New Books in Biography

In This Land of Plenty: Mickey Leland and Africa in American Politics (University of Pennsylvania Press) by Benjamin Talton is a transnational history that explores the influence of African American leaders on US foreign policy towards Africa in the 1980s.By examining the life and labors of the political activist turned Texas congressman, Mickey Leland, Talton traces the afterlives of 1960s-era Black radicalism in the Congressional Black Caucus (CBC) after Leland’s election in 1978. Leland shaped the CBC’s outlook on famine in Ethiopia and established the Committee on Hunger where he developed a broad transformative vision for ending world hunger.Talton analyzes Leland’s career alongside contemporaneous political developments in Ethiopia and apartheid South Africa, an issue which ultimately became the focal point of CBC endeavors. Talton investigates the ways that anti-apartheid limited Black Congressional action on other African-related foreign policy issues throughout the decade. Talton paints a portrait of Leland as an activist, statesman, and visionary who lived out his politics of humanitarian solidarity from Houston to Addis Ababa.Benjamin Talton is Professor of History at Temple University.Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the grassroots movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

“Four score and seven years ago…” Those are some of the most famous words in American history. Most of us know that President Abraham Lincoln spoke them in what is now known as the Gettysburg Address in 1863, at the official dedication of a cemetery for men who had fallen during the Battle of Gettysburg. And most of us know that Lincoln was referring to 1776 and the Founding Fathers who wrote the Declaration of Independence. But why did Lincoln mention that year and that event in the very first line of his speech that day?That is one of the questions that Lucas E. Morel answers in his short but illuminating book, Lincoln and the American Founding (SIUP, 2020). In a time when some Americans are vandalizing statues and other artistic representations of the Founding Fathers and even some of Lincoln and going so far as portraying the men of the founding generation as villains, Morel’s book is vital reading. Morel tells us which of the founders Lincoln particularly admired, why the Declaration was of greater import to Lincoln’s political thinking than the Constitution and how Lincoln turned to the Declaration again and again throughout his adult life as ammunition in his argumentation and as a source of personal inspiration and aspiration for the nation as a whole.Morel also brings into focus long-ago debates such as that over the Kansas–Nebraska Act of 1854 and explains why Lincoln was so reluctant to declare himself an abolitionist but also why he was adamant that as the newly elected president and head of the quite new Republican party, he could not make any concessions to the Secessionists. Morel makes the case for Lincoln as master logician in his debates with Stephen Douglas in 1858 as Lincoln tried to persuade his fellow white Americans that not only was slavery unjust but that it was a unsustainable foundation on which to base governance in any part of the growing nation.This is a gem of a book by a scholar for a general audience in need of an understanding of how the founders influenced Lincoln and, thereby, all of us.Give a listen.Hope J. Leman is a grants researcher. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Over the course of three decades of public service, Herbert Lehman dedicated himself tirelessly to advances the causes in which he believed. In Herbert H. Lehman: A Political Biography (SUNY Press, 2017), Duane Tananbaum describes his livelong public activism and the role Lehman’s relationships with key individuals played in shaping his political career. Tananbaum identifies the first of these as relationships as the lifelong friendship Lehman established with the social reformer Lilian Wald, with whom Lehman worked in a settlement house on New York’s Lower East Side. It was Lehman’s partnership with Al Smith, however that led to a career in elected office, as Smith was key in convincing Lehman to run for the lieutenant governorship of New York in 1928.As lieutenant governor, Lehman labored closely with Franklin Roosevelt throughout the latter man’s tenure as governor. When Roosevelt became president Lehman succeeded him as governor, and for the rest of the decade worked with his predecessor to implement the New Deal in his state. Lehman was also concerned about the threat posed by Nazi Germany, and his efforts on behalf of Jewish refugees led to roles administering relief aid in the Roosevelt administration during the Second World War. While he left public office soon after the end of the war, Lehman’s election to the United States Senate in 1949 gave him a new opportunity to fight for the causes of civil rights and immigration. Though frustrated by the seniority enjoyed by the body’s more conservative members, Lehman’s efforts kept the issues at the forefront of the national political scene, with the legislative solutions he advocated passed soon after his death in 1963. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1933, the Chicago Symphony performed the Symphony in E Minor by Florence B. Price. It was the first time a major American orchestra played a composition by an African American woman. Despite her success, Price sank into obscurity after her death in 1953. Dr. Rae Linda Brown spent much of her career researching and writing about Price’s life and music, as well as advocating for African American representation in academia and in the concert hall. Three years after her death, University of Illinois Press published the manuscript she left largely complete at her passing: Heart of a Woman: The Life and Music of Florence B. Price (University of Illinois Press, 2020). Two guests join this podcast to talk about the biography—Dr. Carlene Brown, Rae Linda’s sister, and Dr. Guthrie Ramsey, who edited the book and prepared it for publication. Heart of a Woman places Price’s life and music within the context of genteel middle-class African American culture and the active black classical music scene in Chicago in the 1930s and 40s. Brown also analyzes Price’s major pieces, teasing out the ways the composer embedded influences from black musical traditions into her concert music. Today Florence Price’s music is experiencing a resurgence in popularity, due in no small part to the work of Dr. Rae Linda Brown. G. Schirmer Inc. has acquired the rights to Price’s catalog and has been publishing her music (some pieces for the first time). In the 2019–2020 season alone, the Baltimore, Chicago, Cincinnati, Cleveland, Seattle Symphonies, among others, performed her work.Rae Linda Brown was the Provost and Senior Vice President for Academic Affairs at Pacific Lutheran University at her death in 2017. Her research and publications focused on African American concert music and Florence B. Price.Carlene J. Brown is Professor of Music and Director of the Music Therapy Program at Seattle Pacific University. Her research and clinical work centers on the use of music for pain management.Guthrie Ramsey is the Edmund J. and Louise W. Kahn Term Professor of Music at the University Pennsylvania. A musicologist, pianist, and composer, Ramsey has published extensively on African American music including two books. He has also released three recordings with his band Dr. Guy’s MusiQology and directed the documentary Amazing: The Tests and Triumph of Bud Powell (2015) among other projects.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1918 Lucile Berkeley Buchanan Jones received her bachelor’s degree from the University of Colorado, becoming its first female African American graduate (though she was not allowed to "walk" at graduation, nor is she pictured in the 1918 CU yearbook).In Remembering Lucile: A Virginia Family's Rise from Slavery and a Legacy Forged a Mile High (University Press of Colorado), author Polly McLean depicts the rise of the African American middle class through the historical journey of Lucile and her family from slavery in northern Virginia to life in the American West, using their personal story as a lens through which to examine the greater experience of middle-class Blacks in the early twentieth century.The first-born daughter of emancipated slaves, Lucile refused to be defined by the racist and sexist climate of her times, settling on a career path in teaching that required great courage in the face of pernicious Jim Crow laws. Embracing her sister’s dream for higher education and W. E. B. Du Bois’s ideology, she placed education and intelligence at the forefront of her life, teaching in places where she could most benefit African American students.Over her 105 years she was an eyewitness to spectacular, inspiring, and tragic moments in American history, including horrific lynchings and systemic racism in housing and business opportunities, as well as the success of women's suffrage and Black-owned businesses and educational institutions.Remembering Lucile employs a unique blend of Black feminist historiography and wider discussions of race, gender, class, religion, politics, and education to illuminate major events in African American history and culture, as well as the history of the University of Colorado and its relationship to Black students and alumni, as it has evolved from institutional racism to welcoming acceptance.This extensive biography paints a vivid picture of a strong, extraordinary Black woman who witnessed an extraordinary time in America and rectifies her omission from CU’s institutional history. The book fills an important gap in the literature of the history of Blacks in the Rocky Mountain region and will be of significance to anyone interested in American history.Polly E. Bugros McLean is associate professor of media studies at the University of Colorado, Boulder, where she has served as director of Women and Gender Studies and as the faculty associate to the Chancellor.Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried (SIU Press 2020) collects three plays by Manny Fried alongside a thorough explanation of his work and life by theatre scholar Barry Witham. Witham traces Fried’s long career as a labor organizer and Communist Party militant, as well as the obsessive lengths the FBI went to in order to suppress his activism. Fried is unique among American playwrights in his intimate knowledge of the inner workings of the labor movement, and this knowledge is fully evident in the plays. Issues of red-baiting, deindustrialization, and religious bigotry take center stage in his work, which carries the radical tradition of Clifford Odets and the Federal Theatre Project into the long decline of labor beginning in the 1960s and continuing to this day. From Red-Baiting to Blacklisting is a must-read for anyone interested in the intersection of theatre and the labor movement.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nozomi Naoi’s Yumeji Modern: Designing the Everyday in Twentieth-Century Japan (University of Washington Press, 2020) is the first book-length English-language study of one of Japan’s iconic twentieth-century artists, Takehisa Yumeji (1884–1934).While he is most famous for portraits of beautiful women and stylish graphic design―which remain enormously popular and ubiquitous in today’s Japan―Yumeji’s output was not only prolific but also diverse. He began as an illustrator for socialist magazines, was a key figure in the revival and reinvention of the woodblock print as a modern medium, and produced astute and evocative portrayals of the 1923 Great Kanto Earthquake that devastated the Tokyo area. He was also a mentor to young artists and writers, and as Naoi shows, Yumeji created not just a recognizable style and brand, but also an alternative space of artistic production in the early twentieth century. Naoi situates Yumeji’s career within the evolving social, artistic, and technological contexts of his time, drawing our attention to his involvement with new reprographic technologies and commercial design. Additionally, by the inclusion of a substantial body of primary sources―including his 21-part earthquake reportage―in both the original and English translation, Naoi’s book is both an outstanding and accessible art history book, but a resource for future research.And because podcasts are not the ideal visual medium, check out the links below to see some of Yumeji’s artwork and learn more.Nozomi Naoi on “Yumeji Modern” and finding the “moon-viewing” momentEnvisioning East Asian Art History, Highlights of Yumeji Modern (2 videos)  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Russell J. A. Kilbourn’s The Cinema of Paolo Sorrentino: Commitment to Style (Wallflower Press, 2020) is the first comprehensive study published in the English-speaking world on one of the most compelling figures in twenty-first centry European film, Italian 2014 Academy Award recipient Paolo Sorrentino. Kilbourn’s book offers close readings of Sorrentino’s cinema in eight dense and elegantly written chapters and one coda: from the filmmaker’s first feature One Man Up, to The Consequences of Love, The Family Friend, Il Divo, This Must Be the Place, The Great Beauty, Youth, and the TV series The Young Pope, produced by HBO. The coda discusses the biopic on Silvio Berlusconi Loro (Them), which came out in 2018. While contextualizing Sorrentino within the legacy of Italian cinema tradition, Kilbourn establishes meaningful connections with international filmmakers (from Spike Lee’s Do the Right Thing to Mary’s Harron’s American Psycho, among many others), literary texts (such as Primo Levi’s If This is a Man), and artistic works (such as Magritte’s surrealist paintings), showing how Sorrentino is “an exemplary twenty-first-century transnational filmmaker” and “an emergent auteur for the twenty-first century.” His definition of Sorrentino’s cinema as “commitment to style” summarizes his critical perspective on a filmmaker, who, Kilbourn argues, brings to life Godard’s famous statement that “the problem is not to make political films but to make films politically.”Russell J. A. Kilbourn is Professor of English and Film Studies at Wilfrid Lauriel University. His books include Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema (2010) and W.G. Sebald’s Postsecular Redemption: Catastrophe with Spectator (2018)Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In this episode, I look at Eisler’s last days in England, where he found that the Oxford readership he had been promised before being sent to Dachau was taken by someone else, a paper shortage had put a stop to academic publishing, and that foreign Jews without visas were being imprisoned in a British internment camp on the Isle of Man. I also talk with astrology scholar Dr. Nicholas Campion about Eisler’s scathing criticisms of newspaper astrological columns and unpack Eisler’s final scholarly works on folklore, philology, and ethics. This episode officially concludes the story of Robert Eisler, but there will be a tenth and final episode in the near future that reflects on this project and academic podcasting as a whole after I have had time to hear some feedback. On that note, now that you have heard the story, I would love to hear what you think about it!Guests: Steven Beller (independent scholar), Nicholas Campion (Principal Lecturer in History at Bath Spa University and Director of the Sophia Centre for the Study of Cosmology in Culture)Voice of Robert Eisler: Caleb CrawfordAdditional voices: Brian Evans and Chiara RidpathMusic: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra.Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program.Special thanks to the Warburg Institute and the Bodleian Libraries at the University of Oxford. Bibliography and Further Reading:Campion, Nicholas. History of Western Astrology: Volume II, the Medieval and Modern Worlds. London and New York: Bloomsbury, 2013.Eisler, Robert. Man into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy. London: Routledge and Kegan Paul, Ltd., 1951.———. “The Passion of the Flax.” Folklore 61, no. 3 (1950): 114-133.———.“The Empiric Basis of Moral Obligation.” Ethics 59, no. 2, part 1 (January 1949):77-94.———. “Danse Macabre.” Traditio 6 (1948): 187-225.———.The Royal Art of Astrology: With a Frontispiece, Sixteen Plates, Forty-Eight Illustrations in the Text and Five Diagrams. London: Herbert Joseph, Ltd., 1946.The Mass Observation Archive. http://www.massobs.org.uk/.Scholem, Gershom. “How I Came to the Kabbalah,” Commentary 69, no. 5 (May1980): 39-53.Follow us on Twitter: @averysquarepegAssociate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography