New Books in Biography

When Frederick Douglass was born into slavery in 1818, it was illegal for him to learn the alphabet. Slave masters feared the power of a literate slave, so Douglass vowed to read. He became one of the most famous and accomplished American writers of his day, harnessing the power of the King James Bible, the spoken word, and the new visual language of photographs. Harvard professor John Stauffer discusses Douglass’s life and work. John Stauffer is the Sumner R. and Marshall S. Kates Professor of English and of African and African American Studies at Harvard University. He is the author of GIANTS: The Parallel Lives of Frederick Douglass and Abraham Lincoln, Picturing Frederick Douglass, and more. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Hans G. Myers' book The Lion of Round Top: The Life and Military Service of Brigadier General Strong Vincent in the American Civil War (Casemate, 2022) presents the story of the true savior of Little Round Top at Gettysburg―a 26-year-old Harvard-educated lawyer, who paid with his life to defend that hill.Citizen-soldier Strong Vincent was many things: Harvard graduate, lawyer, political speaker, descendent of pilgrims and religious refugees, husband, father, brother. But his greatest contribution to history is as the savior of the Federal left on the second day at Gettysburg, when he and his men held Little Round Top against overwhelming Confederate numbers. Forgotten by history in favor of his subordinate, Joshua Lawrence Chamberlain, Vincent has faded into relative obscurity in the decades since his death. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

This intimate and insightful account of the life of Dr. Harry (Hari) Dickman, referred to by Swami Sivananda as “the yogi of the West,” features more than fifty years of correspondence between Dickman and well-known yoga masters such as Swami Sivananda, Ramana Maharshi, Paramhansa Yogananda, and almost one hundred others. Marion (Mugs) McConnell, Dickman’s student, has created a brilliant and loving tribute to her teacher, who founded the Latvian Yoga Society in the early 1930s and later spread his knowledge in the U.S. with the blessings of Paramhansa Yogananda, author of Autobiography of a Yogi. Offering a broad range of information on yoga history, theory, and techniques from a variety of different paths, Letters from the Yoga Masters (North Atlantic Books, 2016) contains a treasure trove of previously unavailable material and presents detailed teachings about pranayama, mudras, diet, and much more, all interwoven with stories and personal anecdotes. Taken together, the rare correspondence and personal chronicles provide an unparalleled glimpse into the life of a yogi, the development of yoga in the West, and the ways that spiritual wealth is disseminated across generations.Some resources: -SOYA (South Okanagan Yoga Academy)-Letters from the Yoga Masters-Yoga Masters playlistRaj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The philosopher and biblical commentator Joseph Ibn Kaspi (1280–1345) was a provocative Jewish thinker of the medieval era whose works have generally been overlooked by modern scholars. Power and Progress: Joseph Ibn Kaspi and the Meaning of History (SUNY Press, 2019) by Alexander Green is the first book in English to focus on a central aspect of his work: Ibn Kaspi's philosophy of history. Green argues that Ibn Kaspi understood history as guided by two distinct but interdependent forces: power and progress, both of which he saw manifest in the biblical narrative. Ibn Kaspi discerned that the use of power to shape history is predominantly seen in the political competition between kingdoms. Yet he also believed that there is historical progress in the continuous development and dissemination of knowledge over time. This he derived from the biblical vision of the divine chariot and its varied descriptions across different biblical texts, each revealing more details of a complex, multifaceted picture. Although these two concepts of what drives history are separate, they are also reliant upon one another. National survival is dependent on the progress of knowledge of the order of nature, and the progress of knowledge is reliant on national success. In this way, Green reveals Ibn Kaspi to be more than a mere commentator on texts, but a highly innovative thinker whose insights into the subtleties of the Bible produced a view of history that is both groundbreaking and original.Alexander Green is Assistant Professor of Jewish Thought at the University at Buffalo, State University of New York and the author of The Virtue Ethics of Levi Gersonides. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A fascinating, complex dual biography of Hollywood's most dazzling—and famous—brothers, and a dark, riveting portrait of competition, love, and enmity that ultimately undid them both.One most famous for having written Citizen Kane; the other, All About Eve; one who only wrote screenplays but believed himself to be a serious playwright, slowly dying of alcoholism and disappointment; the other a four-time Academy Award-winning director, auteur, sorcerer, and seducer of leading ladies, one of Hollywood's most literate and intelligent filmmakers.Herman Mankiewicz brought us the Marx Brothers' Monkey Business, Horse Feathers, and Duck Soup and W. C. Fields' Million Dollar Legs, wrote screenplays for Dinner at Eight and Pride of the Yankees, and cowrote Citizen Kane (Pauline Kael proclaimed that the script was mostly Herman's) and 89 others. Talented, witty (Alexander Woollcott thought him "the funniest man who ever lived"), huge-hearted, and wildly immature, Herman was a figure of renown and success.Herman went to Hollywood in 1926, was almost immediately successful (his telegram to Ben Hecht back east: "Millions are to be grabbed out here and your only competition is idiots. Don't let this get around.") and became one of the highest-paid screenwriters in Hollywood. Joe, eleven years younger, a focused, organized, and disciplined writer with a far more distinguished career, eventually surpassed his worshipped older brother, producing The Philadelphia Story, writing and directing A Letter to Three Wives and All About Eve, both of which won him Oscars before seeing his career upended by the spectacular fiasco of Cleopatra.In Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait (Knopf, 2021), we see the lives of these two men—their dreams and desires, their fears and feuds, struggling to free themselves from their dark past; and the driving forces that kept them bound to a system they loved and hated.Nick Davis, the grandson of Herman Mankiewicz and great-nephew of Joseph Mankiewicz, is a writer, director, and producer. He lives in New York City.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A journey through an artist's quest for success, deep dive into substance abuse, family tragedy, and ultimate triumph.By the mid-1980s, singer-songwriter John Hiatt had been dropped from three record labels, burned through two marriages, and had fallen deep into substance abuse.It took a stint in rehab and a new marriage to inspire him, then a producer and an A&R man to have a little faith. By February 1987, he was back in the studio on a shoestring budget with a hand-picked supergroup consisting of Ry Cooder on guitar, Nick Lowe on bass, and Jim Keltner on drums, recording what would become his masterpiece, Bring the Family.Based on author Michael Elliott's multiple extensive and deeply personal interviews with Hiatt as well as his collaborators and contemporaries, including Rosanne Cash, Bonnie Raitt, Ry Cooder, and many others, Have a Little Faith: The John Hiatt Story (Chicago Review Press, 2021) is the journey through the musical landscape of the 1960s through today that places Hiatt's long career in context with the glossy pop, college-alternative, mainstream country, and heartland rock of the last half-century.Michael Elliott is a contributor to the pioneering roots music authority No Depression. His writing has also appeared in PopMatters, Albmism, Americana UK, and The Bitter Southerner. Elliott spent close to thirty years in radio broadcasting and management in a variety of formats. He has interviewed and produced profiles on musicians as diverse as Isaac Hayes, Charlie Daniels, Delbert McClinton, Johnny Rivers, and Little Richard. He lives in Raleigh, NC. His website is michael-elliott.comDaniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

With the pressing work of decolonising our reading lists gaining traction in UK higher educational contexts, Decolonising the Conrad Canon (Liverpool UP, 2022) shows how those author-Gods most associated with the colonial literary canon can also be retooled through decolonial, queer, feminist readings. This book finds pockets of powerful anti-colonial resistance and queer dissonance in Joseph Conrad's lesser-known works - breathing spaces from the colonial rhetoric that dominates his novels - and traces the female characters who voice them off the page and into their transmedia (digital/illustrative/cinematic) afterlives. From Immada and Edith's queer gaze in The Rescue and the periodical illustrations that accompanied its initial serialization, to Aïssa's sustained critique of imperialism in An Outcast of the Islands and her portrayal on mass-market paperback book covers, to the structural female bonds of Almayer's Folly and Nina's embodiment in Chantal Akerman's adaptation La Folie Almayer, this book centres Conrad's female characters as viable, meaning-making citizens of the canon. Through this intervention, Decolonising the Conrad Canon proposes an innovative model for teaching, reading and studying not just Joseph Conrad's work but the colonial literary canon more broadly.Dr. Alice Kelly is a Postdoctoral Fellow at the University of Edinburgh.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Most people can tell you two things about Clarence Thomas: Anita Hill accused him of sexual harassment, and he almost never speaks from the bench. Here are some things they don't know: Until Thomas went to law school, he was a black nationalist. In college he memorized the speeches of Malcolm X. He believes white people are incurably racist. In The Enigma of Clarence Thomas (Metropolitan Books, 2019), Corey Robin--one of the foremost analysts of the right--delves deeply into both Thomas's biography and his jurisprudence, masterfully reading his Supreme Court opinions against the backdrop of his autobiographical and political writings and speeches. The hidden source of Thomas's conservative views, Robin argues, is a profound skepticism that racism can be overcome. Thomas is convinced that any government action on behalf of African-Americans will be tainted by this racism, and that the most African-Americans can hope for is that white people will get out of their way. There's a reason, Robin concludes, why liberals often complain that Thomas doesn't speak but seldom pay attention when he does. Were they to listen, they'd hear a racial pessimism that sounds shockingly similar to their own. Cutting across the ideological spectrum, this unacknowledged consensus about the impossibility of progress is key to understanding today's political stalemate.Corey Robin is Distinguished Professor of Political Science at Brooklyn College and the CUNY Graduate Center.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man."Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish.People, Films, Books and Ideas in the conversation include:Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first stepped onto a set. He said "Buster lived inside the camera.""Cinema of Attractions." a phrase coined by film historian Tom Gunning to describe the way the early years of cinema (1895 to 1913, more or less) achieved success by way of gags, stunts, special effects and other dazzling technological innovations--rather than plot or character development,.John and Dana rave about Keaton's last great film (age 33!), The Cameraman (1928) and deprecate the later silents (with a silent caveat for the pancake scene Grand Slam Opera).Mabel Normand: Arbuckle's longtime collaborator and briefly a rising director--Charlie Chaplin kneecapped her at a crucial moment in her career. Dana singles out for special praise Fatty and Mabel Adrift (1916) starring Luke, the first canine movie star.Singing in the Rain as a MGM-friendly myth-making explanation for Clara Bow's eclipse (and the famous vocal failure moment: "I can't stand 'im")Steamboat Bill Jr. ( 1928, Buster Keaton feature) "Keaton's most mature movie" says Dana.Read the transcript here.Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography