New Books in the History of Science

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature’s yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month’s natural events, from spring’s beginning through to winter’s end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature’s changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eyes by Hand: Prosthetics of Art and Healing (MIT Press, 2025) is a book about artificial eyes—about the artisans and artists who make them, and about the life-changing and sometimes life-saving experience of wearing them, as author Dan Roche has done for 15 years. Eye making is done by hand, for one person at a time, by a very small number of ocularists (fewer than 200 in the US); it is a slow, intricate, and unusually intimate process of molding, fitting, and painting that brings ocularist and patient together for many hours or even days.In Eyes by Hand, Dr. Roche describes the craft that goes into the making of an eye that looks uncannily real, as well as the psychological and emotional healing that such service brings to someone who has suffered the very visible trauma of eye loss—a loss that can go to the heart of self-identity.In an engaging, frankly fascinating fashion, Roche captures the intricacies of a profession whose techniques and culture have been remarkably consistent for 200 years. He explores, too, how that profession may now be facing a digital transformation in the form of scan-print-mail possibilities. Such a change might make prosthetic eyes more easily and cheaply available, though it may also risk the aesthetic qualities and intimate connection fundamental to the process of healing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we speak to Anne Lawrence-Mathers, Professor of History at the University of Reading about her new book Medieval Meteorology: Forecasting the Weather from Aristotle to the Almanac, out this year, 2020, with Cambridge University Press.The practice of weather forecasting underwent a crucial transformation in the Middle Ages. Exploring how scientifically-based meteorology spread and flourished from c.700-c.1600, this study reveals the dramatic changes in forecasting and how the new science of 'astro-meteorology' developed. Both narrower and more practical in its approach than earlier forms of meteorology, this new science claimed to deliver weather forecasts for months and even years ahead, on the premise that weather is caused by the atmospheric effects of the planets and stars, and mediated by local and seasonal climatic conditions. Anne Lawrence-Mathers explores how these forecasts were made and explains the growing practice of recording actual weather. These records were used to support forecasting practices, and their popularity grew from the fourteenth century onwards. Essential reading for anyone interested in medieval science, Medieval Meteorology demonstrates that the roots of scientific forecasting are much deeper than is usually recognized.Professor Lawrence-Mathers is the author of The True History of Merlin the Magician and Magic and Medieval Society,(along with Carolina Escobar-Vargas) as well as a host of articles and reviews about Medieval magic and religion. With this book the author continues her examination of spiritual practice – licit and illicit, clerical and lay – as it was culturally understood in the medieval era.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

The inside story of the CIA’s secret mind control project, MKULTRA, using never-before-seen testimony from the perpetrators themselves.Sidney Gottlieb was the CIA’s most cunning chemist. As head of the infamous MKULTRA project, he oversaw an assortment of dangerous—even deadly—experiments. Among them: dosing unwitting strangers with mind-bending drugs, torturing mental patients through sensory deprivation, and steering the movements of animals via electrodes implanted into their brains. His goal was to develop methods of mind control that could turn someone into a real-life “Manchurian candidate.”In conjunction with MKULTRA, Gottlieb also plotted the assassination of foreign leaders and created spy gear for undercover agents. The details of his career, however, have long been shrouded in mystery. Upon retiring from the CIA in 1973, he tossed his files into an incinerator. As a result, much of what happened under MKULTRA was thought to be lost—until now.In Project Mind Control: Sidney Gottlieb, the CIA, and the Tragedy of MKULTRA (St. Martin's Press, 2025) historian John Lisle has uncovered dozens of depositions containing new information about MKULTRA, straight from the mouths of its perpetrators. For the first time, Gottlieb and his underlings divulge what they did, why they did it, how they got away with it, and much more. Additionally, Lisle highlights the dramatic story of MKULTRA’s victims, from their terrible treatment to their dogged pursuit of justice.The consequences of MKULTRA still reverberate throughout American society. Project Mind Control is the definitive account of this most disturbing of chapters in CIA history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Agnes Arnold-Forster's book The Cancer Problem: Malignancy in Nineteenth-Century Britain (Oxford UP, 2021) offers the first medical, cultural, and social history of cancer in nineteenth-century Britain. It begins by looking at a community of doctors and patients who lived and worked in the streets surrounding the Middlesex Hospital in London. It follows in their footsteps as they walked the labyrinthine lanes and passages that branched off Tottenham Court Road; then, through seven chapters, its focus expands to successively include the rivers, lakes, and forests of England, the mountains, poverty, and hunger of the four nations of the British Isles, the reluctant and resistant inhabitants of the British Empire, and the networks of scientists and doctors spread across Europe and North America.The Cancer Problem argues that it was in the nineteenth century that cancer acquired the unique emotional, symbolic, and politicized status it maintains today. Through an interrogation of the construction, deployment, and emotional consequences of the disease's incurability, this book reframes our conceptualization of the relationship between medicine and modern life and reshapes our understanding of chronic and incurable maladies, both past and present.Rachel Pagones is chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego and a licensed acupuncturist. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Szostak, a Nobel Prize-winning chemist from the University of Chicago, joins Mario Livio to explore the origins of life on Earth and the hunt for extraterrestrial life. They discuss the RNA world hypothesis and how complex nucleotides could have formed from early Earth chaos. The conversation touches on pioneering experiments like Miller-Urey, questioning if life is unique to Earth or a universal phenomenon. With insights on how cellular structures can aid evolution, they dive into the cosmic possibilities of life beyond our planet.

An international history of the uncanny in the 1920s and 1930s. The interwar period was a golden age for the occult. Spiritualists, clairvoyants, fakirs, Theosophists, mind readers, and Jinn summoners all set out to assure the masses that just as newly discovered invisible forces of electricity and magnetism determined the world of science, unseen powers commanded an unknown realm of human potential Drawing on untapped sources in Arabic in addition to European ones, Raphael Cormack follows two of the most unusual and charismatic figures of this age: Tahra Bey, who took 1920s Paris by storm in the role of a missionary from the mystical East; and Dr. Dahesh, who transformed Western science to create a panreligious faith of his own in Lebanon. Traveling between Paris, New York, and Beirut while guiding esoteric apprenticeships among miracle-working mystics in Egypt and Istanbul, these men reflected the desires and anxieties of a troubled age. As Cormack demonstrates, these forgotten holy men, who embodied the allure of the unexplained in a world of dramatic change, intuitively speak to our unsettling world today Raphael Cormack is an award-winning editor, translator, and writer. The author of Midnight in Cairo, Cormack is assistant professor of modern languages and cultures at Durham University in the United Kingdom. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy.Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture.Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge.Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used statistics to make claims of discrimination in 1970s America, and how the relationship between rights and num- bers became a flashpoint in political struggles over bureaucracy, race, and law. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Art, Science, and the Politics of Knowledge (MIT Press, 2022)' by Hannah Star Rogers When I sat down with Hannah Star Rogers to discuss her new book Art, Science, and the Politics of Knowledge, I found myself nodding along to a refreshingly obvious yet somehow radical proposition: why do we insist on keeping art and science in separate corners? Rogers makes a compelling case that this artificial boundary isn't just limiting our understanding of both fields, it's actively distorting how we think about knowledge itself. What struck me most during our conversation was Rogers' articulation of Art-STS (ASTS) as an emerging field that refuses to play by the old rules os separation and siloed study. The field, and Rogers, recognizes that both artists and scientists are engaged in the same fundamental project - making sense of the world through experimentation, observation, and yes, imagination. When we acknowledge this shared enterprise, the implications ripple outward. Who gets to produce legitimate knowledge? Whose methods count as valid? These questions matter because they shape everything from funding decisions to educational curricula to which voices we trust in public discourse. Rogers doesn't just theorize about these connections; she shows us what happens when we take them seriously. The experimental collaborations she documents reveal knowledge production as a deeply social, often messy, always political process. This isn't a bug in the system, it's the system itself. And maybe, just maybe, admitting that is the first step toward building more honest and inclusive ways of understanding our world. Notes: Routledge Handbook of Art, Science, and Technology Studies Picturing the Invisible Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science Gaïa Global Circus: A Climate Tragicomedy Shot on LiDAR, a Short Film Examines the Contradictions of Urban Surveillance Learn more about your ad choices. Visit megaphone.fm/adchoices