New Books in Russian and Eurasian Studies

Is it possible to do independent journalism in today’s Russia? “The short answer is no,” James Rodgers tells me in our conversation about his insightful and scrupulously researched book Assignment Moscow: Reporting on Russia from Lenin to Putin (Bloomsbury Academic, 2023). Rodgers is a former BBC correspondent in Moscow. We first talk about Western coverage of the Russian Revolution and the early years of the Soviet Union, when many foreign correspondents, famously John Reed, openly identified with the Bolshevik cause and cheered it on. We discuss, too, the dubious example of New York Times reporter Walter Duranty, who infamously denied the reality of famine in Ukraine in the Stalin period. And we close with a discussion of journalism in the Putin era and the challenges that all journalists, including Russians, face. As Rodgers acknowledges, much of the best reporting on what is happening inside of Russia comes from Russian exiles with good internal sources. Such reporting does not get wide attention in the West but represents a valuable dissident Russian journalism tradition that took root in the glasnost era of the 1980s and has endured. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses.The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history.All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.José Vergara is Assistant Professor of Russian at Bryn Mawr College.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In 2021, Ukraine celebrates its thirty-year independence anniversary. During this relatively short period of time—when considered in historical terms—Ukraine underwent a number of drastic changes that have so far shaped the country’s domestic and international environments. From “the Ukraine” to Ukraine: A Contemporary History, 1991-2021 (Ibidem Press, 2021), edited by Georgiy Kasianov, Matthew Rojansky, and Mykhailo Minakov, guides its readers through the labyrinthine developments that provide a wide spectrum of views and approaches that help receive a better understanding of the contemporary history of Ukraine. While detailing how independent Ukraine was taking shape locally, the editors and contributors of the volume simultaneously position Ukraine in the international environment that arouse after the fall of the USSR. Ukraine is thus inscribed into the international political map, which further complicates and advances the surveys presented in the volume. After the collapse of the USSR, the country faced a number of challenges: in addition to learning how to construct and narrate its own history, the new independent state also had to find a way to present itself to the global community. From “the Ukraine” to Ukraine outlines trajectories that illustrate a gradual process of the country’s political awareness, ambitions, and maturity. Thirty years may seem like an inconsiderable amount of time for a new independent state. The material presented in the book proves otherwise. In a concise and yet acute way, the contributors touch upon the most challenging and sensitive issues which have shaped the recent history of Ukraine: ranging from the enthusiastic support of independence to the current Russian-Ukrainian war, the volume constructs a multilayered historical scene which at the same time invites further surveys and elaborations.Nataliya Shpylova-Saeed is a PhD student in the Department of Slavic and East European Languages and Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers. This season, she gave the world premiere of Clarice Assad’s “Lilith” concerto, composed for her. Ljova’s “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York’s Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey’s Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.” Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago’s WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation’s most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA. In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person’s humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Hitler, Stalin, and Mao ruled through violence, fear, and ideology. But in recent decades a new breed of media-savvy strongmen has been redesigning authoritarian rule for a more sophisticated, globally connected world. In place of overt, mass repression, rulers such as Vladimir Putin, Recep Tayyip Erdogan, and Viktor Orbán control their citizens by distorting information and simulating democratic procedures. Like spin doctors in democracies, they spin the news to engineer support. Uncovering this new brand of authoritarianism, Sergei Guriev and Daniel Treisman explain the rise of such “spin dictators,” describing how they emerge and operate, the new threats they pose, and how democracies should respond.Spin Dictators traces how leaders such as Singapore’s Lee Kuan Yew and Peru’s Alberto Fujimori pioneered less violent, more covert, and more effective methods of monopolizing power. They cultivated an image of competence, concealed censorship, and used democratic institutions to undermine democracy, all while increasing international engagement for financial and reputational benefits. The book reveals why most of today’s authoritarians are spin dictators—and how they differ from the remaining “fear dictators” such as Kim Jong-un and Bashar al-Assad.Spin Dictators: The Changing Face of Tyranny in the 21st Century (Princeton UP, 2022) is aimed at a general audience, synthesizing a vast amount of qualitative and quantitative research by the authors and many other scholars. The book is highly readable, with a great mix of anecdotes and examples along with plain-English explanations of academic research findings. However, it also provides an excellent overview of contemporary global authoritarianism for academics. Almost every claim in the book has an endnote reference to the original research for those who want to follow up. The endnotes mean that despite its moderately intimidating 340-page heft, the main text is a very approachable 219 pages.Daniel Treisman is a professor of political science at the University of California, Los Angeles and a research associate of the National Bureau of Economic Research. His research focuses on Russian politics and economics as well as comparative political economy, including in particular the analysis of democratization, the politics of authoritarian states, political decentralization, and corruption.In 2021-22, he was a visiting fellow at Stanford University’s Center for Advanced Study in the Behavioral Sciences and he was recently named a 2022 Andrew Carnegie Fellow. A graduate of Oxford University (B.A. Hons.) and Harvard University (Ph.D. 1995), he has published five books and numerous articles in leading political science and economics journals including The American Political Science Review and The American Economic Review, as well as in public affairs journals such as Foreign Affairs and Foreign Policy. He has also served as a consultant for the World Bank, the European Bank for Reconstruction and Development, and USAID. In Russia, he has been a member of the International Advisory Committee of the Higher School of Economics and a member of the Jury of the National Prize in Applied EconomicsPeter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new Master's program in Applied Economics focused on the digital economy. His research focuses on the political economy and governance of China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The period from September 1939 to early 1942 was crucial for Soviet foreign policy and coincided with the early stages of the Second World War, including the Great Patriotic War. In Stalin's Great Game, Michael Jabara Carley unpacks the complexities of Soviet diplomacy during this time, addressing key issues such as the Soviet-Finnish Winter War, Soviet views on the fall of France and the Battle of Britain, efforts to remain neutral in Europe, Soviet relations with both Britain and Nazi Germany, and the formation of the Grand Alliance against the Axis powers. Drawing on extensive research from multilingual archives in France, Britain, the United States, and the USSR, Carley offers a comprehensive narrative that explores Soviet intelligence activities, especially of the "Cambridge Five" spy ring and Nazi Germany's preparations for Operation Barbarossa, the invasion of the Soviet Union. The book also re-evaluates historiographical debates on Stalin's interpretation of Soviet intelligence and Hitler's intentions towards the USSR. The third volume in Carley's trilogy on the origins and early conduct of the Second World War, Stalin's Great Game provides a fresh re-examination of key events and interpretations by both Western and Soviet historians, introducing new ideas and perspectives on this critical period. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

The articles appearing in this volume were presented at a conference entitled “Microhistories in Armenian Studies” organized by the Armenian Studies Program of California State University, Fresno, on September 22-23, 2023. They have since been edited and appear here in a single volume. The present study focuses on Armenian studies from a conceptual, theoretical and methodological approach. Each article, both in its methodological approach and its unique archival material, offers new insights by blending micro and macrohistorical perspectives on the major issues they address in Armenian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend.As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack.Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

No animal is so entangled in human history as the horse. The thread starts in prehistory, with a slight, shy animal, hunted for food. Domesticating the horse allowed early humans to settle the vast Eurasian steppe; later, their horses enabled new forms of warfare, encouraged long-distance trade routes, and ended up acquiring deep cultural and religious significance. Over time, horses came to power mighty empires in Iran, Afghanistan, China, India, and, later, Russia. Genghis Khan and the thirteenth-century Mongols offer the most famous example, but from ancient Assyria and Persia, to the seventeenth-century Mughals, to the high noon of colonialism in the early twentieth century, horse breeding was indispensable to conquest and statecraft. Scholar of Asian history David Chaffetz tells the story of how the horse made rulers, raiders, and traders interchangeable, providing a novel explanation for the turbulent history of the “Silk Road,” which might be better called the Horse Road. Drawing on recent research in fields including genetics and forensic archeology, Chaffetz presents a lively history of the great horse empires that shaped civilization. David Chaffetz is an independent scholar with a lifelong passion for Middle Eastern and Inner Asian history. His 1981 book, several times republished, A Journey through Afghanistan, earned praise from Owen Lattimore, the then doyen of Inner Asian studies in America and the UK. He is a regular contributor to the Asian Review of Books, and has written for the South China Morning Post and the Nikkei Asian Review. His most recent book, Three Asian Divas, describes the important role of elite women entertainers in the transmission of traditional Asian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

On June 22, 1941, Nazi Germany launched Operation Barbarossa, the surprise invasion of the Soviet Union that opened the Eastern Front in World War II. With lightning speed and devastating success, the German army tore through Soviet territory and rolled over the Red Army, scoring some of the most dramatic victories in military history--until the blitzkrieg bogged down during the approach on Moscow. At the spearhead of the attack was General Heinz Guderian, one of the most celebrated and controversial commanders of the war, who commanded a tank group in the center of the German front that stretched from the Baltic to the Black Sea. Guderian's Panzers reconstructs Barbarossa from the perspective of Generaloberst Guderian and his 2nd Panzer Group. With the German war machine at the height of its martial prowess in June 1941, Guderian's group of 250,000 men and 900 tanks rapidly broke through the Soviet frontier defenses and thrust some 600 kilometers into Soviet Russia in a matter of weeks--in doing so playing an integral part in the successful encirclement (cauldron) battles of Belostok-Minsk (June/July 1941) and Smolensk (July/August 1941); each of these battles resulting in the loss of several Soviet armies and hundreds of thousands of prisoners. Despite having sustained alarming losses of personal and equipment in these opening battles, Guderian pushed his men, and himself, to even greater achievements, culminating in the triumphant cauldron Battle of Kiev in the Ukraine (September 1941) that obliterated Soviet Southwestern Front and resulted in the capture of over 600,000 Red Army POWs. It was, perhaps, Germany's greatest victory in WWII, and Guderian had made it happen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies