New Books in the History of Science

In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who were the German scientists who worked on atomic bombs during World War II for Hitler's regime? How did they justify themselves afterwards? Examining the global influence of the German uranium project and postwar reactions to the scientists involved, Mark Walker explores the narratives surrounding 'Hitler's bomb'. The global impacts of this project were cataclysmic. Credible reports of German developments spurred the American Manhattan Project, the nuclear attacks on Hiroshima and Nagasaki, and in turn the Soviet efforts. After the war these scientists' work was overshadowed by the twin shocks of Auschwitz and Hiroshima. Hitler's Atomic Bomb: History, Legend, and the Twin Legacies of Auschwitz and Hiroshima (Cambridge UP, 2024) sheds light on the postwar criticism and subsequent rehabilitation of the German scientists, including the controversial legend of Werner Heisenberg and Carl Friedrich von Weizsäcker's visit to occupied Copenhagen in 1941. This scientifically accurate but non-technical history examines the impact of German efforts to harness nuclear fission, and the surrounding debates and legends. Learn more about your ad choices. Visit megaphone.fm/adchoices

The little-known stories of the people responsible for what we know today as modern medical ethics. In Making Modern Medical Ethics: How African Americans, Anti-Nazis, Bureaucrats, Feminists, Veterans, and Whistleblowing Moralists Created Bioethics (MIT Press, 2024), Robert Baker tells the counter history of the birth of bioethics, bringing to the fore the stories of the dissenters and whistleblowers who challenged the establishment. Drawing on his earlier work on moral revolutions and the history of medical ethics, Robert Baker traces the history of modern medical ethics and its bioethical turn to the moral insurrections incited by the many unsung dissenters and whistleblowers: African American civil rights leaders, Jewish Americans harboring Holocaust memories, feminists, women, and Anglo-American physicians and healthcare professionals who were veterans of the World Wars, the Cold War, and the Vietnam War. The standard narrative for bioethics typically emphasizes the morally disruptive medical technologies of the latter part of the twentieth century, such as the dialysis machine, the electroencephalograph, and the ventilator, as they created the need to reconsider traditional notions of medical ethics. Baker, however, tells a fresh narrative, one that has historically been neglected (e.g., the story of the medical veterans who founded an international medical organization to rescue medicine and biomedical research from the scandal of Nazi medicine), and also reveals the penalties that moral change agents paid (e.g., the stubborn bureaucrat who was demoted for her insistence on requiring and enforcing research subjects’ informed consent). Analyzing major statements of modern medical ethics from the 1946–1947 Nuremberg Doctors Trials and Nuremberg Code to A Patient’s Bill of Rights, Making Modern Medical Ethics is a winning history of just how respect and autonomy for patients and research subjects came to be codified. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field Noise podcast tells us how this amateur outsider used 18th century science to disrupt the all-male guild tradition of violin luthiers. Would the myth of the never-equaled Stradivarius violin prove to be true or could a science teacher with a woodshop use an old idea to make new violins better than ever?We also learn about the mysterious beauty of Chladni patterns, the 18th century technique of using tiny particles to reveal how sound moves through resonant objects–the key to Hutchins’ merger of art and science.In this episode, we hear the voices of: Quincy Whitney, Carleen Hutchins biographer and a former arts reporter for the Boston Globe. Myles Jackson, a professor of the history of science at Princeton. Joseph Curtin, a MacArthur-award winning violin maker. Sam Zygmuntowicz, an extremely renowned violin maker and creator of Strad3D. Carleen Hutchins herself.  You can subscribe to Craig Eley’s Field Noise podcast to hear the original version of this story.This episode was edited by Craig Eley and Mack Hagood. Music is by Blue Dot Sessions and Marc Bianchi. The archival interview clips of Carleen Hutchins were provided by filmmaker James Schneider. The interview with Quincy Whitney was recorded by Andrew Parrella at New Hampshire Public Radio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Distributed to millions of people annually across Africa and the global south, insecticide-treated bed nets have become a cornerstone of malaria control and twenty-first-century global health initiatives. Despite their seemingly obvious public health utility, however, these chemically infused nets and their rise to prominence were anything but inevitable.In Nothing But Nets: A Biography of Global Health Science and Its Objects (Johns Hopkins University Press, 2023), Dr. Kirsten Moore-Sheeley untangles the complicated history of insecticide-treated nets as it unfolded transnationally and in Kenya specifically—a key site of insecticide-treated net research—to reveal how the development of this intervention was deeply enmeshed with the emergence of the contemporary global health enterprise.While public health workers initially conceived of nets as a stopgap measure that could be tailored to impoverished, rural health systems in the early 1980s, nets became standardised market goods with the potential to save lives and promote economic development globally. This shift attracted donor resources for malaria control amid the rise of neoliberal regimes in international development, but it also perpetuated a paradigm of fighting malaria and poverty at the level of individual consumers. Africans' experiences with insecticide-treated nets illustrate the limitations of this paradigm and provide a warning for the precariousness of malaria control efforts today.Drawing on archival, published, and oral historical evidence from three continents, Dr. Moore-Sheeley reveals the important role Africans have played in shaping global health science and technology. In placing both insecticide-treated nets and Africa at the center of global health history, this book sheds new light on how and why commodity-based health interventions have become so entrenched as solutions to global disease control as well as the challenges these interventions pose for at-risk populations.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the past 300 years, The Royal Society for the Encouragement of Arts, Manufactures and Commerce has tried to improve British life in every way imaginable. It has sought to influence education, commerce, music, art, architecture, communications, food, and every other corner of society. Arts and Minds: How the Royal Society of Arts Changed a Nation (Princeton University Press, 2020), written by the historian of innovation and the RSA’s resident historian Anton Howes, is the fascinating story of this unique institution.Drawing on exclusive access to a wealth of rare papers and artifacts from the Society’s own archives, Howes shows how the Society of Arts has constantly reinvented itself to keep in step with changing times. The Society has served as a platform for Victorian utilitarian reformers, purchased and restored an entire village, encouraged the planting of more than sixty million trees, and sought technological alternatives to child labour. Arts and Minds reveals how a society of public-spirited individuals tried to make their country a better place, and draws vital lessons from their triumphs and failures for all would-be reformers today.Matthew Jordan is a professor at McMaster University, where he teaches courses on AI and the history of science. You can follow him on Twitter @mattyj612 or his website matthewleejordan.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Model Cases: On Canonical Research Objects and Sites (University of Chicago Press, 2021), Dr. Monika Krause asks about the concrete material research objects behind shared conversations about classes of objects, periods, and regions in the social sciences and humanities. It is well known that biologists focus on particular organisms, such as mice, fruit flies, or particular viruses when they study general questions about life, development, and disease. Dr. Krause shows that scholars in the social sciences and humanities also draw on some cases more than others, selecting research objects influenced by a range of ideological but also mundane factors, such as convenience, historicist ideas about development over time, schemas in the general population, and schemas particular to specific scholarly communities.Some research objects are studied repeatedly and shape our understanding of more general ideas in disproportionate ways: The French Revolution has profoundly influenced our concepts of revolution, of citizenship, and of political modernity, just like studies of doctors have set the agenda for research on the professions. Based on an extensive analysis of the role of model cases in different fields, Dr. Krause argues that they can be useful for scholarly communities if they are acknowledged and reflected as particular objects; she also highlights the importance of research strategies based on neglected research objects and neglected combinations of research objects and scholarly concerns.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of "crises" in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere.In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations.Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutional Psychotherapy of Félix Guattari is put into conversation with the Brazilian art therapy of Nise da Silveira; the Mexican anti-psychiatry movement's reflections on violence are thought together with theories of violence developed in Argentinian psychoanalysis and Frantz Fanon's anticolonial therapeutic practice; the social form of the Italian Democratic Psychiatry and Brazilian anti-institutional movements are contrasted with the anti-psychiatry factions of the 1960s-70s North American counterculture.Storming Bedlam: Madness, Mental Health, and Revolt (Common Notions, 2024) subverts the divisions between social and biological approaches to mental health or between psychiatry and anti-psychiatry. By exploring the history of psychiatry in the context of revolution, war, and economic development, Warren outlines a minor history of approaches to mental health care grounded in common struggles against conditions of scarcity, poverty, isolation, and exploitation.Sasha Warren is a writer based in Minneapolis. His experiences within the psychiatric system and commitment to radical politics led him to cofound the group Hearing Voices Twin Cities, which provides an alternative social space for individuals to discuss often stigmatized extreme experiences and network with one-another. Following the George Floyd Uprising in 2020, he founded the project Of Unsound Mind to trace the histories of psychiatry, social work, and public health's connections to policing, prisons, and various disciplinary and managerial technologies.Resources: North American Networks of Alternatives to Psychiatry altpsy.net Of Unsound Mind Substack Learn more about your ad choices. Visit megaphone.fm/adchoices

The beginning of the modern contraceptive era began in 1882, when Dr. Aletta Jacobs opened the first birth control clinic in Amsterdam. The founding of this facility, and the clinical provision of contraception that it enabled, marked the moment when physicians started to take the prevention of pregnancy seriously as a medical concern. In Contraception: A Concise History (The MIT Press, 2020), Donna Drucker traces the history of modern contraception, outlining the development, manufacturing, and use of contraceptive methods from the opening of Dr. Jacobs's clinic to the present. Drucker approaches the subject from the perspective of reproductive justice: the right to have a child, the right not to have a child, and the right to parent children safely and healthily.Drucker describes contraceptive methods available before the pill, including the diaphragm (dispensed at the Jacobs clinic) and condom, spermicidal jellies, and periodic abstinences. She looks at the development and dissemination of the pill and its chemical descendants; describes technological developments in such non-hormonal contraceptives as the cervical cap and timing methods (including the “rhythm method” favored by the Roman Catholic church); and explains the concept of reproductive justice. Finally, Drucker considers the future of contraception—the adaptations of existing methods, new forms of distribution, and ongoing efforts needed to support contraceptive accessDr. Donna Drucker leads the English as the Language for Instruction Project, which helps faculty, administrative staff, scientific staff, and students at the Technische Universität Darmstadt (Germany) improve their English abilities for teaching and learning.Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book about the history of conversion therapy in the United States.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Einstein’s Dreams (Vintage, 1992) by Alan Lightman, set in Albert Einstein’s “miracle year” of 1905, is a novel about the cultural interconnection of time, relativity and life. As the young genius creates his theory of relativity, in a series of dreams, he imagines other worlds, each with a different conceptualization of time. In one, time is circular, and people are destined to repeat triumphs and failures over and over. In another, time stands still. In yet another, time is a nightingale, trapped by a bell jar.Translated into over thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians and artists around the world. In poetic vignettes, Alan Lightman explores the connections between science and art, creativity and the rhythms of life, and ultimately the fragility of human existence.This conversation includes Alan Lightman (MIT), Jeffrey Herlihy-Mera and Annette Martínez-Iñesta, of the Departamento de Humanidades at the Universidad de Puerto Rico-Mayagüez (UPRM), and Joshua Chaparro Mata, a UPRM graduate and doctoral student in Applied Physics at Yale. They discuss dreaming as a scientific and creative resource; the importance of Berne, Switzerland, in the thought of Einstein and Lightman; Lightman’s precise and harmonious poetics; the role of technology in contemporary life; and the course Lightman’s life, experiences and creative process.This is the second of two episodes about Einstein’s Dreams. The first, in Spanish, appeared on the New Books Network en español. The series is sponsored by the Lenguaje focal group at Instituto Nuevos Horizontes at UPRM, a group of scholars who consider how translanguaging ​​can provide unique dimensions to knowledge. This episode and the Instituto Nuevos Horizontes at the UPRM have been supported by the Mellon Foundation. The conversation is part of the “STEM to STEAM” project of the “Cornerstone” initiative, sponsored by the Teagle Foundation, which stresses the importance of integrating humanistic perspectives in the sciences.Books, scholars, articles and podcasts mentioned in this conversation include: In Praise of Wasting Time, Alan Lightman. Mr g, Alan Lightman. Invisible Cities, Italo Calvino. Cities I’ve Never Lived In, Sara Majka. “Academic Life without a Smartphone,” Inside Higher Ed, Jeffrey Herlihy-Mera. The Hemingway Society Podcast. Carlos Alberto Peón Casas. Learn more about your ad choices. Visit megaphone.fm/adchoices