The Partially Examined Life Philosophy Podcast

We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you. Searle lays out his theory for us and amusingly dismisses much of the history of philosophy in the first half, and then Mark, Wes, and Dylan continue the discussion to make sure we understood what was just said and chase down some threads of the conversation. End song: "Flesh and Blood" from The MayTricks' Happy Songs Will Bring You Down (1994). We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.

On Pierre Bourdieu's Distinction: A Social Critique of the Judgment of Taste (1979), introduction, ch 1 through p. 63, conclusion, and postscript. How do our tastes in music, art, and everything else reflect our social position? This philosophically trained sociologist administered a few detailed questionnaires in 1960s France and used the resulting differences in what people in different classes preferred and how they talked about these preferences to theorize about the role that taste plays in our social games. Featuring guest Tim Quirk of Too Much Joy and recent guest on Mark's Nakedly Examined Music podcast #8.  End song: "When She Took Off Her Shirt" from Tim's band Wonderlick's Topless At The Arco Arena (2005).

On Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" from Dialectic of Enlightenment (1944), plus Adorno's "Culture Industry Reconsidered" (1963). How does the entertainment industry affect us? Adorno (armed with Marx and Freud) thinks that our "mass culture" is imposed from the top down to lull us into being submissive workers. End song: "All Too Familiar," from around 1992 with all instruments by Mark Linsenmayer, released on The MayTricks.

A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu. This continues ep. 134. PEL Citizens can listen to the Aftershow. End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.

On G.F.W. Hegel's The Science of Logic (1812–1816), §1–§129 and The Encyclopaedia Logic (1817) §1–§25. "Logic" for Hegel is about how thought interacts with the world. Our thoughts about fundamental metaphysical categories bear the same relations to each other as the the categories themselves do. Just take Hegel's many, many words for it! With guest Amogh Sahu. End song: "Procrastination" by Steve Petrinko from The MayTricks' Happy Songs Will Bring You Down (1994). Hear Mark interview Steve on Nakedly Examined Music.

Welcome to Nakedly Examined Music, our first spin-off of PEL. Hear more at nakedlyexaminedmusic.com or find it via iTunes. Mark interviews songwriters about why and how they do what they do. Think of it as applied philosophy. Four episodes are now posted; this cross-post of our pilot features David Lowery of Camper van Beethoven and Cracker talking through three of his songs. He's as well-spoken and full of ideas as many a decent philosopher, so sit back and turn on your active listening function!

On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health. End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.

On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature? End song: "I Lose Control" by The MayTricks from So Chewy! (1993).

Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind! This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner. End song: "Wonderful You" (live 2001) by Mark Lint.

On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics? End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).