New Books in Russian and Eurasian Studies

In 2020, Oxford University Press published a second edition of Serhy Yekelchyk’s Ukraine: What Everyone Needs to Know (Oxford UP, 2020). This series is based on the reference format that allows to concisely present the most essential information on both generic and most recent acute issues. One will find in this addition answers to the questions pertaining to Kyivan Rus, the Cossacks, as well as the notorious Pereiaslav Treaty of 1654. In addition to this information, the book contains chapters that concisely describe both the Orange Revolution and the Euromaidan. These chapters are followed by inquiries into Russia’s occupation of the Crimea and the Donbas war which is supported by the Kremlin. Yekelchyk emphasizes that the Euromaidan was, on the one hand, the Ukrainians’ response to the corrupt regime which was being normalized by Yanukovych and his supporters; on the other hand, it was also a response to the turn to Russia, which Yanukovych promoted and supported: “Popular dissatisfaction with the corrupt regime had been mounting for years, but the sudden diplomatic turn from Europe to Russia was simply the last straw” (93). For the Ukrainians, “Europe” represented democratic values which were systematically violated by Russia: “‘Europe’ served as a popular shorthand slogan implying democracy, rule of law, and economic opportunity—all the things ordinary citizens found lacking in Yanukovych’s Ukraine” (93).Russia’s aggression against Ukraine is viewed by Yekelchyk as part of Putin’s ambitions to restore the mightiness of Russia—in terms of global positioning—within the traditions of both the Russian Empire and the Soviet Union.Yekelchyk’s book also contains brief inquiries into the most recent developments around the Russo-Ukrainian conflict on the international level: the evaluation of the presidency of Petro Poroshenko and his decisions during the years of the most active conflict; the investigation of the shooting down of the Malaysia Airlines passenger flight; the international sanctions against Russia; the recent controversy about the Steinmeier Formula. There are sections which address the alleged meddling of the Ukrainian authorities in the 2016 presidential election in the US and the current presidency of Volodymyr Zelensky. With Ukraine: What Everyone Needs to Know, Serhy Yekelchyk shares his outstanding expertise that helps understand the complex overlaps and developments that shape the historical and political environment in contemporary Ukraine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Olena Palko’s Making Ukraine Soviet: Literature and Cultural Politics under Lenin and Stalin (Bloomsbury Academic Press 2020) offers an intriguing investigation that zeroes in on the intersection of history and literature, politics and literature. The main focus of the book is comprised of two iconic figures in the history of Ukrainian literature: Pavlo Tychyna and Mykola Khvyl’ovyi. Through a complex and multilayered investigation of archival materials and historical documents, Olena Palko further advances the understanding of the formative years in the history of Soviet Ukraine. The two protagonists around whom the book seems to revolve offer additional venues for unraveling the highly entangled history not only of Ukraine under the Soviet Union but also of the Soviet Union itself. The theoretical framework of the book allows to consider multiple developments and influences that contributed to the specificity of the Soviet establishment in Ukraine. As the author of the book emphasizes, the conversation about the Soviet years in Ukraine asks not only for scrupulous reading of various documents but also for the acceptance of inherent ambiguities that the Soviet presence brought forth in Ukraine and beyond. Making Ukraine Soviet highlights the entangled and contested political and historical developments that took place in Soviet Ukraine, particularly during the first decade of the USSR; it also invites the readers to look at the writings by Tychyna and Khvyl’ovyi as an additional venue to not only better understand the milieu in which the writers worked but to also see how their writing responded to the environment that within a few years underwent profound and drastic changes.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Myroslav Shkandrij’s Avant-Garde Art in Ukraine, 1910-1930: Contested Memory (Academic Studies Press, 2019) offers an insight into the development of the Ukrainian avant-garde, a topic which still remains unjustifiably understudied. The book is an important contribution to the reevaluation of the artistic legacies of the world-renowned artists: Kazimir Malevich, David Burliuk, Mykhailo Boichuk, Vadym Meller, Ivan Kavaleridze, and Dziga Vertov. As the title of the book prompts, the focus is made on the Ukrainian heritage and background that the above-mentioned artists manifested in and through their works. Here Shkandrij initiates an intervention into the scholarship that for many years dismissed the Ukrainian contribution when discussing the avant-garde development.Drawing attention to national and ethnic choices that the artists used to make, but which happened to be silenced or ignored in the subsequent critical reviews and investigations, the book, however, does not suggest to embrace a one-sided approach. Shkandrij balances the local and international contexts when outlining the Ukrainian color of the avant-garde artists that became recognized world-wide. Avant-Garde Art in Ukraine provides complex and multilayered milieus that help better understand how the Ukrainian pattern became to be dismissed or devalued in the conversations about the international avant-garde. The book welcomes a multifaceted approach to the discussion of how the artists developed their techniques, which seem to have responded to a multinational and multiethnic environment which appeared authentic for Ukraine at the beginning of the twentieth century. The subtitle of the book—contested memory—is a welcoming gesture towards further investigations of the Ukrainian avant-garde, which appears to be inherently grounded in a diversity of influences and overlaps that establish deep cultural bonds with the international movement. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Dr. Stanley Rabinowitz once again immerses us into the world of ballet and Akim Volynsky with his book And Then Came Dance: The Women Who Led Volynsky to Ballet's Magic Kingdom (Oxford UP, 2019). In this interview, Rabinowitz discusses his path to this book which is a lovely addition to his first book on Volynsky  as well as some sage advice in publishing manuscripts.  Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Conspiracy theories prove to be popular and widely-spread. As a rule, we do not tend to take them seriously, but it would be wrong to suggest that audiences are not intrigued by them. What can conspiracy theories communicate about those who engage with them and about those who are this way or the other implicated? With Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination (University of Toronto Press, 2020), Keith A. Livers explores the conspiracy theory on the theoretical and practical levels. The book offers a solid background that helps historicize the conspiracy preoccupations in Russia. By connecting the conspiracy manifestations in Russian culture across the centuries, Livers successfully demonstrates how deeply engrained the conspiracy culture is in Russia. The book analyzes in detail a diverse cultural material that includes, among others, Pelevin’s and Bekmambetov’s works: by combining chronologically diverse material, Livers looks into and dissects the mechanism of the persistent sustainability of conspiracy culture in Russia. An inseparable part of the conspiracy theory is history, which appears to be part of political dimensions: this aspect is extensively commented on by Livers. Conspiracy Culture: Post-Soviet Paranoia and the Russian Imagination complicates the issue of conspiracy culture and brings it to the level of discussion that offers insights into the current position of the Russian Federation on the local and global levels. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

War and Memory in Russia, Ukraine and Belarus (Palgrave Macmillan, 2017) analyzes the shaping of the commemorative space in the three post-Soviet countries that used to share commemorative practices and memorial space in general. For the reader outside of the Soviet space, “war,” which is mentioned in the title of the book, will most likely not evoke a specific historical event that the book, in fact, refers to—WWII. Moreover, for the contemporary, “non-Soviet” reader, the title will most likely refer to the present conflict between Russia and Ukraine. For readers, who are well familiar with Soviets’ past, the book will signal, first and foremost, the Second World War, the event which occupies an extensive memorial space for the majority of the post-Soviet countries and their peoples. The editors and the contributors of War and Memory in Russia, Ukraine and Belarus analyze how the memory of the war shapes the historical, political, and cultural dimensions of the three countries. While during the USSR, this memory was shared by the Soviet republics, after the collapse of the Soviet Union, each of these republics appeared to undertake their own trajectories in terms of integrating the war narratives and memory about them into their independent post-Soviet memorial programs.The book nuances the mnemonic divergences that the three countries illustrate when they deal with how the Second World War can be and should be represented in commemorative practices of their nations. Interestingly, these divergencies are dictated to some extent by how each of these countries views their Soviet legacy. Russia presents itself as a main successor of the Soviet Union and this factor considerably shapes the way in which today’s Russia promotes the official historical narrative of WWII as one of the narratives that mobilizes and unites the Russians. While Belarus follows Russia’s steps in trying to use the war narrative to unite the Belarusians through the creation of some grand-narrative, Ukraine in many cases takes a different route. In Ukraine, there is an attempt to put the narrative and the memory of the Second World War not so much in the Soviet context, but in the European one. One of the signals in this regard is the adoption of the poppy flower emblem as a symbol of war remembrance. War and Memory in Russia, Ukraine and Belarus delves into the complexities of memory politics, which help investigate the convergences and divergences of the memorial practices that the post-Soviet countries are currently engaging with. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Mongolia is sometimes seen as one of the few examples of a successful youth-led revolution, where a 1990 movement forced the Soviet-appointed Politburo to resign. In Young Mongols: Forging Democracy in the Wild, Wild East (Penguin Random House SEA: 2020), Aubrey Menard profiles many of today’s young activists in Mongolia, in a wide array of different areas like pollution, feminism, LGBT rights, and journalism.In this interview, we discuss several of the activists profiled in her book, as well as discuss the development of Mongolia's democracy. We talk about whether we can think about young Mongolians as a "generation", and whether the country's experience supports or challenges normal democratic theory. We also touch base on what's been happening in Mongolia since she published her book.Aubrey Menard is an expert on political transitions, elections and democracy, working on democracy and governance issues in Asia, sub-Saharan Africa, Europe, Central America and the United States. She lived in Mongolia as a Luce Scholar from 2015 to 2016. You can follow her on Twitter at @AubreyMenard.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Young Mongols. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The Historical Atlas of Hasidism (Princeton UP, 2018) is the first cartographic reference book on one of the modern era’s most vibrant and important mystical movements. Featuring seventy-four large-format maps and a wealth of illustrations, charts, and tables, this one-of-a-kind atlas charts Hasidism’s emergence and expansion; its dynasties, courts, and prayer houses; its spread to the New World; the crisis of the two world wars and the Holocaust; and Hasidism’s remarkable postwar rebirth.This spatial history of a movement that has often been understood as aterritorial combines painstaking source work, cartographic skill, and inventive visualisations to create a masterful contribution to the history of Hasidism and the history of religion more broadly.Marcin Wodziński is Professor of Jewish History and Literature, and head of the Department of Jewish Studies at the University of Wrocław (Poland).Waldemar Spallek is Assistant Professor of geographic information systems and cartography at the University of Wrocław (Poland).Luca Scholz is Lecturer in Digital Humanities at the University of Manchester (UK). His research focuses on European and spatial history. He tweets at @DrLucaScholz. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Vadim Shneyder's new book, Russia's Capitalist Realism: Tolstoy, Dostoevsky, and Chekhov (Northwestern, 2020) examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia's industrial revolution. During Russia's first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. Prepare yourself for an innovative perspective on Anna Karenina, The Idiot and other 19th-century Russian classics.Daniel Peris is Senior Vice President at Federated Investors in Pittsburgh. Trained as a historian of modern Russia, he is the author most recently of Getting Back to Business: Why Modern Portfolio Theory Fails Investors. You can follow him on Twitter @HistoryInvestor or at http://www.strategicdividendinvestor.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Julius Margolin was a Polish Jew caught between the twin 1939 invasions of Poland by Nazi Germany and Soviet Russia. He spent the years 1940-1945 in Soviet labor camps, finally returning to his family in Palestine, in 1946. In her book Journey Into the Land of the Zeks and Back (Oxford UP, 2020), Israeli scholar Stefani Hoffman has provided the English-speaking world with its first full translation of Margolin’s story, which reiterates the importance of individual human dignity, no matter the circumstances. Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies