New Books in Russian and Eurasian Studies

Today is a Different War (Arrowsmith Press, 2023) is Lyudmyla Khersonska's striking portrayal of life from inside war-torn Ukraine. Masterfully translated into English by Olga Livshin, Andrew Janco, Maya Chhabra, and Lev Fridman, no other volume of poems captures the duality of fear and bravery, anger and love, despair and hope, as well as the numbness and deep feeling of what it means to be Ukrainian in these unthinkable times. If you want to know what's in the heart of the Ukrainian people, look no further than this stunning volume of poems.Nataliya Shpylova-Saeed has a Ph.D. in Slavic languages and literatures (Indiana University, 2022). Her dissertation explores contested memory focusing on Ukraine and Russia. She also holds a Ph.D. in American literature (Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, 2007). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Saga Bougdaeva is the translator of the first English version of Jangar (University of California Press, 2023), the heroic epic of the Kalmyk nomads. The Kalmyks are the Western Mongols of Genghis Khan’s medieval empire in Europe. Today, Kalmykia is situated in the territory that was once the Golden Horde, founded by Genghis Khan son’s Juchi. Although their famed khanates and cities have long since disappeared under the sands of the Great Eurasian Steppe, the Kalmyks have witnessed, memorized, and orally transmitted some of the most transformative developments, both victorious and tragic, in the history of civilizations. A tribute to the protectors of the mythical country Bumba, Jangar reflects the hopes and aspirations of the Kalmyk people as well as their centuries-long struggle for cultural survival. Dr. Bougdaeva’s translation is more than a tribute to the artistic creativity and imagination of the Kalmyk people—it is also an important step in their struggle for cultural survival. It was only after centuries of oral transmission that the songs and stories surrounding Jangar were written down. When the first translation, into Russian, finally appeared, Stalin had the entire Kalmyk population deported to Siberia and ordered that their national literature be eliminated from the published world. This Soviet repression has had enormous consequences for world literature, silencing nomadic voices and keeping hidden their distinctive contributions.Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

It’s the early 1990s, and the USSR is no more. An intrepid young American TV producer has been given a seemingly foolhardy task: bringing the beloved children’s show Sesame Street to Russia, and the rest of the post-Soviet sphere.This is the premise of Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman & Littlefield, 2022)—a memoir from that aforementioned producer, Natasha Lance Rogoff. Amidst car bombings, soldiers kidnapping Elmo, and a collapsing ruble, Lance Rogoff assembles a team of Russian creatives to adapt Sesame Street into Ulitsa Sezam, as the show is known in Russian. While culture clashes ensue at first, they eventually give way to cross-cultural empathy, as Lance Rogoff poignantly illustrates in the book. It’s a story that feels especially resonant in the present day, with Russia and the West again at opposite ends of a daunting geopolitical divide. Lance Rogoff talks with the New Books Network's Anthony Kao about how she came to produce Sesame Street in Russia, and gives us a taste of the adventures contained within Muppets in Moscow.Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, The Diplomat, and Eater.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Among all the world’s most storied and legend-filled regions, the place known to some over time as ‘Manchuria’ has had an especially wide range of ideas projected onto it. Everyone from Manchu emperors to Chinese exiles, European missionaries, Korean poets, indigenous shamans, Russian botanists, Japanese colonists and socialist planners have sought to know and understand this region, framing its vast forests, mountains, plains and earth according their own political, spiritual or scientific priorities over the past 400 years.Ruth Rogaski’s extraordinary new book Knowing Manchuria: Environments, the Senses, and Natural Knowledge on an Asian Borderland (U Chicago Press, 2022) shows how these acts of knowing have brought multiple Manchurias into existence as people, culture, nature and ecology have been entangled in diverse ways at different points in time. Today, perhaps befitting its status as a contested and layered borderland space, ‘Manchuria’ itself is a contested term, but this only makes Rogaski’s beautifully written multi-perspectival and multilingually-sourced history of this fascinating region all the more valuable.Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Dr. Tim Harte's Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture (U Wisconsin Press, 2020) looks at sport as artistic subject matter, in late Imperial and early Soviet Russia. In sport, artists found inspiration that could be applied both to improvement of the self and to social progress as artists defined it. In the long run, the constraints of the Socialist Realist aesthetic came to constrain the creative freedom of artists, but until the late 1920's, sport served as a focus of genuine artistic interest, for its own sake and for its ability to provide a reservoir of metaphors that artists could use to make broader, more ideological commentary.Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The year 1943 was a pivotal one on the Eastern Front during World War II. The Axis had suffered a catastrophic defeat at the battle of Stalingrad earlier in the year, but wished to attempt to regain the initiative later in the summer by launching a massive offensive code-named "Operation Citadel" at the Red Army at Kursk. The Red Army heavily entrenched themselves and waited for the Germans to attack. What followed was one of the most dramatic battles of the Second World War. This is the subject of Kursk 1943: Hitler's Bitter Harvest (History Press, 2018) by Anthony Tucker-Jones.Anthony Tucker-Jones spent nearly twenty years in the British Intelligence community before establishing himself as a defence writer and military historian. He has written extensively on aspects of warfare in the Second World War and has produced several other books for The History Press.Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Analysis, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Monumental Names: Archival Aesthetics and the Conjuration of History in Moscow (Routledge, 2022) asks us to consider: what stands behind the propensity to remember victims of mass atrocities by their personal names? Grounded in ethnographic and archival research with Last Address and Memorial, one of the oldest independent archives of Soviet political repressions in Moscow and a winner of the Nobel Peace Prize, Galina Oustinova-Stjepanovic examines a version of archival activism that is centred on various practices of documentation and commemoration of many dead victims of historical violence in Russia to understand what kind of historicity is produced when a single name is added to an endless list.What do acts of accumulation of names of the dead affirm when they are concretised in monuments and performance events? The key premise is that multimodal inscriptions of names of the dead entail a political, aesthetic and conceptual movement between singularity and multitude that honours each dead name yet conveys the scale of a mass atrocity without reducing it to a number.Drawing on anthropology, history, philosophy, and aesthetic theory, the book yields a new perspective on the politics of archival and historical justice while it critically engages with the debates on relations and distinctions between names and numbers of the dead, monumental art and its political effects, law and history, image and text, the specific one and the infinite many.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In Wild Music: Sound and Sovereignty in Ukraine (Wesleyan UP, 2019), Maria Sonevytsky tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.John Vsetecka is a PhD Candidate in the Department of History at Michigan State University where he is finishing a dissertation that examines the aftermath of the 1932-33 famine in Soviet Ukraine (Holodomor). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

For almost a year now, we have been absorbing news and information about Russia’s invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller’s research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine.Miller’s work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself.Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Frank Wolff's ground-breaking Yiddish Revolutionaries in Migration: The Transnational History of the Jewish Labour Bund (Haymarket Books, 2021) investigates how this social movement transformed itself from one of the most important revolutionary protagonists in early twentieth-century Russia to a socialist institution of secular Jewish life and yidishkayt for Jews in North and South America. By following thousands of activists’ paths from the shtetlekh of Eastern Europe to the working-class Yiddish neighborhoods of New York and Buenos Aires, Wolff traces the patterns of activism and networks that connected these revolutionaries on both sides of the Atlantic, resulting in a richly detailed social history of this seminal transnational movement.Frank Wolff is a senior researcher in Modern and Contemporary History at the University of Osnabrück and a board member of the Institute for Migration Research and Intercultural Studies with a focus on historical border regimes, Jewish history and law in social history, and on approaches to the mediation of history/public history. Starting in the summer, he will lead a research group on border studies at the Center for Interdisciplinary Study at Bielefeld University.Miriam Chorley-Schulz (neé Schulz) holds a Ph.D. in Yiddish Studies from Columbia University. She is an incoming Assistant Professor and Mokin Fellow in Holocaust Studies at the University of Oregon and currently works as the Ray D. Wolfe Postdoctoral Fellow at the Anne Tanenbaum Centre for Jewish Studies and the Centre for Diaspora and Transnational Studies at the University of Toronto. Miriam is the co-founder of the EU-funded project We Refugees. Digital Archive on Refugeedom, Past and Present. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies