Writers/Blockbusters Screenwriting Podcast
Writers/Blockbusters
The final edit of a movie is treated like the script and broken down for tips and tricks! Featuring Jamie Nash, author of Save The Cat Writes For TV, Jimmy George, Producer/Co-Writer of WNUF Halloween Special, and another guy!
Episodes
Mentioned books
Oct 27, 2022 • 1h 4min
#19 - Planes, Trains & Automobiles (1987)
Jamie, Jimmy and Bob discuss the script of a John Hughes classic to determine if they are, in fact, pillows.
Oct 27, 2022 • 59min
#18 - A Nightmare On Elm Street (1984)
Jamie, Jimmy and Bob prove the old adage "All you need is Glove" as they discuss horror-master Wes Craven's script to the classic A NIGHTMARE ON ELM STREET.
Oct 27, 2022 • 1h 9min
#17 - Predator (1987)
Jamie, Jimmy and Bob ain't got time to bleed...because they have to talk about the script to PREDATOR.
Oct 27, 2022 • 1h 8min
#16 - Galaxy Quest (1999)
Jamie, Jimmy and Bob manage to get their shirts off and discuss any vulnerable spots in the script to GALAXY QUEST!
Oct 27, 2022 • 44min
#15 - Adaptation. (2002)
Jamie, Jimmy and Bob are what they love, not what loves them. What do they love? Charlie Kaufman's script for ADAPTATION.
Oct 27, 2022 • 50min
#14 - Bridesmaids (2011)
Jamie, Jimmy and Bob talk seriously about Annie Mumolo and Kristen Wiig's script to the Paul Feig directed comedy classic.
Oct 27, 2022 • 1h 7min
#13 - Mission: Impossible - Fallout (2018)
Jamie, Jimmy and Bob choose to accept the extremely possible mission of discussing the latest Christopher McQuarrie script.
Oct 26, 2022 • 1h 4min
#12 - It (2017)
Jamie, Jimmy and Bob float through a discussion on the script to 2017's new take on Stephen King's IT.
Oct 26, 2022 • 1h
#11 - The Incredibles (2004)
Jamie, Jimmy and Bob find their super suits and dare to discuss Pixar, their writing process and a Brad Bird script that is...incredible.
Oct 26, 2022 • 1h 15min
#10 - Solo: A Star Wars Story (2018)
Jamie, Jimmy and Bob tell each other the odds of disliking a Han Solo script written by two generations of Kasdans. They're low.
