Melvyn Bragg and guests discuss how and why Highlanders and Islanders were cleared from their homes in waves in C18th and C19th, following the break up of the Clans after the Battle of Culloden. Initially, landlords tried to keep people on their estates for money-making schemes, but the end of the Napoleonic Wars brought convulsive changes. Some of the evictions were notorious, with the sudden and fatal burning of townships, to make way for sheep and deer farming. For many, migration brought a new start elsewhere in Britain or in the British colonies, while for some it meant death from disease while in transit. After more than a century of upheaval, the Clearances left an indelible mark on the people and landscape of the Highlands and Western Isles.The image above is a detail from a print of 'Lochaber No More' by John Watson Nicol 1856-1926With Sir Tom Devine Professor Emeritus of Scottish History at the University of EdinburghMarjory Harper Professor of History at the University of Aberdeen and Visiting Professor at the University of the Highlands and IslandsAndMurray Pittock Bradley Professor of English Literature and Pro Vice Principal at the University of GlasgowProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the ideas attributed to Sun Tzu (544-496BC, according to tradition), a legendary figure from the beginning of the Iron Age in China, around the time of Confucius. He may have been the historical figure Sun Wu, a military adviser at the court of King Helu of Wu (who reigned between about 514 and 496 BC), one of the kings in power in the Warring States period of Chinese history (6th - 5th century BC). Sun Tzu was credited as the author of The Art of War, a work on military strategy that soon became influential in China and then Japan both for its guidance on conducting and avoiding war and for its approach to strategy generally. After The Art of War was translated into European languages in C18th, its influence spread to military academies around the world.The image above is of a terracotta warrior from the tomb of Qin Shi Huang, the first Emperor, who unified China after the Warring States period.With Hilde De Weerdt Professor of Chinese History at Leiden UniversityTim Barrett Professor Emeritus of East Asian History at SOAS, University of LondonAndImre Galambos Reader in Chinese Studies at the University of CambridgeProducer: Simon Tillotson.

In a programme first broadcast in 2018, Melvyn Bragg and guests discuss the life and ideas of Frederick Douglass, who was born into slavery in Maryland in 1818 and, once he had escaped, became one of that century's most prominent abolitionists. He was such a good orator, his opponents doubted his story, but he told it in grim detail in 1845 in his book 'Narrative of the Life of Frederick Douglass, an American Slave.' He went on to address huge audiences in Great Britain and Ireland and there some of his supporters paid off his owner, so Douglass could be free in law and not fear recapture. After the Civil War and the abolition of slavery, he campaigned for equal rights for African-Americans, arguing against those such as Lincoln who had wanted freed slaves to leave America and found a colony elsewhere. "We were born here," he said, "and here we will remain."WithCeleste-Marie Bernier Professor of Black Studies in the English Department at the University of EdinburghKaren Salt Assistant Professor in Transnational American Studies at the University of NottinghamAndNicholas Guyatt Reader in North American History at the University of CambridgeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the event of which Voltaire, two hundred years later, said 'nothing was more well known'. In 1565, Suleiman the Magnificent, the Ottoman leader, sent a great fleet west to lay siege to Malta and capture it for his empire. Victory would mean control of trade across the Mediterranean and a base for attacks on Spain, Sicily and southern Italy, even Rome. It would also mean elimination of Malta's defenders, the Knights Hospitaller, driven by the Ottomans from their base in Rhodes in 1522 and whose raids on his shipping had long been a thorn in his side. News of the Great Siege of Malta spread fear throughout Europe, though that turned to elation when, after four months of horrific fighting, the Ottomans withdrew, undermined by infighting between their leaders and the death of the highly-valued admiral, Dragut. The Knights Hospitaller had shown that Suleiman's forces could be contained, and their own order was reinvigorated. The image above is the Death of Dragut at the Siege of Malta (1867), after a painting by Giuseppe Cali. Dragut (1485 – 1565) was an Ottoman Admiral and privateer, known as The Drawn Sword of Islam and as one of the finest generals of the time.With Helen Nicholson Professor of Medieval History at Cardiff UniversityDiarmaid MacCulloch Professor of the History of the Church at the University of OxfordandKate Fleet Director of the Skilliter Centre for Ottoman Studies and Fellow of Newnham College, CambridgeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the man who was Henry II's Chancellor and then Archbishop of Canterbury and who was murdered by knights in Canterbury Cathedral (depicted by Matthew Paris, above). Henry believed that Becket owed him loyalty as he had raised him to the highest offices, and that he should agree to Henry's courts having jurisdiction over 'criminous clerics'. They fell out when Becket agreed to this jurisdiction verbally but would not put his seal on the agreement, the Constitutions of Clarendon. The rift deepened when Henry's heir was crowned without Becket, who excommunicated the bishops who took part. Becket's tomb became one of the main destinations for pilgrims for the next 400 years, including those in Chaucer's Canterbury Tales where he was the 'blisful martir'. With Laura Ashe Associate Professor of English at Worcester College, University of OxfordMichael Staunton Associate Professor in History at University College DublinAndDanica Summerlin Lecturer in Medieval History at the University of SheffieldProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the myths and history of the ancient Greek city of Thebes and its depiction in Athenian drama. In myths it was said to be home to Heracles, Dionysus, Oedipus and Cadmus among others and, in history, was infamous for supporting Xerxes in the Persian War. Its prominence led to a struggle with the rising force of Macedon in which the Thebans were defeated at Chaironea in 338 BC, one of the most important battles in ancient history. The position of Thebes in Greek culture was enormously powerful. The strength of its myths and its proximity to Athens made it a source of stories for the Athenian theatre, and is the setting for more of the surviving plays than any other location. The image, above, is of Oedipus answering questions of the sphinx in Thebes (cup 5th century BC).With Edith Hall Professor of Classics at King's College LondonSamuel Gartland Lecturer in Ancient History at Corpus Christi College, University of OxfordandPaul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of CambridgeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss The Picts and, to mark our twentieth season, that discussion takes place in front of a student audience at the University of Glasgow, many of them studying this topic. According to Bede writing c731AD, the Picts, with the English, Britons, Scots and Latins, formed one of the five nations of Britain, 'an island in the ocean formerly called Albion'. The Picts is now a label given to the people who lived in Scotland north of the Forth-Clyde line from about 300 AD to 900 AD, from the time of the Romans to the time of the Vikings. They left intricately carved stones, such as the one above with a bull motif, from Burghead, Moray, Scotland, but there are relatively few other traces. Who were they, and what happened to them? And what has been learned in the last twenty years, through archaeology? With Katherine Forsyth Reader in the Department of Celtic and Gaelic at the University of GlasgowAlex Woolf Senior Lecturer in Dark Age Studies at the University of St Andrewsand Gordon Noble Reader in Archaeology at the University of AberdeenProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.With Mary Vincent Professor of Modern European History at the University of SheffieldGijs van Hensbergen Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies andDacia Viejo Rose Lecturer in Heritage in the Department of Archaeology at the University of Cambridge Fellow of Selwyn CollegeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the conference convened by the victorious powers of the Napoleonic Wars and the earlier French Revolutionary Wars, which had devastated so much of Europe over the last 25 years. The powers aimed to create a long lasting peace, partly by redrawing the map to restore old boundaries and partly by balancing the powers so that none would risk war again. It has since been seen as a very conservative outcome, reasserting the old monarchical and imperial orders over the growth of liberalism and national independence movements, and yet also largely successful in its goal of preventing war in Europe on such a scale for another 100 years. Delegates to Vienna were entertained at night with lavish balls, and the image above is from a French cartoon showing Russia, Prussia, and Austria dancing to the bidding of Castlereagh, the British delegate.With Kathleen Burk Professor Emerita of Modern and Contemporary History at University College LondonTim Blanning Emeritus Professor of Modern European History at the University of CambridgeandJohn Bew Professor in History and Foreign Policy at the War Studies Department at King's College LondonProducer: Simon Tillotson.

Explore the rule of Constantine the Great and his transformative impact on the Roman Empire. Delve into the state of the empire during his birth, his journey to claim authority, and the history of early Christianity. Learn about Constantine's choice to establish Constantinople and the complicated reputation he holds. Discover his involvement in the Christian church and the influence of politics and religion on the development of Christianity.