New Books in Biography

Today I interview Alexs Thompson about his new memoir, I'll Go: War, Religion, and Coming Home, from Cairo to Kansas City (2020). Let me begin with a moment of honesty. When I first heard about Thompson's memoir, I was skeptical that it was true. The experiences about which Thompson writes seem too remarkable, such as setting out to Egypt right after the 9/11 attacks in America with only a backpack and without a plan to study Arabic among fundamentalist Muslims, even though Thompson didn't know Arabic and isn't a Muslim, to working with combat troops in Iraq and Afghanistan to briefing major intelligence agencies and working with top military officials such as General Petraeus. His life experience seemed more vast and more varied than a person could fit in multiple lives, let alone one. Did I mentioned that Thompson also earned his PhD in Islamic Studies from the University of Chicago while many of these events unfolded? And yet I found out: it's true; he's true; and he's here with us today to share some of his remarkable story.Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The Spiritual Evolution of Margarito Bautista: Mexican Mormon Evangelizer, Polygamist Dissident, and Utopian Founder, 1878-1961 (Oxford University Press, 2020) provides the first full-length biography of a celebrated Latino Mormon leader in the U.S. and Mexico in the early twentieth century. Surprisingly little is known about Bautista's remarkable life, the scope of his work, or the development of his vision. Elisa Eastwood Pulido draws on his letters, books, pamphlets, and unpublished diaries to provide a lens through which to view the convergence of the evangelization efforts of the Church of Jesus Christ of Latter-day Saints, Mexican nationalism, and religious improvisation in the U.S. Mexico borderlands.A successful proselytizer of Mexicans for years, from 1922 onward Bautista came to view the paternalism of the Euro-American leadership of the Church as a barrier to ecclesiastical self-governance by indigenous Latter-day Saints. In 1924, he began his journey away from mainstream Mormonism. By 1946, he had established a completely Mexican-led polygamist utopia in Mexico on the slopes of the volcano Popocateptl, twenty-two kilometers southeast of Mexico City. Here, he preached an alternative Mormonism rooted in Mesoamerican history and culture. Based on his indigenous hermeneutic of Mormon scripture, Bautista proclaimed that the indigenous peoples of the Americas were a chosen race, destined to wrest both political and spiritual authority from the descendants of Euro-American colonists. This book provides an in-depth look at a man still regarded with cultural pride by those Mexican and Mexican American Mormons who remember him as an iconic and revolutionary figure.David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Follow him on Twitter @djgonzoPhD. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

André Gregory's not-memoir This Is Not My Memoir (FSG, 2020) is a fascinating trip through theatre history as seen through the eyes of one of its greatest directors. The André we encounter in this book will be familiar to fans of his theatre work or of his celebrated performance in My Dinner with André: curious, ebullient, searching, passionate, funny, and inspiring. This book also includes reflections on André's collaborations and friendships with some of theatre's greatest artists, including Jerzy Grotowski, Wallace Shawn, and Helene Weigel. This book belongs on a shelf next to great autobiographies of the theatre like Harold Clurman's The Fervent Years and Tennessee Williams' Memoirs.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America.Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race.Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.”Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country’s politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era.Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya’s likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist’s personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya’s late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the “black” paintings.A monumental achievement, Goya: A Portrait of the Artist (Princeton UP, 2020) is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Albert Camus, one of the most famous French philosophers and novelists, has a diverse fan base. British alternative rockers The Cure sang about The Stranger in their first big hit, “Killing an Arab”, released in 1980. George W. Bush announced that the novel was his summer reading in 2006 (considering the book’s central plot point and what he had unleashed in Iraq, this raised a few eyebrows). In 2009 there was a call to move his remains to the Pantheon. Camus’ concept of the “absurd” continues to resonant with those alienated by late capitalism and The Myth of Sisyphus is regularly invoked by faculty members dealing with university bureaucracies. But few critics properly place Camus and his work in the context of French colonialism. Born in Algeria to an impoverished pied-noir family, he was quite the outsider (dare we say “étranger”?) to the privileged world of French letters. Once a member of the Communist Party, he became a staunch critic of Stalinism and groupthink. When Camus dared to break ranks with the orthodoxy of the Latin Quarter, Jean-Paul Sartre, Simone de Beauvoir, Francis Jeanson, and others turned on him. Despite winning the Nobel Prize for literature in 1957, his reputation was further tarnished as he struggled to come to terms with the Algerian war for independence. When he died an “absurd” death in a car accident in 1960, his closest associates suppressed the pro-colonial manuscript found in the wreckage. For several decades, Camus was not a central figure in French letters. Yet, after the fall of the Soviet Union and the decline of Sartre’s influence there was a Camus revival. Now he has the posthumous stature of a fallen rock-star.Camus and his legacy are obviously complex. Fortunately, Oliver Gloag’s Albert Camus: A Very Brief Introduction (Oxford UP, 2020) offer a concise yet nuanced account of his life and his work. Gloag excels at making Camus’ complicated philosophy accessible, and he successfully contextualizes the author as a settler colonist torn between justice and love of the country of his birth.Oliver Gloag is Associate Professor of French and Francophone Literature at the University of North Carolina, Asheville. He was educated at Columbia University, Tulane University (J.D.), and Duke University (Ph.D.); he specializes in francophone and postcolonial literature, twentieth century French literature, and cultural history. He has published on Sartre and Camus and contributed to The Sartrean Mind. He is the author of Oublier Camus, a forthcoming book on the ideological and political claiming of Camus in contemporary France. His essay “The Colonial Contradictions of Albert Camus” on Camus were featured in Jacobin.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. In The Cinema of Ozu Yasujiro: Histories of the Everyday (Edinburgh University Press, 2017), Woojeong Joo offers a new interpretation of Ozu's career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu's work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema.In this interview, I asked Woojeong a series of questions concerning the operative notion of the "everyday" in the works of Ozu. It seems that the ordinary and oft-repetitive experience of the "present" enabled Ozu to create a space in which one could resist the nationalistic dictum of the "Japanese spirit" in 1930–40s Japan. Despite the fact that there is a certain continuity between his pre-war and post-war works (just like the works of the Kyoto School philosophers that the book cites), and despite the limitations Ozu's works inherently contain for a contemporary audience, his films are saturated with acute social commentaries, and offer insight into the emergence of different social "everday"s in modern Japan. Woojeong's interpretation of "feminity" in the works of Ozu also demonstrates his cross-cultural and cross-generational sensitivity, which is necessary for understanding the significance of "femininity" in the wider intellectual and historical context of feminist philosophy and Gender studies. I ended with a question about Ozu's signature technique of the "low height" angle. Is there anything that we should know about this distinct technique? What did Ozu intend to achieve with this peculiar viewpoint? Woojeong's informed answer, just like this book, will no doubt make us feel like watching the Ozu films again.Woojeong Joo received his PhD degree from University of Warwick. He has worked at the University of East Anglia as a postdoctoral research assistant for the AHRC-funded project "Manga to Movies" and is currently teaching in the Japan-in-Asia Cultural Studies Program at Nagoya University, Japan.Takeshi Morisato is philosopher and sometimes academic. I specialize in comparative and Japanese philosophy but I am also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the most notable African American intellectuals of his generation, Lawrence Reddick helped to spearhead the early Black history movement, served as the second curator of the Schomburg Library during the 1930s, guided the Southern Christian Leadership Conference during the Cold War, mentored Dr. Martin Luther King, Jr. throughout his entire public life, and played a major role in the Black Studies movement of the late 1960s and early 1970s. A lifelong Pan-Africanist, Reddick also fought for decolonization and Black self-determination alongside key Black diasporic politicians and critical thinkers such as Kwame Nkrumah, Nnamdi Azikiwe, and W.E.B Du Bois. Beyond participating in these interconnected struggles, Reddick helped to document and interpret them for Black and white audiences alike.In The Scholar and the Struggle: Lawrence Reddick's Crusade for Black History and Black Power (University of North Carolina Press, 2020), David A. Varel recovers Reddick's compelling story and reveals the many essential but underappreciated roles played by Black intellectuals during the long Black freedom struggle.David A. Varel is an affiliate faculty member at Metropolitan State University, Denver.James West is a historian of Black activism and print culture in the United States and diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Anthony Valerio's Before the Sidewalk Ended: A Walk with Shel Silverstein (Daisy H. Productions, 2020) is a startling portrait of the great writer of children's books, songs and plays Shel Silverstein. What he was like as a man and a friend. What interested and inspired him. Some of the women in his life. The loving, often hilarious relationship between Shel Silverstein and Anthony Valerio depicted in these pages entertains as much as informs. Take a ground-breaking walk beside them through Greenwich Village on a routine workday, their stops, their conversations. Lending beauty and life to this charming memoir of an historical time and place are never before seen photos by the great graphic artist and photographer Dave Barry. About Anthony Valerio, Shel Silverstein wrote: "He knows his people. He knows his craft. He gets in, tells his story and gets out. It's what good writing should be."  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography