New Books in Russian and Eurasian Studies

How helpful is the democracy-authoritarianism binary when it comes to our understanding of contemporary conflict? What is the state of the Russia-Ukraine war? And how has it affected the great power rivalry between the United States and China? Listen to Stefan Wolff and Petra Alderman talk about the global struggle between democracy and authoritarianism, the state of the Russia-Ukraine war, and whether democracy is likely to lose out from the heightening tensions between the three great powers: the United States, Russia, and China.Stefan Wolff is a Professor of International Security at the University of Birmingham. He is well-known for his research on the management of contemporary security challenges, especially in the prevention and settlement of ethnic conflicts and civil wars. He is also an expert on post-conflict state-building in deeply divided and war-torn societies and has written extensively on the geopolitics and geo-economics in Eurasia, including great power competition between Russia, China, and the West. He is a regular contributor to The Conversation and a co-founder of the Navigating the Vortex.Petra Alderman is a Post-Doctoral Research Fellow in Leadership for Inclusive and Democratic Politics at the University of Birmingham and Research Fellow at CEDAR.Please note that this episode was recorded in December 2023. All mentions of ‘this year’ refer to 2023 and mentions of ‘last year’ refer to 2022.The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In his new book Enterprising Empires: Russia and Britain in Eighteenth-Century Eurasia (Cambridge University Press), Matthew Romaniello examines the workings of the British Russia Company and the commercial entanglements of the British and Russian empires in the long eighteenth century.This innovative and highly readable monograph challenges the long-held views of Russian economic backwardness in the early modern period and stresses the importance of personal histories and individual agency in global economic dynamics. By focusing on diplomatic and commercial careers of a fascinating set of characters, Romaniello charts vibrant knowledge and information-sharing networks that were essential for the success of both empires in the Eurasian economic and geopolitical arenas.A non-conventional economic history, Enterprising Empires traverses the micro-historical and the macro-economic to reevaluate Russian commercial prowess before 1800 and illuminate an overlooked area of Anglo-Russian cooperation and rivalry.Matthew Romaniello is an Associate Professor of History at Weber State University and a historian of the Russian empire, commodities, and medicine. He is currently the editor of The Journal of World History and the former editor of Sibirica: Interdisciplinary Journal of Siberian Studies.Vladislav Lilić is a doctoral candidate in Modern European History at Vanderbilt University. His research focuses on the place and persistence of quasi-sovereignty in late Ottoman and post-Ottoman Southeastern Europe. Vladislav’s other fields of interest include the socio-legal history of empire, global history of statehood, and the history of international thought. You can reach him at vladislav.lilic@vanderbilt.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Since February 2022, a string of books have been published about the war in Ukraine but, for the most part, these have been histories and political studies. Only now are the “first drafts of history” from war reporters starting to emerge.Christopher Miller and Andrew Harding published last summer and they will be followed, in late January, by Simon Shuster’s inside account of Volodymyr Zelensky’s war. But, beating Shuster by a fortnight, is Yaroslav Trofimov’s Our Enemies Will Vanish: The Russian Invasion and Ukraine's War of Independence (Penguin Press, 2024) - an account of the first year of the full-scale invasion combining history, frontline reporting, and flashes of emotion from the Wall Street Journal's Kyiv-born chief foreign-affairs correspondent"Being in a country at war,” he writes, “one is rarely distressed by the causalities of the invading army ... But, in the forests outside Lyman, these freshly dead Russian men with their civilian backpacks containing their meagre possessions, with their sleeping bags and pouches of fever and pain medication, were no longer anonymous and generic invaders. I looked at their faces and felt anger".Yaroslav Trofimov joined the Wall Street Journal in 1999 – reporting from Rome, Singapore, Pakistan, Dubai, and Afghanistan where he covered the Taliban’s takeover in 2021. Since January 2022 – a month before the invasion – he has been working out of Ukraine. This is his third book.*The authors' book recommendations are Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine by Timothy Snyder (Yale University Press, 2005) and Kaputt by Curzio Malaparte (first published in Italian in 1944, the latest edition from Adelphi, 2014; translated into English and published in 2007 by NYRB Classics).Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In Taking the Soviet Union Apart Room by Room: Domestic Architecture Before and After 1991 (Northern Illinois UP, 2023) Kateryna Malaia examines the transformation of domestic spaces and architecture during the period of perestroika (1985-1991) and the first post-Soviet decades. In analysing how Soviet and post-Soviet city dwellers altered their homes amidst a period of profound socio-cultural change, Malaia provides unique insight into the relationship between the transformation of domestic spaces and the transition of Soviet urbanites into post-Soviet citizens.Kateryna Malaia is an Assistant Professor of Architecture at the University of Utah. Her research focuses on the evolution of residential architecture, the politics of monument construction and demolition, how the collapse of the USSR has transformed urban dwellings, and housing insecurity. Malaia’s writing has been published in East/West: Journal of Ukrainian Studies, PLATFORM, Architectural Histories, and the Journal of the Society of Architectural Historians.Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows in The Russia that We Have Lost: Pre-Soviet Past as Anti-Soviet Discourse (U Wisconsin Press, 2023), after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project.Khazanov’s careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a “lost Russia,” Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.This book can be purchased a discounted rate for a limited time using the code ASEES23WISC here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In Between Truth and Time: A History of Soviet Central Television (Yale University Press, 2016), Christine E. Evans reveals that Soviet television in the Brezhnev era was anything but boring. Whether producing music shows such as Little Blue Flame, game shows like Let's Go Girls or dramatic mini-series, the creators of Soviet programming in the 1950s through 1970s sought to produce television that was festive. Evans demonstrates that television programmers conducted audience research and audience voting as they attempted to meet Soviet citizens' expectations and hold their interest. Rather than stagnating, the producers and filmmakers experimented with multiple forms, in particular in presenting the news. In this interview, Christine Evans discusses her thoroughly researched and entertaining study, and what we can learn about Soviet society in the Brezhnev era through the television it created and watched.Christine E. Evans is assistant professor of history at the University of Wisconsin-Milwaukee.Amanda Jeanne Swain is associate director of the Humanities Commons at the University of California, Irvine. She received her PhD in Russian and East European history at the University of Washington. Her research interests include the intersections of national, Soviet and European identities in the Baltic countries. She has published articles in Ab Imperio and Cahiers du Monde Russe. Amanda can be contacted at amandajswain@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

On an August night in 1933 Harbin in then-Japanese controlled Manchuria–Semyon Kaspe, French citizen, famed concert musician, and Russian Jew, is abducted after a night out. Suspicion falls on the city’s fervently anti-semitic Russian fascists. Yet despite pressure from the French consulate, the Japanese police slow-walk the investigation—and three months later, Semyon is found dead.The abduction, murder and trial catch the world’s attention right as Japan is trying to win international support for the puppet state of Manchukuo—and it’s the subject of Scott Seligman’s latest book, Murder in Manchuria: The True Story of a Jewish Virtuoso, Russian Fascists, a French Diplomat, and a Japanese Spy in Occupied China (U Nebraska Press, 2023)In this interview, Scott and I talk about Harbin, the major players in Semyon’s abduction and murder, and how the investigation and trial became an international sensation.Scott D. Seligman is a writer and historian. He is the national award-winning author of numerous books, including The Great Kosher Meat War of 1902: Immigrant Housewives and the Riots That Shook New York City (Potomac: 2020), The Third Degree: The Triple Murder that Shook Washington and Changed American Criminal Justice (Potomac: 2018), and The First Chinese American: The Remarkable Life of Wong Chin Foo (Hong Kong University Press: 2013)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder in Manchuria. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Even in states where borders and sovereignty are supposedly well established, large movements of transnational migrants are seen to present problems, as today’s crises show the world over. But as Alyssa Park’s book Sovereignty Experiments: Korean Migrants and the Building of Borders in Northeast Asia, 1860-1945 (Cornell University Press, 2019) shows, when both peoples and whole political paradigms are on the move simultaneously, we are able to look in very new ways at how governance works and how it interrelates with issues of human mobility.In this richly informative and captivating book, Park focuses on the movement of Koreans around the point where China, Russia and Korea converged from the mid-19th century onwards. Deftly moving between intimate migrant experiences and higher-level government activity, the author’s interweaving of the personal and the political gives us a newly grounded perspective on several large empire-states and how they came to understand sovereignty, population and loyalty in the 19th and 20th centuries. These understandings continued to reverberate in the decades that followed, and many remain with us in the present.Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Russia and China, the largest and most populous countries in the world, respectively, have maintained a delicate relationship for four centuries. In addition to a four-thousand-kilometer border, they have periodically shared a common outlook on political and economic affairs. But they are, in essence, profoundly different polities and cultures, and their intermittent alliances have proven difficult and at times even volatile.In China and Russia: Four Centuries of Conflict and Concord (Yale UP, 2023), Philip Snow provides a full account of the relationship between these two global giants. Looking at politics, religion, economics, and culture, Snow uncovers the deep roots of the two nations' alignment. We see the shifts in the balance of power, from the wealth and strength of early Qing China to the Tsarist and Soviet ascendancies, and episodes of intense conflict followed by harmony. He looks too at the experiences and opinions of ordinary people, which often vastly differed from those of their governments, and considers how long the countries' current amicable relationship might endure.Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Olga V. Solovieva's book The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently (Oxford UP. 2023) offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in post-war debates on cultural and political reconstruction.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies