Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

More than any other global institution, the US Federal Reserve’s decisions and communications drive capital markets and alter financial conditions everywhere from Seattle to Seoul. While its interest rate are set by an expert committee, for almost a century, the Fed’s core philosophy and operational approach have been moulded by one person: the Chair of the Board of Governors.In this podcast series, Tim Gwynn Jones - a veteran central bank "watcher" - talks to authors of books about the Fed's most influential Chairs, starting with Marriner Eccles, Bill Martin, Arthur Burns, and Paul Volcker.In the fourth and final episode of this series, he talks to William Silber – author of Volcker: The Triumph of Persistence (Bloomsbury, 2012). A giant (literally) of 20th-century policymaking, Volcker chaired the Fed from 1979 to 1987, implementing monetarist shock therapy, driving up the fed funds rate from 11% to 20% to crush inflation expectations, and pulling inflation down from nearly 15% in early 1980 to below 3% three years later.“For Volcker, the most important denigrating fact of inflation was … that it undermines trust in government,” says Silber. “When we give the government the right to print money … we trust that the government will not debase the currency … When you think about inflation in that context, there is no number – two, four, six. Any number is bad. The only number that works is zero .. If you asked Volcker – and I asked him – what's the right number, he said zero”.From 1990 until his retirement in 2019, Bill Silber was professor of economics at the Stern School of Business, New York University. His award-winning book is built on more than 100 hours of interviews with Volcker. The author of seven other books, Silber’s latest – The Power of Nothing to Lose: The Hail Mary Effect in Politics, War, and Business – will be published in paperback in September 2024. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

More than any other global institution, the US Federal Reserve’s decisions and communications drive capital markets and alter financial conditions everywhere from Seattle to Seoul. While its interest rate are set by an expert committee, for almost a century, the Fed’s core philosophy and operational approach have been moulded by one person: the Chair of the Board of Governors.In this podcast series, Tim Gwynn Jones - a veteran central bank "watcher" - talks to authors of books about the Fed's most influential Chairs, starting with Marriner Eccles, Bill Martin, Arthur Burns, and Paul Volcker.In this third episode, he talks to Wyatt Wells – author of Economist in an Uncertain World – Arthur F. Burns and The Federal Reserve, 1970–1978 (Columbia University Press, 1994). Burns has had a bad press - so bad that Chris Hughes, one of Facebook's founders, was moved to rehabilitate him. Leading the Fed from 1970 to 1978 when inflation averaged 9%, Burns was an accomplished business-cycle economist but also a politically partisan Chair intensely loyal to Richard Nixon and Gerald Ford. Going far beyond his remit as a central banker, Burns oversaw government efforts to control prices and wages as an alternative to monetary policy.“If you couple an incomes policy with a tight fiscal and monetary policy, it can work. The problem is that it often becomes an excuse for not doing that,” says Wells. “Burns found himself trapped in this position where he felt he couldn't raise interest rates without wrecking the controls programme and possibly his own career – his own position at the Fed. It's clear in ‘73, he knows interest rates need to go up. They're trying to raise them but he's got these political concessions and he's doing this sort of dance, trying to square the circle … And of course: ‘I'm the smartest guy in the room. Therefore, I should play a key role in this effort to balance everything’. I think there are very few Federal Reserve chairmen who have elbowed their way into other areas in the way that Burns did. Maybe none”.An economic historian, Wyatt Wells has been Professor of History at Auburn University, Montgomery, since 1997. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace." Enigmatic, mesmerizing, and frenetic, Urban Scenes (Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, Yaohua Shi and Judith Amory. This collection is sure to appeal to those interested in modernist literature and Sinophone fiction, as well as anyone who is looking for stories that feature perplexing narrators to analyze with their students. Interested readers should also check out the other titles in the Cambria Sinophone Translation Series.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

More than any other global institution, the US Federal Reserve’s decisions and communications drive capital markets and alter financial conditions everywhere from Seattle to Seoul. While its interest rate are set by an expert committee, for almost a century, the Fed’s core philosophy and operational approach have been moulded by one person: the Chair of the Board of Governors.In this podcast series, Tim Gwynn Jones - a veteran central bank "watcher" - talks to authors of books about the Fed's most influential Chairs, starting with Marriner Eccles, Bill Martin, Arthur Burns, and Paul Volcker.In this second episode, he interviews Robert Bremner – author of Chairman of the Fed: William McChesney Martin Jr. and the Creation of the Modern American Financial System (Yale University Press, 2004). Bill Martin still holds the record for the longest chairmanship at the Fed – holding the office from 1951 to 1970. A Democrat, he was first nominated by President Harry Truman and reappointed (more or less willingly) by Eisenhower, Kennedy, Johnson, and Nixon. He dismantled government wartime controls over interest rates, battled to save the postwar currency-management regime, democratised the Fed, and fought successive presidents to keep its independence.These conflicts started early, says Bremner. “Martin told this story about walking down Wall Street and passing the president going the other way and Martin said: ‘Good morning, Mr. President, great to see you’. And Truman looked at him and said: ‘Traitor’. Basically Truman wanted to continue low interestrates certainly until he left office and for as long as possible”.After a career in finance at the World Bank and in the mutual-fund industry, Bob Bremner is now a director of the Westminster Ingleside Foundation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

More than any other global institution, the US Federal Reserve’s decisions and communications drive capital markets and alter financial conditions everywhere from Seattle to Seoul. While its interest rate are set by an expert committee, for almost a century, the Fed’s core philosophy and operational approach have been moulded by one person: the Chair of the Board of Governors.In this podcast series, Tim Gwynn Jones - a veteran central bank "watcher" - talks to authors of books about the Fed's most influential Chairs, starting with Marriner Eccles, Bill Martin, Arthur Burns, and Paul Volcker.In this first episode, he interviews Mark Nelson - author of Jumping the Abyss: Marriner S. Eccles and the New Deal, 1933-1940 (University of Utah Press, 2017). Eccles chaired the Fed from 1934 to 1948, turned it into a Washington power centre, and centralised policymaking with the Board of Governors.The US might have been better served if Eccles and his nemesis Henry Morgenthau, the Treasury Secretary from 1934-1945, had swapped roles, says Nelson. "That's true except for the fact that Eccles did do something very important at the Fed and that is the Banking Act of 1935, which really changed the Fed in an enormously important way and Morgenthau would not have done that ... I think it would have happened at some point. You could make the argument, though, that it may not have happened in 1935 if Eccles hadn't been there because Eccles took the job at the Fed on the understanding that these changes would be made”.An actor-turned-historian, Mark Nelson was educated at Pepperdine University and Claremont Graduate University and today teaches at Greenville Technical College, South Carolina. His next book will be Race and Recovery: James F. Byrnes and the New Deal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ayn Rand is a provocative and polarizing figure. Strongly pro-capitalist and anti-communist, Rand was a dogmatic preacher of her moral philosophy. Based on what she called "rational self-interest", Rand believed in prosperity-seeking individualism above all. Alexandra Popoff's deeply researched biography traces Rand's journey from her early life as a privileged secular Jew in pre-revolution St. Petersburg, through the deprivations of life in Crimea during the Russian Civil War, and across the world to a new life in the United States in the 1920s. These early experiences influenced Rand's views, which she expressed in her sharp critique of Soviet Russia in her first major novel, We The Living.In Ayn Rand: Writing a Gospel of Success (Yale UP, 2024) We follow Rand's extraordinary career in early Hollywood as an apprentice scriptwriter with Cecil DeMille and her evolution into an accomplished novelist of tightly plotted, intellectual stories. Her strong promotion of laissez-fair capitalism and creative, high achieving "supermen" willing to risk everything to achieve their goals came through in her two best selling novels, The Fountainhead and Atlas Shrugged. Following her literary career Rand focused on her philosophical theory of Objectivism and became a cult-like figure to many of her devoted followers. Video: Mike Wallace interview with Ayn Rand from 1959. Recommended reading: Goddess of the Market by Jennifer Burns Autocracy, Inc. by Anne Applebaum Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Returning to the New Books Network is Doug Greene, here to discuss his book The New Reformism and the Revival of Karl Kautsky (Routledge, 2024). Split into three main parts, the book first surveys Kautsky’s own life and thought, starting with his early interest in socialist politics and turn towards Marxism, followed by a slow but steady turn away from revolution and towards reform, believing parliamentary procedures were the best road to social transformation. The second part looks at the works of Rosa Luxemburg, Vladimir Lenin and Leon Trotsky, all of whom offer critical responses to Kautsky’s reformism, and the reassertion of the importance of revolutionary thought to any Marxist project. The third and final part looks at the contemporary works of Lars Lih, Eric Blanc and Mike Macnair and their attempts to make Kautsky’s reformist practice the central pillar of the contemporary left. Throughout, Greene argues that the real lesson Kautsky offers is the dead-end of reformism to any revolutionary project.Some other relevant readings on this topic include Doug Greene | Why Kautsky Was Wrong (and Why You Should Care) Doug Greene | Why Kautsky Was Wrong (LeftVoice interview) Harrison Fluss | The Prophet Avec Lacan Douglas Greene is a historian in Boston. He is also the author of the books A Failure of Vision: Michael Harrington and the Limits of Democratic Socialism and Stalinism and the Dialectics of Saturn: Anticommunism, Marxism, and the Fate of the Soviet Union. His writing has appeared in a number of outlets. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theatre, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinised due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career.In To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World (University of California Press, 2024), Dr. Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labour of performance, creating critical study of Wong's cross-media and transnational career. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labour as the bedrock of the entertainment industries.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography