Hospitality and hostility come from a common root, according to the writer Priya Basil. In her latest book, Be My Guest, she explores the diverse meaning of the Indo-European word ‘ghos-ti’ which combines host, guest and stranger. She tells Kirsty Wark how breaking bread together is a way of breaking down barriers. Shamil Thakrar is the co-founder of the award-winning restaurant chain, Dishoom. He traces the roots of the restaurant’s success, looking back to the sights, sounds and tastes of the much-loved cosmopolitan Bombay of his childhood. While Thakrar’s father and uncle established the food company, Tilda Rice, when they arrived in London in the 1970s, Thomas Harding’s relatives came to Britain in the early 1800s and went on to create the largest catering company in the world: J. Lyons. In Legacy, Harding, looks at how Lyons tea rooms became a fixture on every high street in the country, transforming the way we eat and drink, and democratising eating out.Lyons pioneered different processed foods, from coffee to ice cream. Food writer Joanna Blythman sees processed food as the biggest peril to our health today. She worries that in the rush to adopt a plant-based diet, we will swap nutritious red meat for meat substitutes full of gum and other additives. Blythman also challenges the idea that only by giving up meat can we save our planet from climate change,Producer: Katy Hickman

The writer Fatima Bhutto celebrates the new global popular culture emerging from the East. She tells Andrew Marr that the West’s soft power dominance is on the wane as K-Pop, Dizi and Bollywood take the world by storm.The Korean artist Nam June Paik was among the first to foresee the importance of mass media and new technologies, coining the phrase ‘electronic superhighway’. Sook-Kyung Lee is co-curating a global tour of his work, starting at Tate Modern.A new play, Museum in Baghdad, brings together the stories of its British founder Gertrude Bell in 1926 with Ghalia Hussein’s attempts to reopen it in 2006 after looting during the war. The RSC director Erica Whyman says the play questions the role of culture in helping to create a nation.And the writer John Burnside turns to the poets of the 20th century to give voice to an alternative cultural history of the time. He draws on the work of poets, both renowned and unjustly obscure, to give shape and meaning to the world.Producer: Katy HickmanPicture credit: Tate

Lenny Henry was 16 when he first appeared on television making people laugh in the 1970s. He tells Kirsty Wark about coming of age in the spotlight at a time of casual chauvinism and blatant racism, all while under his Jamaican mother’s strict instruction to integrate. The novelist Tessa McWatt knows only too well the complexity of fitting in. Born in Guyana, raised in Canada and working in Britain, McWatt explores themes of the outsider in society and conflicting ideas of belonging. The writer and former sportsman Matthew Syed encourages breaking free of the echo chambers that surround us, to develop an ‘outsider mindset’. Cognitive diversity, he argues in his latest book, is the answer to many of the world’s most challenging problems.And the social psychologist Keon West explains the research being done to reduce bias between different groups of people. He argues that mandatory unconscious bias training is not only pointless - but possibly detrimental.Producer: Katy HickmanPicture credit: © ITV / Rex / Shutterstock

Against a backdrop of fierce political battles in Parliament and in court, Andrew Marr explores political power and examines those who wield it - from absolutism to anarchism.The political commentator Steve Richards has been in the House of Commons for many nights of political strife. Watching the behaviour of parliament and government today, he considers how different British Prime Ministers have used their many powers. In his new book 'The Prime Ministers' he reflects on the individual characters of leaders. From Harold Wilson to Boris Johnson, he recalls moments when Prime Ministers buckled or thrived under the pressure of their role.At the other end of the power spectrum, the academic Ruth Kinna explores ‘the government of no one’: anarchism. She argues that this much maligned ideology is far more adaptable and effective than we might expect. And she rejects the stereotyped view of it as chaotic and disordered.The theatre director Eleanor Rhode is bringing Shakespeare’s King John to the stage at the Royal Shakespeare Company. This rarely performed tale depicts a tumultuous nation reeling, as a weakened King fights to retain his crown from the invading French and his rebellious noblemen.And in a week that saw a landmark Supreme Court ruling on the government's use of prorogation, Catherine Haddon from the Institute for Government explains where constitutional power now lies: whether with parliament, government, the judiciary, the Prime Minister, or the Queen. She predicts major changes ahead...Producer: Hannah SanderPicture credit: Royal Shakespeare Company

Antony Gormley talks to Tom Sutcliffe about his forthcoming major show at the Royal Academy. The sculptor returns to his enduring interest in the inner dark space of the body and the body’s relation to its surroundings. As well as the famous casts of this own figure, seawater and clay fill one gallery, evoking the depths from which life emerged.The award-winning playwright Laura Wade discusses her revolutionary adaptation of Jane Austen. Her new play, The Watsons, is based on Austen’s unfinished novel, and shows what happens when characters threaten to break free from the original work and take control of the drama. The conductor Charles Hazlewood celebrates the rebellious side of classical music – minimalism. Minimalists in the 20th century, like Steve Reich and Terry Riley, flouted conventions and sought to redraw musical boundaries. But the music was also a direct response to the political and social fervour of the 1960s and 70s. One of the most creative and hedonistic periods of British culture was the nineties: the era of Cool Britannia, born in Thatcher’s Britain and flaunted by Tony Blair. The writer Daniel Rachel looks back at how art, comedy, fashion, film, football and music came together in a flowering of national self-confidence, and what broke it apart.Producers: Katy Hickman and Hannah Sander

Andrew Marr discusses how far nations have managed to confront the past. In Learning from the Germans, the philosopher Susan Neiman contrasts the way in which Germany continues to come to terms with its Nazi past, with the failure of the US to deal with slavery and the legacy of racial violence. The historian Stuart James Ward is interested in how far the ghosts of Empire have haunted the debate around Brexit. From the simplistic caricature of hankering after the past to a global vision of the future, both sides have summoned their own image of Empire. As an Australian academic who has spent his career in Denmark, Ward believes he is in a unique position to observe the unfolding political drama.The former MP David Howell argues it’s time to look ahead and not back in his new book, subtitled ‘Escaping the Prism of Past Politics’. Howell has been at the centre of government for four decades and was a member of Margaret Thatcher’s first cabinet. He believes Britain should be forging new relations and finding a new position in the world.The political scientist Jane Green looks beyond the present impasse in the Commons over the direction of Brexit to focus on public volatility in voting. Not since 1931 has there been such a fracturing of voter loyalty, but Green asks how much we can learn from the past. Producer: Katy Hickman

The playwright David Hare is adapting Ibsen’s Peer Gynt, an epic story of vanity and egotism. He tells Tom Sutcliffe his radical new working keeps the mountain of trolls but becomes a contemporary reflection of toxic masculinity in the age of the selfie. The writer Lucy Hughes-Hallett reincarnates ancient myths and folklore in her collection of short stories, Fabulous. Old tales from Orpheus to Mary Magdalen and Psyche, find new homes in the lives of a people-trafficking gangmaster and a well-behaved librarian.The great story-teller Stephen Fry breathes fresh life into the Greek myths as he prepares to embark on his first UK tour for forty years. From the creation of the Cosmos and the feuding of the Gods, to the extraordinary battles and epic journeys of the heroes, these tales still echo for audiences today. Alison Balsom is a world-renowned trumpeter who moves seamlessly through different periods of music in her curation of this year’s Cheltenham Music Festival. She explains her deep passion for the world of baroque music and the excitement of playing a new piece for the very first time, as she prepares for the premiere of Thea Musgrave’s Trumpet Concerto. Producer: Katy Hickman

Rowan Williams celebrates The Book of Taliesin – legendary Welsh poems of enchantment and warfare. The former Archbishop of Canterbury tells Andrew Marr how the collection of poems speak of a lost world of folklore and mythology, and the figure of Taliesin is an elusive and exuberant creative poetic fiction. Martin Sixsmith tells the extraordinary story of the Russian poet Sergei Yesenin at the turn of the 20th century. Yesenin lived through the most turbulent times in Russian history, and during an age when poets were stars, and millions could recite his works by heart. The poet Jay Bernard has found inspiration in exploring the black British archive, and the enquiry into the New Cross Fire in 1981 which killed thirteen young people. The poems shine a light on an unacknowledged chapter in British history, and find resonance with the horror of the Grenfell tower fire two years ago.The poet, writer and teacher, Kate Clanchy has seen first-hand poetry’s unique ability to unleash young voices. At the multicultural school in Oxford where she teaches, students speak 30 languages and poetry has become a vital part of bringing pupils together, giving them pride in their work and allowing them to express the reality of their lives.Producer: Katy HickmanImage of Jay Bernard, taken by Joshua Virasami

Andrew Marr discusses money, from central banks to personal finances. The historian John Guy looks back to the emergence of London as the financial centre of the world. His latest biography focuses on the life and world of Sir Thomas Gresham, Elizabeth I’s banker – a flawed and ambitious man who dabbled in blackmail, fraud and adultery and left his widow saddled with debt.Few of today’s central bankers could match Gresham’s tumultuous private life, but they do wield enormous power in the markets. Paul Tucker spent more than 30 years as a central banker and regulator at the Bank of England and sounds a warning against increasing the authority of technocrats.Miatta Fahnbulleh is the Chief Executive of the radical economics think-tank, NEF, which aims to build a new economy from the bottom up and put more power in the hands of the people. She looks at the role central banks have to play in a Green New Deal and the impact of debt on the country and its citizens. While government debt makes the headlines, personal debt is now at a record high, and could derail future confidence in the market. The behavioural economist Alice Tapper offers a guide to personal finances and argues for more openness when it comes to talking about what we earn and what we spend.Producer: Katy Hickman

Diego Maradona was a footballer of unrivalled talent, but off the pitch his story is one of despair and betrayal. Chris King, the editor of a feature documentary on the player, tells Kirsty Wark that the film reveals the life of this flawed icon through his own words and personal archive. Hussein Kesvani also aims to tell a story that goes beyond the usual headlines, exploring the unexpected online worlds of British Muslims. He reveals a new generation of young media-savvy Muslims creating their own diverse cultural identities online.More secrets are unveiled in Shahidha Bari’s book, Dressed, which looks at the hidden power of clothes in our culture and daily lives. She explores the link between what we wear and who we are. The latest exhibition at the British Museum offers visitors the chance to enter a graphic world where art and storytelling collide in its display of Japanese manga. The curator Nicole Rousmaniere argues that manga has long been a way to tell the stories of those whose history is not recorded. Correction: the programme wrongly states that Adolf Eichmann’s trial took place at Nuremberg. He was tried in Jerusalem in 1961.Producer: Katy Hickman