Off Panel: A Comics Interview Podcast

On this emergency episode of Off Panel, AV Club's Oliver Sava returns to discuss the big switch at the top at Marvel, as C.B. Cebulski replaced Axel Alonso as Editor-in-Chief. Subjects discussed include whether it was necessary, Marvel's aimlessness, the trouble with Legacy, the impact Alonso's comments about artists might have had, whether Cebulski is a good fit as EIC, David Gabriel's role in Marvel's struggles, the good things Alonso accomplished, risk taking at the top, our levels of concern with Marvel, before closing with a discussion about what we'd do if we were Cebulski.

On this week's episode of Off Panel, artist Alison Sampson joins the show to talk about her Image Comics series, Winnebago Graveyard. She discusses her architectural background, how her architecture background influences her comic art, panel layouts, her art process, backmatter, whether Winnebago Graveyard is more of a book market comic, women working on horror comics, whether she's gotten faster as an artist, getting bogged down in details, breaking in after an entirely different career, what Winnebago Graveyard taught her as a creator, Think of a City's present and future, and more.

It's emergency podcast time, as I just had to address the big news about writer Brian Michael Bendis leaving Marvel to sign exclusively with DC Comics. To do that, the AV Club's Oliver Sava joins the show, as we discuss how shocking the news was, what makes it so stunning, what books we'd most want to see him to take over at DC, what the deal means for DC, Bendis's ability to lure for other creatives, Marvel's other loss on the day, what losing Bendis means for Marvel, the silver lining of losing Bendis for Marvel, Marvel's need for a new architect, Hickman's reaction to all this, whether the next generation of superhero writers will be interested in shared universe stories, DC's momentum, and more.

On this week's episode of Off Panel, Comichron's John Jackson Miller joins the show to discuss the comic market and his origins. Miller talks about his 25 years in comics, the origins of Comichron, what it's trying to accomplish, whether being estimates impacts Comichron's legitimacy, how people use the data, the myth of cancellation levels, the comic market today vs. the 90s, the importance of single issues, the trickiness of variant covers, Marvel's position in the market, the amount of comics in the market today, whether publisher gamesmanship impacts the legitimacy of sales numbers, doom and gloom, and more.

On this week's episode of Off Panel, cartoonist Ed Piskor talks about his upcoming series X-Men: Grand Design. He discusses his comic book origin story, what a comic book collection says about a person, why the Byrne/Claremont run is so specifically his jam, hanging out with Chris Claremont at NYCC, how X-Men: Grand Design came together, the process of organizing and structuring the series, his process on the book, recoloring X-Men #1, making a Marvel comic as a cartoonist, style vs. storytelling, entering the world of superheroes, his Nike Air Force 1 project, and more.

On this week's episode of Off Panel, writer Jim Zub joins the show to talk the upcoming "No Surrender" story in Avengers and the business of comics. Zub discusses the influences of Dungeons & Dragons on his writing, dealing with internet trolls, the development of No Surrender, collaborating with multiple writers on one book, the playful competitiveness on the project, his Avengers fame, his write-ups on the business of comics, armchair quarterbacking comics sales, the appeal of Image Comics, and more, before talking Overwatch to close the show.

On this week's episode of Off Panel, writer Matt Fraction joins the show to discuss his work on comics like Sex Criminals, Casanova, and Solid State. Fraction talks the impact of the Warren Ellis Forums, the rise of the Brimpers, why so many connected deeply to Sex Criminals, the book's backmatter, following your gut in writing, accessibility, getting over the fear of writing, integrating Elizabeth Breitweiser into their creative routine, collaboration, Casanova's impact, the unique challenge of Solid State, the importance of a comic being of physical substance, the Milkfed newsletter, and more.

On this week's bonus episode of Off Panel, my pal Brandon Burpee joins the to talk the greatest event comics of all time and our thoughts on the Marvel Legacy one-shot. We share our take on the one-shot's quality (with the review portion ending 15 minutes in), whether it made us want to read more Marvel comics, Brandon's related conspiracy theories, the appeal of the upcoming Rogue & Gambit series, where we are with event comics these days, whether events are old hat, how the way comics news is handled has impacted events, what makes a good event, before we close with a discussion about our ten favorite event/weekly comics ever.

On this week's episode of Off Panel, the owner of Big Bang Comics in Dublin, John Hendrick, returns to the show to talk the world of comics. Hendrick discusses his shop's perspective on Marvel, their comic market tweets, BookScan's plan to track sell-through of comics, the difference between Rebirth and Legacy, the lack of awareness amongst their customers in Legacy, DC's handling of Alan Moore properties, how his shop is doing this year, the impact of having a great staff and a good looking store, the controversial retailer meeting at NYCC, whether the direct market is killing print comics, the crew of people trolling Big Bang and varying people in comics, and more.

On this week's episode of Off Panel, Vulture and New York Magazine's Abraham Riesman comes on the podcast to discuss his feature writing and recent massive piece on the change of approach at DC Entertainment. Riesman discusses his work through the prism of his Fantastic Four tattoo, the story of seeing Logan with Chris Claremont, how his feature writing develops, how much social media and corporate mergers have changed interviews with people in comics, the skills necessary to succeed in comics these days, how his big DC Entertainment feature developed, how The New 52 became The New 52, his upcoming Batman: The Animated Series oral history, the art of the interview, and more, before we dive into five questions about Riesman himself.