Art of History

Swiss painter Henry Fuseli (1741-1825) was the man behind one of art history’s most famous spooky paintings: ‘The Nightmare.’ But how much do you actually know about this dream-fuelled Gothic image?Henry Fuseli, The Nightmare (1781). Oil on Canvas. Detroit Institute of Arts, Michigan.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

Last seen in 1945, the Amber Room is the world’s most valuable missing piece of art, valued as highly as $500 million. Looted by the Nazis after Operation Barbarossa, this “Eighth Wonder of the World” once symbolized peace and unity. Today, it instead represents one of art history’s greatest mysteries.Today's Artwork: The Amber Room. Catherine Palace/Tsarskoye Selo State Museum and Heritage Site.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

Dr. Kathleen B. Jones joins us on the podcast to discuss not only her new book, CITIES OF WOMEN, but also to dive into the life of literary and artistic icon Christine de Pizan (1364/65-1431).Listen to our conversation to hear how Christine became not only the first professional female writer in Europe, but also the first person in France to earn a living as a writer, period. Plus, we discuss the ins and outs of medieval manuscript-making, and the parallels between the obstacles faced by professional women in Christine's day and our own.‘Cities of Women’ is out on September 5, 2023 - get your copy here!Today's Work: Christine de Pizan, ‘The Book of the Queen’ (Harley MS 4431) (c. 1410-1414). Parchment manuscript. 36.5 x 28.5 cm. British Library, London.______Thanks HelloFresh! Go to HelloFresh.com/50arthistory and use code 50arthistory for 50% off plus free shipping!______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

When historians first made the link between a book of hours at Trinity College, Cambridge and two others belonging to Catherine of Aragon and Anne Boleyn, they weren't just identifying who owned it. Yes, yes - the book was owned by Henry VIII's right-hand-man (for a time, at least): Thomas Cromwell. But this remarkable book has now become the only object from any 16th-century portrait to survive to this day.What can such an item tell us about the man who owned it, his times, and what he wanted everyone who saw his portrait to know?Today's artwork(s): Hans Holbein the Younger, Portrait of Thomas Cromwell, Earl of Essex (1532-33). Oil on panel, 30.7 in × 25.2 in. Frick Collection, New York.AND the 1527 Book of Hours, on display at Hever Castle through November 2023.__________New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTwitter: @ArtHistoricPodTikTok: @artofhistorypod // @matta_of_fact__________

Divorced, beheaded, died... divorced...A house connected to Anne of Cleves (1515-1557), Henry VIII's fourth wife, is currently on the market! Let's discuss the Grade I listed property and a tidbit of Anne's story in this Art Bite._________Thanks HelloFresh! Go to HelloFresh.com/arthistory50 and use code arthistory50 for 50% off plus free shipping!_________New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

Grant Wood (1891-1942) is probably best known for his double portrait depicting a man and woman on a farmstead - that icon of American painting, American Gothic. But his career encompassed so much more, and was marked by an uncanny ability to weave and deconstruct "American values"—whatever those are.In The Midnight Ride of Paul Revere, Wood builds us a dreamscape in which we can confront the fables and myths of our national identity head-on. And I'm bringing it to you just in time for Independence Day!Today's artwork: Grant Wood, The Midnight Ride of Paul Revere (1931). Oil on Masonite. Metropolitan Museum of Art, New York.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

I’m so excited to be bringing you the first of a NEW offering on the Art of History podcast! 🎉 These “Art Bites,” as I’m calling them, will be a casual place to discuss pieces of news that pertain to topics we’ve either discussed on the show, or which activate my art history brain. Our first Art Bite is centered on an upcoming auction at Sotheby's, where a privately-owned portrait of Katherine Parr will go up for sale in July. Tune in to hear me geek out about the power display going on in this representation of Henry VIII’s sixth and final queen. (We also chat about royal jewelry). See more on the Old Masters auction and the Coronation auction here.Today's artwork: Katherine Parr, attributed to “Master John” and dated to the mid-1540s______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTwitter: @ArtHistoricPodTikTok: @artofhistorypod // @matta_of_fact

Mark Rothko (1903-1970) was at the forefront of a generation of American artists who revolutionized the scene, right down to the way we understand the very essence of the artistic process.Even as he rejected both the label of Abstract Expressionism and even the idea that his paintings were technical masterpieces, he is nonetheless a “key protagonist” of the Abstract Expressionist movement and a fierce advocate for the artist’s freedom of expression.Today's Image: Mark Rothko, ‘Untitled (Red over Dark Blue on Dark Gray)’ (1961). Oil on canvas. Berkeley Art Museum, University of California.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

Despite his short life, French painter Thèodore Gèricault (1791-1824) is remembered of one of the giants of art history. In his evocative masterpiece The Raft of the Medusa, Gèricault laid the groundwork for the Romantic era in the visual arts. It's easy to get swept up in the vast spectrum of human emotion on display in the canvas. But how much of this painting was drawn from real life events?Today's image: Théodore Géricault, The Raft of the Medusa. (1818-19). Oil on Canvas. Musée du Louvre, Paris.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact

Marie-Rosalie, or Rosa, Bonheur (1822-1899) has been lauded as the most celebrated woman artist of her time. Her breathtaking animal paintings showcase not only her technical skill, but also her so-called “radical” ideals. But just how “radical” was Rosa—who has been lauded as a feminist art historical figure—actually setting out to be?Today's Image: Rosa Bonheur, The Horse Fair (1852–55). Oil on canvas; 96 1/4 x 199 1/2 in. (244.5 x 506.7 cm). The Metropolitan Museum of Art, New York.Wayne Thiebaud on The Horse Fair Linda Nochlin: Why have there been no great women artists?______Please support the podcast by taking Airwave's short listener survey at https://www.surveymonkey.com/r/airwave.______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcast______New episodes every month. Let's keep in touch!Email: artofhistorypod@gmail.comPatreon: https://www.patreon.com/matta_of_factInstagram: @artofhistorypodcastTikTok: @artofhistorypod // @matta_of_fact