On the Nose

Naomi Klein, leftist public intellectual, discusses her book on 'doubling' in politics. Topics include internet culture, vaccine conspiracism, Israel/Palestine conflict, settler colonial denialism, and the importance of solidarity on the left.

Cori Bush, a representative calling for a ceasefire in Gaza and an end to collective punishment, discusses the need for a ceasefire and criticizes the lack of support among Congress members. They also emphasize unity and solidarity among communities, examine potential electoral consequences, and address smear campaigns while fighting for justice.

In the weeks since October 7th, when Hamas attacked the south of Israel and Israel began bombing Gaza, American Jewish institutions that had previously expressed alienation from Israeli Prime Minister Benjamin Netanyahu’s right-wing government have mostly united around a pro-Israel position. At the same time, however, record numbers of progressive American Jews have joined the anti-occupation organizations Jewish Voice for Peace (JVP) and IfNotNow in taking to the streets to call for a ceasefire. In the last three weeks, Jewish protestors have blocked entrances to the White House, occupied a Capitol Hill building rotunda, and shut down New York City’s Grand Central station to protest US support for bombings that have already killed more than 8,000 Palestinians in Gaza, 3,000 of whom have been children. In this episode of On the Nose, associate editor Mari Cohen discusses this surge in Jewish left organizing with Elena Stein, director of organizing strategy at JVP; Eva Borgwardt, national spokesperson for IfNotNow; and Emmaia Gelman, guest faculty in social sciences at Sarah Lawrence College and longtime Jewish left activist. They discuss mourning Israeli civilians killed on October 7th—some of whom were family members of IfNotNow and JVP staff—while simultaneously organizing against Israel’s onslaught on Gaza; they also consider the comparative strategic value of speaking out specifically as Jews versus joining broader antiwar coalitions. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”   Articles Mentioned and Further Reading:  “Jewish Groups Rally at White House Urging Biden to Push for Gaza Ceasefire,” Robert Tait, The Guardian “Jewish Activists Arrested at US Congress Anti-Israel Protest Amid Gaza War,” Al Jazeera staff, Al Jazeera“‘Let Gaza Live’: Calls for Cease-Fire Fill Grand Central Terminal,” Claire Fahy, Julian Roberts-Grmela and Sean Piccoli, The New York Times “Survey: A Quarter of US Jews Agree That Israel ‘is an Apartheid State,’” Ron Kampeas, JTA “The Rise of ‘If Not Now’ and the Collapse of the Pro-Israel Consensus,” Alex Kane, Mondoweiss“The Anti-Democratic Origins of the ADL and AJC,” Emmaia Gelman, Jewish Currents “The ADL Doubles Down on Opposing the Anti-Zionist Left,” Mari Cohen and Isaac Scher, Jewish CurrentsAnti-Defamation League DC tweet and Jonathan Greenblatt tweet about IfNotNow and JVPADL and Brandeis Center letter to presidents of colleges and universities #DroptheADL campaign 

Attorney Michael Sfard, alongside Sally Abed and Yair Wallach, discuss the loneliness of the Israeli left amidst global left responses and Israeli society's support for vengeance in Gaza. They delve into recent events' impact, the challenges faced by activists, the struggle for unity, commitment to humanistic values, and the danger of political violence in Israel.

Topics discussed include the surprise Hamas attack on Israel, the reasons behind it, the Great March of Return, living conditions in Gaza under the Israeli siege, hopes for peace and prosperity, and the difficult decisions faced by families during evacuation orders.

Elon Musk, billionaire owner of X, targets the ADL over a proposed ad boycott. The ADL's response draws criticism from the left and far-right. The podcast explores the ADL's alliances and internal tensions, challenges in a polarized political climate, contradictions surrounding criticisms of Israel, and the suppression of criticism and anti-Palestinian bigotry in American political discourse.

Earlier this year, the Trans Halakha Project—an initiative of SVARA, a queer and trans yeshiva—published a series of teshuvot, or answers to questions about halakha (Jewish religious law). These pieces speak to questions of Jewish life and practice for trans people, from who is obligated to undergo circumcision or to follow the prescriptions around menstruation, to whether it’s permissible to wear a chest binder when immersing in the mikveh (a ritual bath that traditionally requires nudity). While there have been some previous efforts to apply halakha to specific questions of trans life, almost none of this work has been produced by trans people themselves until now. On this week’s episode of On the Nose, managing editor Nathan Goldman speaks with three members of the yeshiva’s Teshuva-Writing Collective: Laynie Soloman, Alyx Bernstein, and Rabbi Xava de Cordova. They discuss why the collective took up these particular questions, how they understand the nature of religious authority in Judaism, and what it means to reimagine halakha for trans flourishing.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Texts, Events, and Further Reading:Trans Halakha ProjectThe Teshuva-Writing Collective's teshuvotBeit Yosef by Rabbi Joseph Karo The Talmud“An Unrecognizable Jewish Future: A Queer Talmudic Take,” Rabbi Benay Lappe, ELI Talks“Euphoric Halakhah,” Laynie Soloman, EvolveShulchan Aruch by Rabbi Joseph Karo“Are Trans Women Obligated in Niddah? How Can That Obligation Be Fulfilled?,” Rabbi Xava de Cordova, Trans Halakha Project“Embracing Halakhah That Was Not Addressed to You,” Rabbi Xava de Cordova, Evolve“The Androgynos in the Laws of Milah & Niddah: A Potential Approach to Trans Halakha,” Alyx Bernstein, Trans Halakha Project“A Created Being of Its Own: Toward a Jewish Liberation Theology for Men, Women and Everyone Else,” Rabbi Elliot Kukla, TransTorahTrans Talmud: Androgynes and Eunuchs in Rabbinic Literature by Max K. Strassfeld“The Talmud and Other Trans Archives” event with Max K. Strassfeld, Joy Ladin, Jules Gill-Peterson, and Ari Brostoff, Jewish Currents“Immersing in a Mikvah While Wearing a Chest Binder,” Jamie Weisbach, Trans Halakha Project“Mai Mevarech: A Berakha for Testosterone Gel,” Laynie Soloman, Trans Halakha Project“Milah & Hatafat Dam Brit in a Case of Sakanah (Danger),” Ariel Ya’akov Berry, Trans Halakha Project“Compiling the Next Trans Codex: Learning from the Writers of the Trans Halakha Project,” upcoming event series, Shel Maala and the Trans Halakha ProjectTefillat Trans: Blessings and Rituals for Trans Lives

Two weeks ago, a trailer was released for the new Leonard Bernstein biopic Maestro. Immediately, controversy surfaced about Bradley Cooper—the director of the film who also stars as Bernstein—wearing a prosthetic nose, intended to resemble Bernstein’s own formidable schnoz. Because Cooper is not Jewish, this also revived a conversation about so-called Jewface, a term that has, over the last several years, become a buzzword in conversations about non-Jews being cast as Jews in dramatic roles. In this episode, Jewish Currents editor-in-chief Arielle Angel talks to contributing writer Rebecca Pierce, author and theater critic Alisa Solomon, and writer and collector of “Jewface” artifacts Jody Rosen about the controversy—exploring the long history of “Jewface” performances and what’s really underneath these repeated dust-ups over Jewish representation.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Articles, podcasts, and further reading:Trailer for Maestro, directed by Bradley Cooper“The Politics of ‘Jewface,’” Rebecca Pierce, Jewish CurrentsJewface: ‘Yiddish’ Dialect Songs of Tin Pan Alley, YIVO exhibitionJody Rosen discusses “Jewface” on PBS“A ‘Merchant of Venice’ That Doubles Down on Pain,” Alexis Soloski, The New York Times“Fables and Lies,” On the Nose podcast about Armageddon Time and The Fabelmans“On the Nose,” inaugural On the Nose podcast, discussing our Spring 2021 Nose cover

Oppenheimer, Christopher Nolan’s acclaimed new biopic about the physicist who oversaw the invention of the atomic bomb, is the rare mass-market feature film that depicts the complexities of the US left during and after World War II. As the movie shows, J. Robert Oppenheimer was closely affiliated with Communists in his early life; his forays into left-wing politics included sending funds to the Spanish Republicans through the Communist Party. These relationships and activities eventually led to Oppenheimer losing his security clearance during the second Red Scare, and the hearing where this occurs is central to the film. Throughout the narrative, Oppenheimer explores its subject’s Jewishness, which shapes his position in relation to both Communism and Nazism. Nolan also exhibits the Jewishness of Oppenheimer’s political and intellectual milieu—which includes Lewis Strauss, the conservative Jewish politician who foments the physicist’s downfall.On this week’s episode of On the Nose, presented in partnership with The Nation’s podcast The Time of Monsters, Jewish Currents associate editor Mari Cohen speaks with contributing editor David Klion, contributing writer Raphael Magarik, and The Nation national affairs correspondent Jeet Heer about the ways Oppenheimer illuminates and obfuscates the history it examines.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Texts and Films Mentioned:“Oppenheimer Is an Uncomfortably Timely Tale of Destruction,” David Klion, The New RepublicReds, directed by Warren BeatyAmadeus, directed by Miloš Forman Hamilton by Lin-Manuel Miranda“Nolan’s Oppenheimer treats New Mexico as a blank canvas,” Kelsey D. Atherton, Source NMAmerican Prometheus by Kai Bird and Martin J. SherwinFrankenstein; or, The Modern Prometheus by Mary ShelleyBarbie, directed by Greta Gerwig“Holy Sonnet XIV” by John Donne

In 1923, Jewish union activists affiliated with the Workmen’s Circle bought a plot of land in Hopewell Junction, New York, aiming to provide working-class children with an escape from the city. The camp, which was founded with a commitment to Yiddish and to instilling leftist values, broke with the socialist Workmen’s Circle several years later, as it came to be affiliated with the Communist Party. Over the years, everything that touched the left made its mark on the camp—from the Spanish Civil War to McCarthyism to the emergence of the New Left. In honor of Kinderland’s centennial, editor-in-chief Arielle Angel spoke with longtime Kinderlanders (and JC councilmembers) Judee Rosenbaum and Mitchell Silver about the legacy of Communism in camp, the difference between education and indoctrination, what’s changed at camp in the last 100 years, and why it’s survived this long. For more information on the Camp Kinderland Centennial, click here.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Articles mentioned and further reading:Camp Kinderland Centennial Anniversary“What We Did: How the Jewish Communist Left Failed the Palestinian Cause” by Dorothy Zellner, Jewish Currents