Secrets from the Green Room

In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Lech Blaine about how to shape a memoir and find a meaningful throughline within the truth, what it was like being edited by Helen Garner, how to decide what to leave out of a memoir, the ethical dilemmas of writing about trauma in relation to friends and family, how he found the voice for the ‘characters’ in his memoirs, how he scored his Quarterly essays and the way he approaches long-form essays, and what he loves and hates about the publishing process.About LechLech Blaine is the award-winning author of the two works of creative non-fiction/memoir Car Crash and Australian Gospel and two Quarterly Essays Top Blokes and Bad Cop. He was the 2023 Charles Perkins Centre writer in residence, and his writing has appeared in Good Weekend, Griffith Review, The Guardian and The Monthly. 

In a special series direct from the Ubud Writers & Readers Festival, Irma chats to travel writer Nina Karnikowski about why she no longer wants to do a five-day trip to Paris and would rather opt for longer more immersive travel, tips for how to get started as a travel writer, why a luxury trip to Bali was one of her worst experiences, and how a moment with a polar bear in the Arctic changed her life, how she organises the various tasks that make up freelance travel writing, tips on how to pitch travel articles and why writing her memoir so quickly had huge benefits.About NinaNina Karnikowski is a writer exploring how travel can help solve social and environmental problems. Having reported from over 60 countries, her work weaves together storytelling, systems thinking and a deep respect for place. She is the author of three books about travel and creative living, and a deck of writing prompt cards. Based in Byron Bay, she also mentors purpose-driven creatives.

In this episode Irma and Karen chat about the 2025 Ubud Writers & Readers Festival, painting a picture of the festival atmosphere and sharing some of the highlights. Then they ask six authors at the festival – Clare Wright, Jenny Erpenbeck, Lech Blaine, Yves Rees, Craig Leeson and Virginia Haussegger – to share a green room story. They uncover Bryan Brown’s funny festival request, Thomas Keneally's unwitting green room 'theft', Jenny Erpenbeck’s props room catastrophe, Annabel Crabb’s near miss, David Attenborough's pub oration, and how Virginia Haussegger burnt a hole in a green room floor.

Karen and Irma chat about early drafts and tips for gaining momentum again after a break.Then Irma talks to Sophie Cunningham in her role as Chair of the Australian Society of Authors about the impact of AI, the closure of Meanjin, the ASA’s role with industry issues, the ways in which authors need to change their expectations around publishing, how the Stella Prize changed the literary landscape, but also why prizes can be devastating for the majority who don’t make the lists, why we need to rethink the acquisition of independents by multinational publishing houses, and why seeing writing as a job helps her avoid the destablising effect of career highs and lows.About SophieSophie Cunningham has written 10 books, was co-founder of The Stella Prize, is a former editor of Meanjin, and a Member of the Order of Australia for her contributions to literature. She is currently a non-executive director of the Copyright Agency and the Chair of the Australian Society of Authors, which is the capacity in which we are chatting with her today. 

Irma and Karen chat about the upcoming Ubud Readers & Writers Festival at which they will be recording interviews with several international writers, as well as some of the books they've been reading recently.Then both Karen and Irma chat to Craig Cormick about the pros and cons of big versus small publishers, how he’s got author gigs on cruise ships and what they’ve involved, how he’s managed to be such a prolific writer while having a full-time job as a science communicator and responsibilities as a carer, the ways he’s seen the publishing landscape change over the last three decades, how to prevent the shiny new idea from derailing your current project, advice for writers wanting to include First Nations characters in their books and how to go about it the right way, the industry differences between writing for adults and kids, how he has landed multiple Antarctica residencies, and why the highest moment of his career was also his lowest.ABOUT CRAIGDr Craig Cormick is an award-winning author and science communicator. He writes books for children and adults, and stopped counting them somewhere after 30, but by our count he’s published 46 over the last xxx years. He is drawn to stories of people whose voices have been hidden from history, and his most recent book is Warra Warra Wai: How Indigenous Australians Discovered Captain Cook and What they Tell about the Coming of the Ghost People, which is co-written with Gunditjmara - Gunai-kurnai author Darren Rix. 

Irma and Karen chat about small regional writers’ festivals.Then Karen talks to Emily Maguire about how a high school teacher initially crashed her dreams of becoming a writer, how she became a feminist without realising it, how she avoids putting her own opinions into the heads of her characters, how she has learned to focus her anger when writing about feminist issues, how much joy she gains from teaching creative writing, the impact of AI on the writing world, and some very important lifestyle questions you should consider if you want to be a fulltime writer.About EmilyEmily Maguire is the author of seven novels and three non-fiction books. Her novel An Isolated Incident, published in 2016, was shortlisted for the Stella Prize and the Miles Franklin Literary Award. Her 2022 novel Love Objects and latest book Rapture have also been shortlisted or long listed for several awards. Emily has a Master of Arts in literature, and works as a mentor to young and emerging writers. 

Irma and Karen talk about copyright, and the productivity commission’s recent recommendations regarding AI. Then Karen talks to Pip Williams about how she shifted from academic research to writing novels, how COVID lockdown inadvertently boosted sales of The Dictionary of Lost Words, how a genius promotions idea for The Bookbinder of Jericho turned into stunning window displays in bookshops, the process of watching her book become a stage play, how writing might be easier than reading for people with dyslexia, how parents can support the writing of children with dyslexia, and how mentorship from other writers has supported her creative journey.About PipPip Williams first book was a memoir, One Italian Summer, and her first novel, The Dictionary of Lost Words, was one of Australia’s most successful debuts. It became a New York Times bestseller and was the first Australian novel to be selected for Reese Witherspoon’s Book Club. It also won several major Australian literary awards and was shortlisted for the international Walter Scott Prize for Historical Fiction. Her second novel The Bookbinder of Jericho was also very successful. 

Terri-ann White, the Founder and Publisher of Upswell, shares her insights on the evolving publishing landscape. She discusses the alarming volume of new books being released and the need for more creativity within the industry. Terri-ann reflects on her early struggles, including the heart-wrenching experience of discovering plagiarism in her first publication. She celebrates the joy of publishing award-winning novels, like Josephine Wilson's work, and passionately describes the invaluable role of booksellers in fostering literary culture.

Karen and Irma chat about foreign rights deals, and Irma shares some shocking stats.Then Irma chats to Graeme Simsion and Anne Buist about how a conversation between them on their first wedding anniversary was pivotal in Anne’s career, the low of splitting with Graeme’s publisher after the three Rosie Project books, how they manage the process of planning and writing books together, why they think their book tour to 400 bookshops made no difference to sales, what does impact sales and tips for how to secure publicity that works, the ups and downs of The Rosie Project movie, and the most meaningful reader feedback.About Graeme & AnneGraeme Simsion and Anne Buist are partners in both life and writing. Together they have written four books, the latest being The Oasis, which is the second Menzies Mental Health novel. And separately they both have established individual careers.Graeme is a screenwriter, playwright, and former IT consultant, and his debut novel, The Rosie Project, was an international bestseller. He followed it up with two sequels, and the standalone The Best of Adam Sharp, a collection of short stories, two data modelling books and the writing guide, The Novel Project.Anne has published five psychological thrillers – four in the Natalie King series, and the standalone The Long Shadow. She also has over 40 years of clinical and research experience in perinatal psychiatry.

Irma and Karen chat about how a two-book deal was secured via an explosive Booktok profile. Then in a new occasional segment, Book Chat, they share recent reads they’ve enjoyed.Next Karen talks to Markus Zusak about his family of storytellers, how he used his writing heroes to develop his own voice, how The Book Thief arose from three separate ideas that came together like a volcanic eruption, how the success of that book impacted his life and future work, finding the right spark in writing, and the highs and lows of writing Three Wild Dogs and the Truth.About MarkusMarkus Zusak is the award-winning internationally bestselling author of six novels, including The Book Thief, Bridge of Clay and The Messenger. His books have been translated into more than fifty languages, and two of them have been adapted to film, television and theatre.