The Indy Author Podcast

In this week's episode of The Indy Author Podcast, Zibby Owens talks about how creatives can adjust to accommodate a changing environment, as illustrated by Zibby's publication at the height of the COVID pandemic of the anthology Moms Don't Have Time To. She talks about how the anthology was a natural outgrowth of other professional and personal pursuits, how her work did and didn't change during the quarantine, and how her creative pursuits provided emotional support in a time of personal tragedy. Zibby Owens is the creator and host of the award-winning podcast Moms Don't Have Time to Read Books. Zibby, named "NYC's Most Powerful Book-fluencer" by New York Magazine's Vulture, conducts warm, inquisitive conversations with authors, making her show a top literary podcast as selected by Oprah.com in 2019 and 2020. She also created the Moms Don't Have Time to Lose Weight community and hosts the accompanying podcast. Zibby is the Editor-in-Chief of Moms Don't Have Time to Write, a Medium.com publication.

In this week's episode of The Indy Author Podcast, I share a behind-the-scenes look at the recent launch of my fourth Ann Kinnear Suspense Novel, A FURNACE FOR YOUR FOE. I talk about what I did and didn't do (and what I didn't do because I didn't think it would be useful versus what I didn't do because I didn't know how), what worked and didn't work, and what I'd do differently for future launches. Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She is the host of THE INDY AUTHOR PODCAST and the author of THE INDY AUTHOR'S GUIDE TO PODCASTING FOR AUTHORS. She is also the co-author, along with Mark Leslie Lefebvre, of TAKING THE SHORT TACK: CREATING INCOME AND CONNECTING WITH READERS USING SHORT FICTION. Matty is a member of the Alliance of Independent Authors. Matty is also the author of the Ann Kinnear Suspense Novels and Suspense Shorts and the Lizzy Ballard Thrillers, and is a member of Mystery Writers of America, Sisters in Crime, and the Brandywine Valley Writers Group.

Damon Courtney of BookFunnel shares information on how authors can use customized landing pages, opportunities offered by email integration, the power of giveaways to attract readers and strengthen ties to fans, the financial benefits of selling direct, and the rise of wide audio. Damon Courtney is the creator and CEO of BookFunnel, an ebook delivery service for authors and publishers. Though he would like to be a highly successful indie author, he can only lay claim to publishing a single Fantasy trilogy that he does really like, despite its lack of sales. But self-publishing three novels did lead to the creation of BookFunnel, so he's got that going for him. As a lifelong software engineer, Damon is an expert in just about everything technical and can offer unique insight on publishing as it relates to software and technology.

Jane Friedman reviews Key Book Publishing Paths, and describes considerations for fitting the path to your desired destination. We talk about how publishing isn't indy or traditional—it's a spectrum—and how hybrid authors aren't necessarily authors who are using hybrid publishers. We talk about lessons one model can learn from another, and red flags to watch out for when you are assessing companies to do business with. Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors and publishers. She's the editor of The Hot Sheet, the essential industry newsletter for authors, and has previously worked for F+W Media and the Virginia Quarterly Review. In 2019, Jane was awarded Publishing Commentator of the Year by Digital Book World; her newsletter was awarded Media Outlet of the Year in 2020.

This episode of The Indy Author Podcast is a bit of a departure. Most of the episodes focus on one person's perspective on a variety of topics, but this episode is going to focus on many people's perspective on one topic, and that topic is PERSONAL BRANDING. I solicited perspectives on personal branding from previous guests of the podcast, and I'd like to thank the following for answering the call: Tiffany Yates Martin, Dale L. Roberts, Michael La Ronn, Joanna Penn, Robert Blake Whitehill, Lee Savino, Pauline Wiles, and Wade Walton.

Website designer Pauline Wiles discusses AUTHOR WEBSITES, including easy fixes for common website problems; design guidelines that create a site that is both engaging and easy to maintain; various alternatives depending on your technology tolerance; and some free tools that can help you make your site look like a pro designed it. Pauline Wiles is a website designer who builds simple, stylish sites for authors and writers. As an author herself, of the Saffron Sweeting romantic comedies, she noticed others were often overwhelmed by this task. Now, she's helping to dispel some of the myths around how difficult – and costly – a web project should be. British by birth, Pauline is now a contented resident of California, although she admits to an occasional yearning for afternoon tea and historic homes.

Robert Blake Whitehill discusses MENTORING AND COLLABORATING WITH INTERNS, including the logistics and requirements of an author establishing an internship with a college or university, how he determines what work he asks his interns to do, and how he got past the idea that "if you want something done right, do it yourself." He also discusses the considerable responsibilities he has as a sponsor, and shares what he receives in return for his investment of time and effort. Robert Blake Whitehill trained as an actor at the Royal Academy of Dramatic Art in London, and at The Neighborhood Playhouse School of the Theatre in New York City. An early focus on feature screenwriting earned Whitehill film festival wins at the Hudson Valley Film Festival and the Hamptons International Film Festival. He has written episodes of Discovery/Times Channel's THE NEW DETECTIVES, DARING CAPERS, and THE BUREAU. Robert served as the Vice President of Independent Film Acquisitions for Centerseat.com. He is author of the Ben Blackshaw thriller series, which Robert's company Calaveras Media is developing into a feature film franchise. His biopic inspired by the live of Robert Smalls is in development with Legion M. Whitehill lives in New Jersey with his wife and son. For a number of years, he has worked with the Montclair Ambulance Unit as an emergency medical technician.

M.K. Williams talks about what she has learned from her author services business, including the importance of establishing a network within the community you want to serve, the advice to approach people with an offer rather than an ask, the value of her project management background, and the importance of knowing what your time is worth. M.K. Williams writes suspenseful literary fiction for the contemporary reader. Her fiction work includes NAILBITERS, an apocalyptic science-fiction thriller, ENEMIES OF PEACE, a cautionary tale of the American Dream gone awry, and THE INFINITE-INFINITE, the first in a series of sci-fi adventure books. Her non-fiction work includes writing and self-publishing guides, a budgeting and planning workbook, and THE FIOLOGY WORKBOOK: YOUR GUIDE TO FINANCIAL INDEPENDENCE. She helps bloggers and podcasters bring their message to print.

Orna Ross of the Alliance of Independent Authors talks about COPYRIGHT FOR AUTHORS. We discuss why it's so vitally important for authors, and especially indy authors, to understand the basics of copyright, at what point in the creative process copyright is established, the various parameters by which rights can be defined, and when legislation that focuses too heavily on authors' rights can harm more authors and readers than it helps. Orna Ross is the founder and head of the Alliance of Independent Authors, a non-profit professional business membership organization for self-publishing authors. ALLi provides trusted advice, supportive guidance, and a range of resources, within a welcoming community of authors and advisors.

Beth Kephart talks about WRITING MEMOIR, including various motivations for embarking on a memoir, and which might be considered unproductive or unhealthy (for example, for revenge). She discusses how writers can approach topics or episodes that involve actual people, both from a writing perspective and in terms of preparing those people for the experience of reading about themselves. And she talks about the market for memoir, and her experience across the full spectrum of publishing options—from the most well-established traditional houses to her own imprint. Beth Kephart is an award-winning teacher at the University of Pennsylvania. She was the 2013 Master Writing Teacher for National YoungArts, is a co-founder of Juncture Workshops, has delivered keynote addresses on the art of teaching, has led teach-the-teacher sessions, and has taught writers of all ages in a variety of settings. She has published two books on the teaching of memoir—HANDLING THE TRUTH and TELL THE TRUTH. MAKE IT MATTER.—and writes a monthly educational newsletter, Juncture Notes.