New Books in Biography

From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried (SIU Press 2020) collects three plays by Manny Fried alongside a thorough explanation of his work and life by theatre scholar Barry Witham. Witham traces Fried’s long career as a labor organizer and Communist Party militant, as well as the obsessive lengths the FBI went to in order to suppress his activism. Fried is unique among American playwrights in his intimate knowledge of the inner workings of the labor movement, and this knowledge is fully evident in the plays. Issues of red-baiting, deindustrialization, and religious bigotry take center stage in his work, which carries the radical tradition of Clifford Odets and the Federal Theatre Project into the long decline of labor beginning in the 1960s and continuing to this day. From Red-Baiting to Blacklisting is a must-read for anyone interested in the intersection of theatre and the labor movement.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.”Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O’Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas.Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nozomi Naoi’s Yumeji Modern: Designing the Everyday in Twentieth-Century Japan (University of Washington Press, 2020) is the first book-length English-language study of one of Japan’s iconic twentieth-century artists, Takehisa Yumeji (1884–1934).While he is most famous for portraits of beautiful women and stylish graphic design―which remain enormously popular and ubiquitous in today’s Japan―Yumeji’s output was not only prolific but also diverse. He began as an illustrator for socialist magazines, was a key figure in the revival and reinvention of the woodblock print as a modern medium, and produced astute and evocative portrayals of the 1923 Great Kanto Earthquake that devastated the Tokyo area. He was also a mentor to young artists and writers, and as Naoi shows, Yumeji created not just a recognizable style and brand, but also an alternative space of artistic production in the early twentieth century. Naoi situates Yumeji’s career within the evolving social, artistic, and technological contexts of his time, drawing our attention to his involvement with new reprographic technologies and commercial design. Additionally, by the inclusion of a substantial body of primary sources―including his 21-part earthquake reportage―in both the original and English translation, Naoi’s book is both an outstanding and accessible art history book, but a resource for future research.And because podcasts are not the ideal visual medium, check out the links below to see some of Yumeji’s artwork and learn more.Nozomi Naoi on “Yumeji Modern” and finding the “moon-viewing” momentEnvisioning East Asian Art History, Highlights of Yumeji Modern (2 videos)  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Russell J. A. Kilbourn’s The Cinema of Paolo Sorrentino: Commitment to Style (Wallflower Press, 2020) is the first comprehensive study published in the English-speaking world on one of the most compelling figures in twenty-first centry European film, Italian 2014 Academy Award recipient Paolo Sorrentino. Kilbourn’s book offers close readings of Sorrentino’s cinema in eight dense and elegantly written chapters and one coda: from the filmmaker’s first feature One Man Up, to The Consequences of Love, The Family Friend, Il Divo, This Must Be the Place, The Great Beauty, Youth, and the TV series The Young Pope, produced by HBO. The coda discusses the biopic on Silvio Berlusconi Loro (Them), which came out in 2018. While contextualizing Sorrentino within the legacy of Italian cinema tradition, Kilbourn establishes meaningful connections with international filmmakers (from Spike Lee’s Do the Right Thing to Mary’s Harron’s American Psycho, among many others), literary texts (such as Primo Levi’s If This is a Man), and artistic works (such as Magritte’s surrealist paintings), showing how Sorrentino is “an exemplary twenty-first-century transnational filmmaker” and “an emergent auteur for the twenty-first century.” His definition of Sorrentino’s cinema as “commitment to style” summarizes his critical perspective on a filmmaker, who, Kilbourn argues, brings to life Godard’s famous statement that “the problem is not to make political films but to make films politically.”Russell J. A. Kilbourn is Professor of English and Film Studies at Wilfrid Lauriel University. His books include Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema (2010) and W.G. Sebald’s Postsecular Redemption: Catastrophe with Spectator (2018)Nicoletta Marini-Maio is co-founder and editor of g/s/i-gender/sexuality/italy. Recent scholarly publications center on Italian cinema, particularly the intersections between politics, gender power relations, and collective memory; and auteur cinema. Her current book project is La nazione Winx: coltivare la future consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Ellen Nerenberg (forthcoming, Rubbettino, Italy). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In this episode, I look at Eisler’s last days in England, where he found that the Oxford readership he had been promised before being sent to Dachau was taken by someone else, a paper shortage had put a stop to academic publishing, and that foreign Jews without visas were being imprisoned in a British internment camp on the Isle of Man. I also talk with astrology scholar Dr. Nicholas Campion about Eisler’s scathing criticisms of newspaper astrological columns and unpack Eisler’s final scholarly works on folklore, philology, and ethics. This episode officially concludes the story of Robert Eisler, but there will be a tenth and final episode in the near future that reflects on this project and academic podcasting as a whole after I have had time to hear some feedback. On that note, now that you have heard the story, I would love to hear what you think about it!Guests: Steven Beller (independent scholar), Nicholas Campion (Principal Lecturer in History at Bath Spa University and Director of the Sophia Centre for the Study of Cosmology in Culture)Voice of Robert Eisler: Caleb CrawfordAdditional voices: Brian Evans and Chiara RidpathMusic: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra.Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program.Special thanks to the Warburg Institute and the Bodleian Libraries at the University of Oxford. Bibliography and Further Reading:Campion, Nicholas. History of Western Astrology: Volume II, the Medieval and Modern Worlds. London and New York: Bloomsbury, 2013.Eisler, Robert. Man into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy. London: Routledge and Kegan Paul, Ltd., 1951.———. “The Passion of the Flax.” Folklore 61, no. 3 (1950): 114-133.———.“The Empiric Basis of Moral Obligation.” Ethics 59, no. 2, part 1 (January 1949):77-94.———. “Danse Macabre.” Traditio 6 (1948): 187-225.———.The Royal Art of Astrology: With a Frontispiece, Sixteen Plates, Forty-Eight Illustrations in the Text and Five Diagrams. London: Herbert Joseph, Ltd., 1946.The Mass Observation Archive. http://www.massobs.org.uk/.Scholem, Gershom. “How I Came to the Kabbalah,” Commentary 69, no. 5 (May1980): 39-53.Follow us on Twitter: @averysquarepegAssociate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Following the annexation of Austria by Nazi Germany in March of 1938, Robert Eisler wrote to Oxford asking about being appointed to the Wilde Readership in Comparative and Natural Religion, thereby gaining a way out of Nazi-controlled Europe. On the day after Hitler held a rally at the Heldenplatz in Vienna attended by 200,000 Austrian supporters, a letter came expressing regret that Oxford was unable to offer any assistance. Desperate to find an escape, Eisler wrote to friends all over Europe and America, asking for help. Finally, Gilbert Murray, Eisler’s old friend from his days with the League of Nations, stepped in and secured him the Oxford readership, which he was to have taken in October and held for three years. But on May 20th, Eisler was arrested and spent the next fifteen months in Dachau and Buchenwald, where he would see the things that inspired him to write Man into Wolf. I talk about the events of 1938 with Steven Beller and we also examine the case of a high-ranking S.S. officer who was expelled for plagiarizing Eisler’s work on Jesus.Guests: Steven Beller (independent scholar)Voice of Robert Eisler: Caleb CrawfordAdditional voices: Brian Evans and Chiara RidpathMusic: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra.Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program.Special thanks to the Warburg Institute.Bibliography and Further ReadingEisler, Robert. Man into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy. London: Routledge and Kegan Paul, Ltd., 1951.———.“The Empiric Basis of Moral Obligation.” Ethics 59, no. 2, part 1 (January 1949):77-94.Hackett, David A. The Buchenwald Report. Boulder, CO: Westview Press, 1995.Heschel, Susannah. The Aryan Jesus: Christian Theologians and the Bible in Nazi Germany. Princeton: Princeton University Press, 2008.Jacob, Heinrich E. Six Thousand Years of Bread: Its Holy and Unholy History. New York: Skyhorse Publishing, 2007.Wachsmann, Nikolaus. KL: A History of the Nazi Concentration Camps. New York: Farrar, Strauss and Giroux, 2015.Follow us on Twitter: @averysquarepegAssociate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Among the tens of thousands of Americans who volunteered their services during the Civil War was Mary Walker, a daring young woman who was one of the handful of female doctors in the nation at that time. Yet despite the often desperate need for medical professionals she spent much of the war struggling to earn the respect she felt she deserved. In Dr. Mary Walker's Civil War: One Woman's Journey to the Medal of Honor and the Fight for Women's Rights (Lyons Press, 2020), Theresa Kaminski describes this struggle and how it reflected her lifelong struggle to have the world accept her on her own terms. The daughter of free-thinking farmers, the young Mary enjoyed a level of education unusual for her era. Even before the war began she defined her identity with their radical choices in clothing and her decision to divorce her philandering husband. When the war began Dr. Walker sought a commission as a doctor, only to face opposition from every authority figure she met. Over time, however, her persistent efforts gradually won her a degree of acceptance and a role in the war. While her goal to earn a commission remained unfulfilled, at the end of the war her brave sacrifices on behalf of the Union earned for herself a Medal of Honor – one that a century and a half later remains the only Medal of Honor ever awarded to a woman. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In Karl Kraus and The Discourse of Modernity (Northwestern University Press, 2020), Ari Linden analyzes Karl Kraus’s oeuvre while engaging in the conversation about modernism and modernity, which is shaped and conditioned by the already post-postmodern condition.This perspective opens up the exploration of modernist projects and allows a discussion that goes beyond a specific time-period and invites us to locate the conversation about Kraus, as well as about the modernist discourse, in the context of the present moment.In his book, Linden outlines the most salient features of Kraus’s writing and establishes an ethic and aesthetic matrix to explore the variations and renditions that the modernist projects may promote and welcome. The book specifies Kraus’s aesthetic engagement with satire, as well as with the exploration of the language limitations (if any) and with intellectual conversations, which serve as responses to political and historical events.The latter makes Linden’s project particularly relevant and up-to-date for the contemporary moment: Kraus’s oeuvre helps further disclose how writing can be engaged as a key instrument not only for the construction of the individual’s perception of the self and others, but also for the construction of ideological paradigms, encapsulating power and control on both individual and public levels.Karl Kraus and The Discourse of Modernity brings modernity and modernism to the forefront of the post-postmodernist concerns and offers an insightful perspective on how a writer responds to history and politics while interrupting the discourse with their aesthetic renditions.Ari Linden is an assistant professor in the Department of German Studies at the University of Kansas. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt.Guest: Marsha Hewitt (Trinity College, University of Toronto)Voice of Robert Eisler: Logan CrumAdditional voices: Logan MarshallMusic: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra.Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program.Special thanks to the Warburg Institute.Bibliography and Further ReadingEisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931.———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41.Follow us on Twitter: @averysquarepegAssociate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

James West speaks with Jerry Gershenhorn, Julius L. Chambers Professor of History at North Carolina Central University, about Louis Austin and the Carolina Times: A Life in the Long Black Freedom Struggle (University of North Carolina Press, 2018), ahead of the book's paperback release.Gershenhorn's award-winning study recovers the life and activism of Louis Austin and the influence of his newspaper, the Carolina Times, the preeminent Black newspaper in the state. Spanning much of the twentieth century, this absorbing account explores the long Black freedom struggle in North Carolina from a fresh vantage point, shedding new light on the role of the Black press in the twentieth century.James West is a Leverhulme Early Career Fellow in American History at Northumbria University, Newcastle. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020)  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography