History Unplugged Podcast

On August 9, 1974, Richard Nixon became the first and only U.S. president to resign from office—to avoid almost certain impeachment. Utterly disgraced, he was forced to flee the White House with a small cadre of advisors and family. Richard Nixon was a completely defeated man.Yet only a decade later, Nixon was a trusted advisor to presidents, dispensing wisdom on campaign strategy and foreign policy, shaping the course of U.S.-Soviet summit meetings, and representing the U.S. at state funerals—the model of an elder statesman. Kasey Pipes, author of “After the Fall: The Remarkable Comeback of Richard Nixon,” tells us about surprises like this: -- How Nixon’s advice on the Strategic Defense Initiative (SDI) shaped Ronald Reagan’s negotiations with Gorbachev— and changed history-- How Nixon traveled to China after Tiananmen Square to help preserve the U.S.-Chinese relations that he had opened up years earlier-- The Saturday morning presidential radio address: a Nixon idea-- Nixon’s surprising friendship with Bill ClintonSee omnystudio.com/listener for privacy information.

From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, battle was not a metaphor for women across history.But for the most part, women warriors have been pushed into the historical shadows, hidden in the footnotes, or half-erased. Yet women have always gone to war—or fought back when war came to them.  They fought to avenge their families, defend their homes (or cities or nations), win independence from a foreign power, expand their kingdom's boundaries, or satisfy their ambition. They battled disguised as men.  They fought, undisguised, on the ramparts of besieged cities. Some were skilled swordsmen or trained snipers, others fought with improvised weapons. They were hailed as heroines and cursed as witches, sluts, or harridans.In todays episode I'm speaking with Pamela Toler, author of the book Women Warriors. She uses both well known and obscure examples, drawn from the ancient world through the twentieth century and from Asia and Africa as well as from the West.  Looking at specific examples of historical women warriors, she considers why they went to war, how those reasons related to their roles as mothers, daughters, wives, or widows, peacemakers, poets or queens—and what happened when women stepped outside their accepted roles to take on other identities.See omnystudio.com/listener for privacy information.

Dracula Untold has absolutely no right being as historically accurate as it is. Made in 2014, this was Universal Studio's first attempt to use the intellectual property of their 1930s monster movies and turn it into a Marvel-esque cinematic universe. As a result, it is full of X-men type superpowers, CGI, and what Scott calls "supernatural shenanigans." Despite all this, the film accurately describes Ottoman forms of imperial expansion in the fifteenth century, shows us period accurate costumes, and even has actors speaking in passable Turkish! Why on earth did this film do its history homework when other so-called serious historical dramas not even bother?See omnystudio.com/listener for privacy information.

In the final two episodes of this mini-series, Steve and Scott talk about movies that actually do a good job of conveying history, or at least as much as possible when handled by Hollywood producers enslaved to suggestions from marketing research reports. The first film is the Alamo (2004).The purported goal of the filmmakers was to have this movie be as historically accurate as possible, or at least more so than the John Wayne Alamo film of 1960. It stars Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, Patrick Wilson as William Travis, Jason Patric as Jim Bowie, and Jordi Molla as Juan Seguin.See omnystudio.com/listener for privacy information.

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Demi Moore did not win any Academy Awards for her portrayal of 17th-century Puritan Hester Prynne. But she did succeed in transforming Nathaniel Hawthorne's famous moral drama into a Cinemax movie that also features Indians, deadly fights, burning buildings, flaming arrows, and a rousing speech in which Dimmsdale calls for sexual freedom. Dear listeners, this is not a good film.See omnystudio.com/listener for privacy information.

In our second John Wayne film, we watch the Duke put on a fake fu manchu mustache and yellow face makeup to play the role he was born NOT to play: Genghis Khan. Scott and Steve discuss the infamous film that, in addition to featuring the worst casting choice in Hollywood history, has hundreds of anachronisms and, worst of all, may have killed dozens of the cast and crew from radiation poisoning due to being filmed near a nuclear test site. The sins of this movie are many and we do our best to chronicle them all.See omnystudio.com/listener for privacy information.

John Wayne was 62 years old when he tried to portray a fit Vietnam War Green Beret colonel, but the obvious age gap isn't the only head scratcher in this film. Released in 1968, the film was Lyndon B. Johnson-approved attempt to shift American opinion on the Vietnam War. Listen to this episode to see if it worked.See omnystudio.com/listener for privacy information.

Based on Dan Brown's mega best-selling instructional manual on how to write terrible English, Scott and Steve discuss "The Da Vinci Code," the 2006 Ron Howard film that dares to ask the question: Has the secret life of Jesus been hidden by the Catholic Church and heroically uncovered by half-baked conspiracy theorists who have an extremely poor understandings of the gnostic gospels? The answer will shock you!See omnystudio.com/listener for privacy information.

In the second episode of this series, Stephen tells us everything he doesn't like about the 2009 film Agora, which is a lot. The movie stars Rachel Weisz (maybe the only good thing about the film) as Hypatia, a real-life 4th/5th-century philosopher in Alexandria killed by political infighting among politicians and clergy. Her actual story is very interesting and tells us much about late Roman civic life, but this movie turns her into a genius that is one part Isaac Newton, two parts Tony Stark, ready to discover a heliocentric solar system a thousand years before Copernicus; however, an ignorant mob kills her and burns her scrolls before she has the chance. To put it very mildly, the film takes liberties with the truth.See omnystudio.com/listener for privacy information.