is a big part of Witmer's life and plays a big role in his creative process. The other major source of Witmer's inspiration is poetry, and we talk about its impact on his songwriting. We also make a collective case for why the poet Li-Young Lee is so, so, so great and why you should read him right after you listen to this episode. Denison Witmer's new album Anything At All  (produced and recorded by Sufjan Stevens) is out now on Asthmatic Kitty Records. 

Benmont Tench, the keyboardist and founding member of Tom Petty and the Heartbreakers, shares his artistic journey and inspirations. He discusses how consuming diverse art fuels his songwriting, claiming that inspiration can come from anything, even a glance out the window. Tennch touches on the balance between daily practice and spontaneous creativity, and highlights the connection between poetry and music. His new solo album, The Melancholy Season, is a testament to his reflections on artistry, imperfection, and the beauty found in everyday moments.

"I have no rituals when it comes to writing. I don't want to think something can go wrong if things aren't set up the right way," says James McGovern of The Murder Capital. Indeed, that's the downside of a ritual: a fixed routine can limit your productivity when that routine isn't available. But McGovern does have one tiny "ritual" that I wholeheartedly endorse: writing the bad stuff before he gets to the good stuff.And as an aside, any songwriter who references Yeats, Keats, and Heaney in one podcast is forever my hero.The Murder Capital's latest album is Blindness

Christian Lee Hutson, a frequent collaborator with Phoebe Bridgers, opens up about his creative journey and the hurdles of self-criticism in songwriting. He discusses the importance of accepting mistakes as a pathway to discover true creativity. The conversation dives into the interplay of songwriting and prose, highlighting how spontaneity fuels innovation. Hutson also shares the profound influence of literature and poetry on his work, revealing how emotional connections shape his artistic expression.

Eli Hewson of Inhaler usually stays up and writes all night. Come morning, he heads to bed and will sometimes pass his father Bono (yes, that Bono), who is just beginning his day and starting to write. (All of the band members live with their parents.) Hewson's admittedly "terrible sleeping habits" are nothing new; when he was five years old, his mother often found him watching tv in the middle of the night. Hewson's bandmate Josh Jenkinson wants no part of those late night writing sessions. "I just go to bed," he says. Jenkinson is a daytime writer; like Hewson, he's most productive when no one else is around. And in his case, that's when his mother is at work and the house is quiet. Aside from that difference, Hewson and Jenkinson mostly see eye-to-eye on the writing process. Both extol the benefits of the Rubik's Cube, of all things, on songwriting. Jenkinson says that the problem solving "becomes so mechanical that I can think about other things while I'm doing it." And both lament the "erosion of boredom" and how its loss impacts our ability to create.Inhaler’s latest album Open Wide is out now.

Ed Note: Here’s my 2013 interview with Leithauser and my 2022 interview with his bandmate Walter Martin from The Walkmen.Hamilton Leithauser keeps regular hours. And those hours can be early: on the day we talked, he had started writing at 5am. It’s a problem if he doesn’t write every day, he says. "If I don’t write every day, I feel anxious or like I’ve done something wrong."I don't think Leithauser ever rests. "I can't ever stop doing stuff," he says, saying that it may border on "maniacal." So when he's not writing, his other hobbies include, but are probably not limited to, woodworking, photography, racquetball, kitesurfing, and chess. (Even when he's playing chess, he admits to writing music.) Oh, and he has two young kids.Leithauser’s new solo album This Side of the Island is out March 7 on Glassnote Records.

If you see Cecilia Castleman browsing the paint aisle at Home Depot, she’s probably not looking for paint. She’s looking for song ideas. Castleman finds inspiration everywhere, but paint names, she says, are particularly rich sources for song ideas and lyrics. And as you’ll hear, baking cakes and looking at old houses are great sources too. It took me about ten seconds—the first notes of the opening guitar riff—of listening to the opening track “It’s Alright” to realize I was going nowhere for the next 48 minutes. This album is good. I mean really, really good. Cecilia Castleman’s self-titled debut is out on Glassnote Records.