Folger Shakespeare Library: Shakespeare Unlimited

Isabelle Schuler’s debut novel Queen Hereafter attempts to fill in a backstory for Lady Macbeth. The book takes place in 11th century Scotland, where a king’s reign tended to be short and brutal. For her version of Lady M, Schuler didn’t rely on Shakespeare or his source material, Holinshed’s Chronicles. Instead, she looked to the annals and sagas that predate Holinshed. There, Schuler found Gruoch, who married Macbethad (the historical Macbeth) after her first husband died. Schuler talks with Barbara Bogaev about how she filled in the gaps of Shakespeare's tragedy. Queen Hereafter is available now from Harper Perennial. From the Shakespeare Unlimited podcast series. Published November 21, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

The First Folio—the first collected edition of Shakespeare’s plays—hit bookstores 400 years ago this November. Emma Smith of Oxford University tells us just what this famous book has been up to for the past four centuries. We explore notable collectors like Sir Edward Dering and our founders, Emily and Henry Folger; how the 18th-century slave trade supercharged the book’s value; how the 235 extant copies scattered across the world; and much more. Emma Smith is interviewed by Barbara Bogaev. Emma Smith teaches Shakespeare at Oxford University and is the author of Shakespeare's First Folio: Four Centuries of an Iconic Book. A new edition is available now from Oxford University Press. Smith is also leading a year-long scholarly program for the Folger Institute called “Next Gen Editing.” From the Shakespeare Unlimited podcast series. Published November 7, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from VoiceTrax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Marjorie Garber, Harvard professor, discusses the influence of Shakespeare on the Bloomsbury Group. They explore the intimate relationship between the group and Shakespeare, Virginia Woolf's concept of the Androgenous Mind, and the revisionist views on Shakespeare in Orlando and by Litten Strayche. The chapter also delves into Shakespeare's language and character development and the influence of the Bloomsbury Group on his works.

Sir Patrick Stewart joins us on the podcast to talk about how Shakespeare has shaped his life. Stewart tells host Barbara Bogaev about his Yorkshire youth, his audition for the Royal Shakespeare Company, playing Starfleet Captain Jen-Luc Picard, and more. Stewart's memoir, "Making It So," is available now from Gallery Books, an imprint of Simon & Schuster. From the Folger’s Shakespeare Unlimited podcast. Published October 10, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leo Fernandez edits our transcripts. We had technical help from Ngofeen Mputubwele in New York and Andrew Feliciano at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Sometimes, the beauty of Shakespeare’s poetry takes your breath away. In the case of today’s guest, Shakespeare gave him his breath back. You may recognize actor Michael Patrick Thornton from his roles on TV series like Private Practice and The Good Doctor. Twenty years ago, Thornton had just started out in his acting career when he suffered two spinal strokes that nearly ended his life. He survived, but the strokes took away his ability to breathe and speak. A speech therapist helped Thornton find his way back to breath control… by reciting Shakespeare. He talks with Barbara Bogaev about learning to breathe again with the Bard. Michael Patrick Thornton is the co-founder and former artistic director of The Gift Theatre in Chicago. He’s played Iago at the Gift, and Richard III in a co-production with Steppenwolf Theatre. Recently, he appeared on Broadway in Sam Gold’s 2022 production of Macbeth starring Daniel Craig and Ruth Negga and in the Tony-nominated Broadway production of A Doll’s House. From the Folger’s Shakespeare Unlimited podcast. Published September 26, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leo Fernandez edits our transcripts. We had technical help from Daniel Roth in Chicago and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

We talk with author Katherine Rundell about the extraordinary life —or should we say lives? — of John Donne, who wrote some of the 17th century’s most complex and intellectually dazzling poetry. Rundell, a fellow at All Souls College, Oxford and the author of Super-Infinite: The Transformations of John Donne takes us through Donne’s evolution from hotshot poet to penniless prisoner to rock star preacher. Rundell has also written six novels for children, a book for adults about children’s books, and a nonfiction book about the wonder of animals called The Golden Mole. Her latest fantasy novel, Impossible Creatures, comes out in September 2023.

Today, we sail the seven seas with Shakespeare. In addition to being a dedicated swimmer, Steve Mentz is a professor at St. John’s University. His books, including 2009’s At the Bottom of Shakespeare’s Ocean, connect literary criticism with marine ecology. Mentz talks with Barbara Bogaev about Shakespeare’s oceanic metaphors, how much Shakespeare really knew about the ocean, and what plays like The Tempest, King Lear, and Twelfth Night can teach us as we face rising sea levels and more destructive storms. Steve Mentz is a Professor of English at St. John’s University. His new book, An Introduction to the Blue Humanities, is out now from Routledge. He is a former Folger fellow and a frequent participant in the Folger Institute’s scholarly programs. From the Folger’s Shakespeare Unlimited podcast. Published August 29, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leo Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Robert Scaramuccia in New Haven and Jenna McClelland at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Can you love Shakespeare and be an antiracist? Farah Karim-Cooper's new book, The Great White Bard, explores the language of race and difference in plays such as Antony and Cleopatra, Titus Andronicus, and The Tempest. Karim-Cooper also looks at the ways Shakespeare’s work became integral to Britain’s imperial project, and its sense of cultural superiority. But for all this, Karim-Cooper is an unapologetic Shakespeare fan. It's right there in the subtitle of her book: "How to Love Shakespeare While Talking about Race." Far from casting Shakespeare out of the classroom or playhouse, Karim-Cooper shows new ways to appreciate him. And, by drawing connections between the plays and current events, she offers an eyes-wide-open tour of Shakespeare’s continued relevance. Karim-Cooper talks with Barbara Bogaev about the role of race in Titus Andronicus, Othello, Romeo and Juliet, and more. Listen to Shakespeare Unlimited on Apple Podcasts, Google Podcasts, Spotify, Soundcloud, or wherever you get your podcasts. Farah Karim-Cooper is a professor of Shakespeare studies at King’s College, London, and a director of education at Shakespeare’s Globe theater. The Great White Bard is available now from Viking Press. From the Folger’s Shakespeare Unlimited podcast. Published August 15, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leo Fernandez edits our transcripts. We had technical help from Mark Dezzani in Surrey and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

A Palestinian production of Hamlet in the West Bank is the backdrop for Isabella Hammad’s new novel, Enter Ghost. Hammad’s first novel, the beautiful and sprawling The Parisian, won international acclaim in 2019. Granta included Hammad in its decennial “Best of Young British Novelists” list earlier this year. The narrator of Hammad’s new novel is Sonia, a British Palestinian actress who visits her sister in Israel to recover from the end of an affair. Despite wanting to take a break from the stage, Sonia gets roped into playing Gertrude in a production of Hamlet being mounted in the West Bank. Sonia’s fellow actors read Hamlet as an allegory for the Palestinian struggle. While Sonia resists their interpretation, she uncovers ghosts of her own—repressed memories, a family history of resistance, and a newly discovered commitment to the Palestinian cause. Despite the novel’s contemporary setting and political themes, Hammad never lets her characters’ trenchant views overwhelm the complex beauty of her storytelling. Isabella Hammad is interviewed by Barbara Bogaev. Enter Ghost is available now from Grove Atlantic Press. From our Shakespeare Unlimited podcast. Published August 1, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Andrew Feliciano at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Mat Osman's new novel, The Ghost Theatre, takes us flying over the rooftops of Elizabethan London and down into the gritty lives of its child actors. A historical novel set in a vibrant and sensuously reimagined Elizabethan London, the book's main character is Shay, the daughter of a clairvoyant who lives among a community who worship birds. When Shay meets a charming young actor named Nonesuch, she is drawn into the world of the children’s theater—that is, a theater whose actors and crew are all made up of young people, performing for an audience made of primarily of adults. Shay falls in love with performance and joins an immersive guerrilla theater troupe that gets tangled up in a violent political power struggle. Osman is more famous as the bass player in the British rock band Suede. To get the texture of Elizabethan life right in The Ghost Theatre, Osman researched as much as he could at the margins of history. Osman tells Barbara Bogaev about how he explored his young actors' lives, invented an early modern religious sect, and how his long career as a rock musician helped him write the novel.