New Books in Russian and Eurasian Studies

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Count Sergey Semyonovich Uvarov, once proclaimed by Aleksandr Herzen as a ‘Prometheus of our day’, has in the past 160 years become something of an also-ran in Russian History. Notwithstanding his manifold contributions to the Russian education system as Minister of Education for more than fifteen years. And of course his invention of the holy trinity of 19th-century Russian conservatism: ‘Orthodoxy, Autocracy and Nationality’. Uvarov’s time in the shadows of Russian history is now however over thanks to the veteran writer and journalist, Lesley Chamberlain’s biography. In the Ministry of Darkness: How Sergei Uvarov Created Conservative Modern Russia (Bloomsbury Academic, 2019), Chamberlain delineates Uvarov's career and shows how one of the most cosmopolitan of men, became in the course of his official career the inventor of much that can be seen in to-day's xenophobic and nationalistic Russia of Vladimir Putin. How a celebrated men of letters and correspondent of Goethe, became in due course the opponent and hounder of Aleksandr Pushkin and Pyotr Chaadaev. All this from the acclaimed author of Motherland: A Philosophical History of Russia and The Philosopher Steamer: Lenin and the Exile of the Intelligentsia. In short, the ‘Ministry of Darkness’ is a must read for any serious student of modern Russian history. In the words of Rachel Polonsky of Cambridge University: “A wise, nuanced, and admirably readable work of intellectual history, this book is indispensable for anyone wishing to understand the complexities and contradictions of Russian conservatism.”Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In the arc of Soviet history, few government programs were as tenacious as the anti-religious campaign, which systematically set out to debunk organized religion as "the opium of the people." This political storm of heaven lasted from the earliest days of Bolshevik power up until the early eighties, when it simply ran out of steam, as did the Soviet State. But while it lasted, the anti-religious campaign was a sustained and virulent attack on the centuries-old bedrock of Russian culture and left a wave of violence and destruction in its wake.Faced with an almost feudal society and a population of predominantly illiterate peasants, the State cannily deployed one of its most potent propaganda weapons: the vibrant graphic art illustration in posters and atheist magazines that were distributed throughout the USSR. For a superstitious peasant, the images of an idealized Soviet worker smashing the idols of Orthodox Christianity must have been as horrific as they were ultimately compelling.The iconography of the anti-religious campaign is front and center of Godless Utopia: Soviet Anti-Religious Propaganda, a fascinating new book by Roland Elliott Brown, published by FUEL Media. In it, Brown examines the anti-religious campaign through a unique collection of illustrations, posters, and the cover art of two prominent atheist magazines gathered for the first time in an English-language publication with full translations of the illustrations, as well as a very cogent overview of the history of the anti-religious campaign.Brown begins with the violent beginning of Christianity in Russia, when Grand Prince Vladimir baptized Russia at the point of a sword, then ordered the pagan idols to be burnt in Kyiv. He traces the rise in significance of the Church during the crucial 250-year Tatar Mongol Yoke and its subsequent relegation by Tsar Peter the Great to the status of the Government Department until 1917.The decades just after the Russian Revolution were the most violent and active of the anti-religious campaign when the Government sanctioned the widespread destruction of church property, the imprisonment of priests and nuns, and the closure of all religious-affiliated schools and charities. World War II offers the Church a brief respite and the opportunity to show its loyalty to the Soviet State during the critical years 1941-1945.Many of the later illustrations highlight Soviet success in space exploration to underscore the tenants of atheism, but all too soon, the Soviet Union and the anti-religious campaign limp towards their own demise in the 1980s.Brown is a London-based journalist and arts writer. He has written articles for The Guardian, The Spectator, Foreign Policy and The Moscow Times. He has also worked as a regular contributor and editor for the London-based news site IranWire, where he wrote about politics and human rights in the Islamic Republic of Iran. Follow Roland on Twitter (@rolandebrown) or visit the book’s Facebook Page: https://www.facebook.com/godlessutopia/Jennifer Eremeeva is an American expatriate food, travel, and culture writer and photographer currently based in Riga, Latvia, and Massachusetts. Jennifer is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Concise History.  She contributes regular feature articles and photos to The Moscow Times, Fodor’s, Russian Life, and Reuters and is the in-house travel blogger for Alexander + Roberts, a leading American tour operator. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The phenomenon of the Russian emigre writer is nothing new. Exile seems almost as necessary a commodity as ink to many of Russia's most celebrated writers, including Alexander Herzen, Alexander Solzhenitsyn, Vladimir Nabokov, Ivan Bunin, Josef Brodsky, and Sergei Dovlatov. For these titans of Russian literature, leaving was a binary choice, for some imposed upon them, for others a wrenching decision. For each, the idea of being "other" and "apart" was a rich lode of material, to be endlessly mined.A new generation of Russian emigres is blessed — or cursed — with the ease of long-haul flights and frequent flyer miles, Skype and FaceTime, Google translate, and regulations that seem anyway to be more forgiving about former citizens traveling to and fro between their old homes and new. For them, the border has become far more porous than it ever was, and the choices are now more nuanced. However, there are still plenty of cultural minefields to navigate. To this generation that includes writers as disparate as Gary Shteyngart and Irina Reyn comes Olga Zilberbourg with a new collection of short stories, Like Water and Other Stories (WTAW Press, 2019)Zilberbourg is a native of St. Petersburg and came of age in that cultural well-spring of literary genius. When perestroika offered the option to emigrate, Zilberbourg's Jewish family considered it long and hard, ultimately choosing to remain in place. Zilberbourg decided to go to school in the United States and ended up staying in the country. She currently teaches comparative literature in San Francisco, and somehow finds time to craft her unique and very compelling short stories.Perhaps it is the paucity of time that has turned Zilberbourg into a master of the craft of "flash fiction" honed and made famous by the likes of Lydia Davis and Barbara Henning. Some stories in “Like Water” are mere paragraphs or even sentences. One distills the entire work-life balance for women into one cogent — and heartbreaking — sentence. These stories deal with the same kind of issues that Zilberbourg's Russian predecessors grappled with for centuries: the sense of disconnect at the heart of the emigre experience. But she also explores more universal themes such as the challenges of motherhood, the double-edged sword that is the mother-daughter relationship, the pathos of a missed opportunity, and the perennial hit and miss of trying to meld two cultures into a single whole.Olga Zilberbourg is a native of St. Petersburg, Russia, and currently makes her home in San Francisco, California. Her fiction has appeared in Alaska Quarterly Review, Feminist Studies, Confrontation, World Literature Today, Tin House's The Open Bar, Narrative Magazine, and other print and online publications. She won the 2017 San Francisco's Litquake Writing Contest and the Willesden Herald International Short Story Prize. Follow Olga on Twitter, or visit her website, zilberbourg.com.Jennifer Eremeeva is an American expatriate food, travel, and culture writer and photographer currently based in Western Massachusetts. Jennifer is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Concise History. She contributes regular feature articles and photos to The Moscow Times, Russian Life, and Reuters and is the in-house travel blogger for Alexander + Roberts, a leading American tour operator. She is currently at work on a historical novel. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In this interview, David Brandenberger discusses his new edited volume (created in concert with RGASPI archivist and Russian historian Mikhail Zelenov) Stalin’s Master Narrative: A Critical Edition of 'The History of the Communist Party of the Soviet Union (Bolsheviks): Short Course' (Yale University Press, 2019). The Short Course was designed to be the definitive party narrative, but the party purges and Stalin’s own personal preferences led to him stripping out the traditional historical framework of heroes and villains, offering instead theory and an institutional history readers often had a hard time connecting with or understanding. Brandenberger talks about Stalin’s role in the writing and editing process, why such changes were made, how these changes reflected Stalin’s changing beliefs and changes in party policy. What Brandenberger reveals is quite different from the normal image of Stalin as the center of a cult of personality, always one step ahead of his perceived enemies. Listen in to find out why the Short Course is central to understanding Stalinism and how a critical reading of it challenges existing views on Stalin as a man, theorist and politician.Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution, is now available online. Her research can be viewed here.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In Ivan the Terrible: Free to Reward and Free to Punish (University of Pittsburgh Press, 2019, Dr. Charles Halperin provides a new analysis of Ivan’s reign, as well as valuable syntheses of previous scholarship on one of Russian’s most infamous rulers. Halperin argues that we should move beyond old questions about Ivan’s sanity. Instead, we should reject the notion of Russian “exceptionalism,” place Ivan in comparative context, and evaluate his reign with the recognition that Ivan’s problems were often similar to those faced by contemporary monarchs. With careful attention to evidence and detail, Halperin’s Ivan IV emerges as a ruler at once less—and more—mysterious than in previous treatments of this subject.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Epistolary Art of Catherine the Great (Liverpool University Press, 2019) is the first scholarly monograph devoted to the comprehensive analysis of the letters of Empress Catherine the Great of Russia (r. 1762-1796), as well as the first to examine the conventions of letter-writing by an 18th-century monarch after Louis XIV. Presenting a rich history of Catherine’s personal development as a letter writer in the context of 18th-century elite epistolary practice and drawing on contemporary epistolary theory, Kelsey Rubin-Detlev (Assistant Professor of Slavic Languages and Literatures, University of Southern California) makes a significant contribution to the study of the Russian Enlightenment by re-evaluating the place that Catherine sought to occupy in the intellectual and cultural landscape of her time and detailing the central role that the letter played in her self-fashioning as an Enlightenment monarch. Rubin-Detlev argues that, contrary to the dominant scholarly tradition which argues that Catherine rejected Enlightenment ideals in the wake of the French Revolution, her epistolary corpus presents a much more complex image of a ruler whose own self-image remained unaltered to the end of her life.Mentioned in the podcast: CatCor, the digital correspondence of Catherine the Great.Diana Dukhanova is Visiting Assistant Professor of Russian at the College of the Holy Cross in Worcester, MA. Her work focuses on religion and sexuality in Russian cultural history, and she is currently working on a monograph about Russian religious philosopher Vasily Rozanov. Diana tweets about contemporary events in the Russian religious landscape at https://twitter.com/RussRLGNWatch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

What happened when Americans and Soviets fought alongside one another against Hitler? How did relations at Poltava airbase reveal cracks in the Grand Alliance? Serhii Plokhy tells the story of personal relationships and high geopolitics in his new book Forgotten Bastards of the Eastern Front: American Airmen behind the Soviet Lines and the Collapse of the Grand Alliance (Oxford University Press, 2019). Using a wealth of memoirs and recently declassified secret police files, Plokhy captures the intimate detail of a culture clash that chilled relations before Nazism was even defeated.Serhii Plokhy is the Mykhailo S. Hrushevs’kyi Professor of Ukrainian History and Director of the Ukrainian Research Institute at Harvard University.Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His book exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title Enemies of the People. He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Dissecting and digesting the history of the Soviet "experiment" can be a frustrating exercise for academics and a Sisyphean task for laymen; the endeavor demands scrutiny of the facts — and they are legion — but we must also grapple with the dystopian atmosphere and cruel indifference to human life, which characterizes the period. These challenges make the triumph of Professor Michael Khodarkovsky's new book, Russia's 20th Century: A Journey in 100 Histories (Bloomsbury Academic, 2019), all the more impressive.Khodarkovsky has taken a novel approach to charting the century by crafting one hundred vignettes, one for each year of the century. Each vignette plunges us into a moment of history, art, politics, science, or international relations, and in each, we add a building block to the tower of interpretation Khodarkovsky constructs in this slim but incredibly impactful book. Even seasoned historians will find Russia's 20th Century a compelling lens through which to consider the entire arc of the Soviet century with entirely fresh eyes.Several themes emerge as the narrative moves each decade. The horrific cost of the Soviet experiment emerges early and is a recurring leitmotif throughout the narrative in heartrending incidents that transport us to the horror of the Gulags, the tragedy Siege of Leningrad, and a drier, but no less thought-provoking examination of the 1959 Census. Khodarkovsky shows us a Soviet state that is out of step with the needs of its citizens and profoundly tone-deaf to its concerns.Khodarkovsky’s distinguished academic career includes decades of work on the history of ethnic minorities at the edges of both the Russian Empire and the Soviet Union. The plight of minorities seeps in throughout Russia's 20th Century in ways that bring us right to current events, including a strong narrative of Ukraine's continuing struggle to achieve autonomy and Russia's dogged refusal to allow it.As the episodes draw us further and further towards the end of both the century and the Soviet Union itself, a pithy pastiche of Boris Yeltsin invites us to consider that titanic but conflicted character in a new light. Professor Khodarkovsky ends his narrative with the chilling coda that is the emergence of Vladimir Putin in Russian national politics. Russia's 20the century ends with this rather bleak assessment: "Russia was entering the twenty-first century in the same basic set of principles and values it had maintained throughout the twentieth century." But for those who cherish the hope that Russia can break out of its pernicious cycle in the twenty-first century, Khodarkovsky's book is a must-read.Professor Michael Khodarkovsky is a professor of history at Loyola University, specializing in Early Modern and Imperial Russia, Imperial Borderlands, the Caucasus, Central Asia, Non-Russian peoples of Russia, Eurasia, Ottoman empire, Comparative Empires and Colonialisms, Orientalism. He received his MA and Ph.D. at the University of Chicago. Professor Khodarkovsky is a frequent commentator and contributor to The New York Times, The Wall Street Journal, NPR, and Ekho Moskvy.Jennifer Eremeeva is an American expatriate food, travel, and culture writer and photographer currently based in Western Massachusetts. Jennifer is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Concise History. She contributes regular feature articles and photos to The Moscow Times, Russian Life, and Reuters and is the in-house travel blogger for Alexander + Roberts, a leading American tour operator. She is currently at work on a historical novel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

There is perhaps no more iconic symbol of the Cold War than the Berlin Wall, the 96-mile-long barrier erected around West Berlin in 1961 to stem the flow of refugees from Eastern Europe. In Checkpoint Charlie: The Cold War, The Berlin Wall, and the Most Dangerous Place On Earth (Scribner, 2019), Iain MacGregor draws upon interviews with a wide range of people to recount the history of the wall and how it affected the lives of the people on either side of it. Through their firsthand experiences he recounts the tension-filled hours when East German workers began constructing the first elements of what became an elaborate series of obstacles that restricted access to the two sides of the partitioned city. As Berliners gradually adapted to the presence of the wall, thousands of people on the eastern side risked their lives in their search for ways around, above, and below the barriers to gain their freedom in the West. As MacGregor explains, underlying much of this was the assumption by nearly all sides of the permanence of the wall, a belief that was proven false by the dramatic events of November 1989 which resulted in the fall of the Berlin Wall and the reuniting of the two sides of the German city. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies