New Books in the History of Science

Today’s guest, Erin Webster, is the author of The Curious Eye: Optics and Literature in Early Modern England (Oxford University Press, 2020). A book that casts its attention on the early modern period far and wide, The Curious Eye will be of interest to anyone interested in early modern mathematics, optic technology, poetic theory, and the contested relation of empiricism and empire. Erin is Professor of English at the College of William and Mary. Erin is a former Research Fellow and SSHRC Postdoctoral Fellow in the Humanities, at the University of London, and is the recipient of the Milton Society of America’s James Holly Hancock Award for a distinguished article on the poet.John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Freeman Dyson (1923–2020)—renowned scientist, visionary, and iconoclast—helped invent modern physics. Not bound by disciplinary divisions, he went on to explore foundational topics in mathematics, astrophysics, and the origin of life. General readers were introduced to Dyson’s roving mind and heterodox approach in his 1979 book Disturbing the Universe, a poignant autobiographical reflection on life and science. "Well, Doc, You're In": Freeman Dyson’s Journey through the Universe (MIT Press, 2022) (the title quotes Richard Feynman’s remark to Dyson at a physics conference) offers a fresh examination of Dyson’s life and work, exploring his particular way of thinking about deep questions that range from the nature of matter to the ultimate fate of the universe. The chapters—written by leading scientists, historians, and science journalists, including some of Dyson’s colleagues—trace Dyson’s formative years, his budding interests and curiosities, and his wide-ranging work across the natural sciences, technology, and public policy. They describe Dyson’s innovations at the intersection of quantum theory and relativity, his novel nuclear reactor design (and his never-realized idea of a spacecraft powered by nuclear weapons), his years at the Institute for Advanced Study, and his foray into cosmology. In the coda, Dyson’s daughter Esther reflects on growing up in the Dyson household. “Well, Doc, You’re In” assesses Dyson’s successes, blind spots, and influence, assembling a portrait of a scientist’s outsized legacy. Contributors: Jeremy Bernstein, Robbert Dijkgraaf, Esther Dyson, George Dyson, Ann Finkbeiner, Amanda Gefter, Ashutosh Jogalekar, David Kaiser, Caleb Scharf, William Thomas.Matthew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this fêted era of history. The same men and women who offered profound advancements in European understanding of the human condition—and laid the foundations of the Scientific Revolution—were also obsessed with controlling that condition and the wider natural world.Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. “Race,” Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born.Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature: Animals, Breeding, and Race in the Renaissance (U Chicago Press, 2022) provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.Rachel Pagones is an acupuncturist, educator, and author. Before moving to the UK in 2021 she was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Story of Proof: Logic and the History of Mathematics (Princeton UP, 2022) investigates the evolution of the concept of proof--one of the most significant and defining features of mathematical thought--through critical episodes in its history. From the Pythagorean theorem to modern times, and across all major mathematical disciplines, John Stillwell demonstrates that proof is a mathematically vital concept, inspiring innovation and playing a critical role in generating knowledge.Stillwell begins with Euclid and his influence on the development of geometry and its methods of proof, followed by algebra, which began as a self-contained discipline but later came to rival geometry in its mathematical impact. In particular, the infinite processes of calculus were at first viewed as "infinitesimal algebra," and calculus became an arena for algebraic, computational proofs rather than axiomatic proofs in the style of Euclid. Stillwell proceeds to the areas of number theory, non-Euclidean geometry, topology, and logic, and peers into the deep chasm between natural number arithmetic and the real numbers. In its depths, Cantor, Gödel, Turing, and others found that the concept of proof is ultimately part of arithmetic. This startling fact imposes fundamental limits on what theorems can be proved and what problems can be solved.This book could well serve as a history of mathematics, because in developing the evolution of the concept of proof and how it has arisen in the various different mathematical fields. The author essentially traces the important milestones in the development of mathematics. It's an amazing job of collecting and categorizing many of the most important ideas in this area. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Rebels, Scholars, Explorers: Women in Vertebrate Paleontology (Johns Hopkins University Press, 2020), Professors Annalisa Berta and Susan Turner uncover the rich legacy of women in the field of vertebrate paleontology from the eighteenth century until today. Through a series of biographies arranged both chronologically and geographically, the book offers a most welcome historical overview of the diverse contributions made by women to the advancement of vertebrate paleontology. Traditional narratives of the history of paleontology are dominated by the figures of men, leaving behind the achievements of countless women, who worked, especially during the eighteenth and nineteenth centuries, as assistants, preparators, or illustrators. Rebels, Scholars, Explorers constitutes a powerful antidote to this distorted vision of history, introducing the reader to the many ways women have been navigating gender biases to advance the science of vertebrate paleontology. By uncovering the contributions of women, the book also reveals the critical role played by a diversity of specializations and professions (such as paleoart, collection management, and preparation) in the field of vertebrate paleontology. Overall, the book paints a holistic portrait of the field, making questions of equity and fair representation within it even more urgent.Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is also teaching French language and literature to undergraduates. Learn more about your ad choices. Visit megaphone.fm/adchoices

Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo’s interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems.In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist’s Renaissance drawings in person to the power of comparisons within art historical writing and research.Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

A historian of science examines key public debates about the fundamental nature of humans to ask why a polarized discourse about nature versus nurture became so entrenched in the popular sciences of animal and human behavior. Are humans innately aggressive or innately cooperative? In the 1960s, bestselling books enthralled American readers with the startling claim that humans possessed an instinct for violence inherited from primate ancestors. Critics responded that humans were inherently loving and altruistic. The resulting debate fiercely contested and highly public left a lasting impression on the popular science discourse surrounding what it means to be human. Nadine Weidman's book Killer Instinct: The Popular Science of Human Nature in Twentieth-Century America (Harvard UP, 2021) traces how Konrad Lorenz, Robert Ardrey, and their followers drew on the sciences of animal behavior and paleoanthropology to argue that the aggression instinct drove human evolutionary progress. Their message, spread throughout popular media, brought pointed ripostes. Led by the anthropologist Ashley Montagu, opponents presented a rival vision of human nature, equally based in biological evidence, that humans possessed inborn drives toward love and cooperation. Over the course of the debate, however, each side accused the other of holding an extremist position: that behavior was either determined entirely by genes or shaped solely by environment. Nadine Weidman shows that what started as a dispute over the innate tendencies of animals and humans transformed into an opposition between nature and nurture. This polarized formulation proved powerful. When E. O. Wilson introduced his sociobiology in 1975, he tried to rise above the oppositional terms of the aggression debate. But the controversy over Wilson's work led by critics like the feminist biologist Ruth Hubbard was ultimately absorbed back into the nature-versus-nurture formulation. Killer Instinct explores what happens and what gets lost when polemics dominate discussions of the science of human nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast episode, Greg Marchildon interviews Erika Dyck on the book she co-authored with Jesse Donaldson on an unusual chapter in Canada’s medical history. Entitled The Acid Room: The Psychedelic Trials and Tribulations of Hollywood Hospital, this book was published by Vancouver’s Anvil Press in 2021. This is a history of a private hospital in greater Vancouver which specialized in treatments for alcoholism, trauma and other conditions using LSD, mescalin and other psychotropic substances from the late 1950s until it shut down in the early 1970s. Erika Dyck is professor of History and Canada Research Chair in the History of Medicine at the University of Saskatchewan.This interview was produced with the support of The Champlain Society. The mission of The Champlain Society is to increase public awareness of, and accessibility to, Canada’s rich store of historical records.Gregory P. Marchildon is the Ontario Research Chair in Health Policy and System Design with the Institute of Health Policy, Management and Evaluation at the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1739, Scottish philosopher David Hume set out to chart the nature and limits of human knowledge. He published his theories and findings in what would become one of philosophy’s most influential works, A Treatise of Human Nature. Professor Edward Hall is the Department Chair of Harvard University’s Department of Philosophy. His work focuses on metaphysics and epistemology, overlapping with philosophy of science. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices