New Books in Biography

George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. He could, quite literally, do it all. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. Cohan's songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. Elizabeth Craft’s Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Oxford University Press, 2024) is not a conventional biography. Each chapter explores a different aspect of his life and career including Cohan’s approach to American nationalism, Irish American identity, celebrity, and the entertainment business along with defining what made Cohan’s shows unique. Craft finds songs and shows that serve as exemplars for each theme she highlights. The book ends with an examination of the 1942 biopic on Cohan and his enduring legacy. Yankee Doodle Dandy offers not only a fuller understanding of Cohan’s shows and career, but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One hundred years ago, Gabriel Wells, a New York bookseller, committed a crime against history. He broke up the world’s greatest book, the Gutenberg Bible, and sold it off in individual pages. In 1921, Wells’ audacity scandalized the rare-book world. The Gutenberg was the first substantial book in Europe to have been printed on a printing press. It represented the democratization of knowledge and was the Holy Grail of rare books. In Noble Fragments: The Gripping Story of the Antiquarian Bookseller Who Broke Up a Gutenberg Bible (Scribe, 2024), Michael Visontay describes how Wells’s gamble set off a chain of events that changed his family’s destiny.Interviewee: Michael Visontay is the Commissioning Editor of The Jewish Independent, and has worked as a journalist and senior editor at The Sydney Morning Herald and The Australian.Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the early modern period, both legal and illegal maritime predation was a common occurrence, but the expansion of European maritime empires exacerbated existing and created new problems of piracy across the globe. The Problem of Piracy in the Early Modern World (Amsterdam UP, 2024) addresses these early modern problems in three sections: first, states' attempts to exercise jurisdiction over seafarers and their actions; second, the multiple predatory marine practices considered 'piracy'; and finally, the many representations made about piracy by states or the seafarers themselves. Across nine chapters covering regions including southeast Asia, the Atlantic archipelago, the North African states, and the Caribbean Sea, the complexities of defining and criminalizing maritime predation is explored, raising questions surrounding subjecthood, interpolity law, and the impacts of colonization on the legal and social construction of ocean, port, and coastal spaces. Seeking the meanings and motivations behind piracy, this book reveals that while European states attempted to fashion piracy into a global and homogenous phenomenon, it was largely a local and often idiosyncratic issue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master’s in creative fiction and working in the world of professional writing. He continued to follow Joni’s career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell.Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master’s degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers’ Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century.Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris.Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged.New Books in Late Antiquity is Presented by Ancient Jew ReviewIsabel Moreira is Distinguished Professor in the Department of History at the University of UtahMichael Motia teaches in the classics and religious studies department at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film.A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization.Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes.Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930.Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco.Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education.Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture.Mentioned in the podcast:• Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5.• Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996)• Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In French Mediterraneans, edited by P. Lorcin and T. Shepard (2016)• Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927)• Edward W. Said, Orientalism, 25th anniversary edition (1994)• Female teachers of the Alliance israélite universelle• Jewish figures in the literature of The Tharaud Brothers• Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

For over six centuries, Chaucer has epitomized poetic greatness, though more recent treatments of The Canterbury Tales’ lively and often risqué style have made his name more synonymous with bawdy humor. But beyond his poetic achievements, Chaucer assumed various roles including those of royal attendant, soldier, customs official, justice of the peace, and more. In this book, Mary Flannery chronicles Chaucer’s life during one of the most turbulent periods of English history, illuminating how he came to be known not only as the father of English poetry but also as England’s “merry bard.”Mary Flannery is the Swiss National Science Foundation Eccellenza Professorial Fellow at the University of Bern. A regular contributor to the Times Literary Supplement, her publications include Practising Shame: Female Honour in Later Medieval England.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1931, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend’s flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot’s license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn’t easy.In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China’s field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred she forged ahead, married Clifford Louie, a devoted and unconventional husband who cheered his wife on, and gave her all for the cause achieving more in her short remarkable life than even she imagined possible.American Flygirl (Citadel Press, 2024) is the untold account of a spirited fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography