New Books in Catholic Studies

From the battles over Jerusalem to the emergence of the “Holy Land,” from legally mandated ghettos to the Edict of Expulsion, geography has long been a component of Christian-Jewish relations. Attending to world maps drawn by medieval Christian mapmakers, Cartographies of Exclusion: Anti-Semitic Mapping in Medieval England (Penn State University Press, 2024) by Dr. Asa Simon Mittman brings us to the literal drawing board of “Christendom” and shows the creation, in real time, of a mythic state intended to dehumanize the non-Christian people it ultimately sought to displace.In his close analyses of English maps from the twelfth and thirteenth centuries, Asa Simon Mittman makes a valuable contribution to conversations about medieval Christian perceptions of Jews and Judaism. Grounding his arguments in the history of anti-Jewish sentiment and actions rampant in twelfth- and thirteenth-century England, Dr. Mittman shows how English world maps of the period successfully Othered Jewish people by means of four primary strategies: conflating Jews with other groups; spreading libels about Jewish bodies, beliefs, and practices; associating Jews with Satan; and, most importantly, cartographically “mislocating” Jews in time and space. On maps, Jews were banished to locations and historical moments with no actual connection to Jewish populations or histories.Medieval Christian anti-Semitism is the foundation upon which modern anti-Semitism rests, and the medieval mapping of Jews was crucial to that foundation. Dr. Mittman’s thinking offers essential insights for any scholar interested in the interface of cartography, politics, and religion in premodern Europe.This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jesus' Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the original crown anything like the crown of popular medieval art and piety? The image conjured by art history is that of a bloodied, beaten Jesus, wearing a cruelly fashioned, woven crown made of sharp thorns. But this image is deeply misleading, based on a fundamental misunderstanding and possible mistranslation.In The Crown of Thorns: Humble Gods and Humiliated Kings (Bloomsbury, 2025) Dr. Faith Tibble rectifies this misunderstanding, showing how The Crown of Thorns underwent a yet unrecognized artistic evolution. Dr. Tibble tracks the artistic progression of the Crown of Thorns from its first depiction in the 4th century, until the 11th century, when it begins to exhibit the artistic trends that are still recognizable today. In doing so, Dr. Tibble adds new perspective to our understanding of the ideologies associated with medieval Christianity - victory, humility, perseverance - and how those ideologies are exemplified in depictions of the Crown of Thorns. Dr. Tibble demonstrates the profound and unintended consequences of a simple misunderstanding of the Gospels, and examines an unexpected trajectory in European art.This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

“And a great storm of wind arose, and the waves beat into the boat, so that the boat was already filling [.…] And he awoke and rebuked the wind, and said to the sea, ‘Peace! Be still!’ And the wind ceased, and there was a great calm. He said to them, “Why are you afraid? Have you no faith?” (Mk 4: 37-41)Bishop Athanasius Schneider, auxiliary bishop of Astana in Kazakhstan, has identified the challenges of our age, “a new pagan society,” he calls it, and “anti-Christian”; others have said “post-Christian” or apostolic. Although the time is difficult, Bishop Schneider is not afraid. He tells us to pray and to have confidence in the power or the Rosary, its importance and efficacy. So, today we are talking about his new book, Salve Regina: A Rosary Crusade for Holy Popes (Sophia, 2025); he entreats us to petition God that He give us holy popes in the coming years, that the head may lead the body, as the church sails on into the unknown. He also talks about the traditions and history of the Rosary. We also talk about his remarkable life. Bishop Schneider’s book, Salve Regina: A Rosary Crusade for Holy Popes Bishop Schneider’s website, Gloria Dei Bishop Schneider on Wikipedia Another episode of Almost Good Catholics about the Rosary:Annabelle Mosely on Almost Good Catholics, episode 12: Did God Just Wink? Seeing the Numinous All Around Us Learn more about your ad choices. Visit megaphone.fm/adchoices

Forest Isaac Jones is an award-winning author of non-fiction and essays, specializing in the study of Irish History, the US Civil Rights Movement and Northern Ireland. His latest essay, ‘The Civil Rights Connection Between The USA and Northern Ireland’ was awarded honorable mention in the category of nonfiction essay by Writer’s Digest in their 93rd annual writing competition.In this interview, he discusses his new book Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963-1972 (First Hill Books, 2025).Good Trouble investigates the strong connection between the Black Civil Rights Movement in the United States and the Catholic Civil Rights Movement in Northern Ireland – specifically the influence of the Montgomery to Selma march on the 1969 Belfast to Derry march through oral history, based on numerous interviews of events leading up to both marches and afterwards. This is close to the author’s heart as both of his parents marched to integrate lunch counters and movie theatres in Salisbury, North Carolina, in 1963 as college students. His mother was at the 1963 March to Washington where Martin Luther King gave his ‘I Have a Dream’ speech.Jones travelled to Dublin, Belfast and Derry to conduct interviews for the book. In all, he did fifteen interviews with people who were involved in the movement in Northern Ireland (including Billy McVeigh – featured in the BAFTA winning documentary, Once Upon A Time In Northern Ireland) and in the United States (including Richard Smiley and Dr. Sheyann Webb-Christburg – both were at Bloody Sunday in Alabama and on the Selma to Montgomery march among others). Jones was also able to talk with Eamonn McCann, who took part in the Belfast to Derry march in 1969.Unlike most books on Northern Ireland, this goes into detail about the connection and the influence between the two movements. Also, most focus on Bloody Sunday and not the pivotal incidents at Burntollet Bridge and the Battle of the Bogside. Building off of unprecedented access and interviews with participants in both movements, Jones crafts a gripping and moving account of these pivotal years for both countries.Aidan Beatty is a lecturer in the history department at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices

Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

“What is truth?” Pontius Pilate scoffed at Jesus (Jn 18:38), and that’s how we think about matters today in our culture—subjectively: my truth, your truth, etc. To make the argument that there is a knowable Truth (with a capital T) that is written in the world and in our bones, theologians Deborah Savage and Robert Fastiggi examine a selection of autobiographical accounts of ‘lived experience.’ They take a number of personal essays written by those who have erred from the path of Catholic social teaching and sexual morality—in the dark forest of the world, to borrow from Dante—and their subsequent disappointments and suffering. They examine these narratives through the anthropology of John Paul II and the authority of the physical and social sciences, including medical doctors. So, there is Good News for all of us: if we find ourselves lost and unhappy in our errant meanderings, the Church can bring us home. We can always choose, as God reminded Cain gently (Gen 4:7), “sin is couching at the door; its desire is for you, but you may overcome it.” Here is the book on the En Route Books website (which includes video links)here is the book on Amazon.com. Deborah Savage’s website. Robert Fastiggi’s website (as a theology professor at Sacred Heart Major Seminary). The article we refer to by Leah Fessler, “A Lot of Women Don’t Enjoy Hookup Culture—So Why Do We Force Ourselves to Participate?” Quartz Online, May 17, 2016. Humanae Vitae by Pope Paul VI on Wikipedia and on the Vatican website. Robert Fastiggi’s previous appearance on Almost Good Catholics, three years ago (recorded in February of 2022, on the eve of Putin’s invasion of Ukraine):Robert Fastiggi on Almost Good Catholics, episode 7: Mother of All Nations: Immaculate Conception, Virgin Birth, Assumption, and Coronation of Mary An episode of Almost Good Catholics on the same theme:Garrett Johnson on Almost Good Catholics, episode 42: Who Do You Think You Are? Thorny Questions about Sex, Identity, and Catholic Doctrine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I’m speaking with Jonathan Rauch, a senior fellow in governance studies at the Brookings Institution and a contributing editor of The Atlantic. We are discussing his latest book, Cross Purposes: Christianity’s Broken Bargain with Democracy (Yale UP, 2025). The enmity between secular liberals and religious conservatives is a source of chaos in American democracy. Religious conservatives blame secular liberals for creating a decadent society without traditional norms. Secular liberals accuse religious conservatives of intolerance and hatred. Both sides want to do away with the other, when we actually need to try to understand each other. Jonathan’s book offers a powerful critique of our uncompromising ways.Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English.The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices

For generations, American Catholics went faithfully to confession, admitting their sins to a priest and accepting through him God’s forgiveness. The sacrament served as a distinctive marker of Catholic identity, shaping parishioners’ views of their relationship to God, their neighbors, and the wider world. But starting in the 1970s, many abandoned confession altogether. Focusing on the experiences of both laypeople and priests, in For I Have Sinned: The Rise and Fall of Catholic Confession in America (Harvard University Press, 2025) Dr. James M. O’Toole reconstructs the history of confession’s steady rise—and dramatic fall—among American Catholics.In the early United States, the Catholic Church grew rapidly—and with it, confession’s centrality. Although the sacrament was practiced unevenly for much of the nineteenth century, frequent confession became common by the early twentieth. Both priests and parishioners understood confession as a ritual crucial for the soul, while on a social level, it established Catholic distinctiveness within a largely Protestant country. Today, however, even faithful Catholics seldom confess. The reasons for this change, Dr. O’Toole reveals, include the emergence of psychology and other forms of counseling; the Church’s stance against contraception, which alienated many parishioners; and a growing sense of confession’s inability to confront social problems like structural racism, poverty, and sexism. Meanwhile, increasing recognition of sexual abuse within the Church further undermined trust in clergy as confessors.Sensitively attuned to the historical importance of confession, For I Have Sinned also suggests that, if the sacrament no longer serves the needs of US Catholics, the Church and its members might find new ways to express their ideals in the twenty-first century.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices