Slate History

On today’s episode of Hear Me Out… solving the insolvent.With the threat of a government shutdown looming (again), there are a lot of key programs and initiatives proving contentious for lawmakers. But nobody seems to ever flirt with the idea of cutting – or ending altogether – social security, And maybe it’s time to do just that. Eric Boehm of Reason Magazine joins us to argue for the end… even the beginning of the end… for social security.If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the moment it was released in 1995, The Rules was controversial.. Some people loved it—and swore that the dating manual’s throwback advice helped them land a husband. Others thought it was retrograde hogwash that flew in the face of decades of feminist progress. The resulting brouhaha turned the book into a cultural phenomenon. In this episode, Slate’s Heather Schwedel explores where The Rules came from, how it became so popular, and why its list of 35 commandments continue to be so sticky—whether we like it or not. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Willa Paskin. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.We’d like to to thank Benjamin Frisch, Rachel O'Neill, Penny Love, Heather Fain, Elif Batuman, Laura Banks, Marlene Velasquez-Sedito, Leigh Anderson, Caroline Smith. We also want to mention two sources that were really helpful: Labour of Love by Moira Weigel, a paper called Shrinking Violets and Caspar Milquetoasts by Patricia McDanielIf you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does the history of Hamas tell us about where the Israel-Palestine conflict could go from here?Guest: Mohammed Hafez, professor who studies Islamist movements, political militancy, and violent radicalization at the Naval Postgraduate School and author of Why Muslims Rebel and Suicide Bombers in Iraq: The Strategy and Ideology of Martyrdom.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

We receive a lot of fantastic show ideas from our listeners—and we’re grateful for each and every one. For our latest mailbag episode, we’re tackling five of your questions, including “Why the hell do we teach kids to play the recorder?” (We’re paraphrasing a bit.) Also: We’ll explore the rise and fall of the stretch limo, the incredible versatility of the word “like,” the meaning of the “Baby on Board” sign, and why it took so long to develop luggage with wheels. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was also produced by Rosemary Belson. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.Thank you to every listener who has submitted a suggestion for an episode. We truly appreciate your ideas. We read them all, even if we don’t always respond. Thanks for being a listener and for thinking creatively about this show. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the mid-1990s, the prime time drama Melrose Place became a home to hundreds of pieces of contemporary art—and no one noticed. In this episode, Isaac Butler tells the story of the artist collective that smuggled subversive quilts, sperm-shaped pool floats, and dozens of other provocative works onto the set of the hit TV show. The project, In the Name of the Place, inspired a real-life exhibition and tested the ability of mass media to get us to see what’s right in front of our faces. Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was written and reported by Isaac Butler and produced by Benjamin Frisch. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.Thank you to Jamie Bennett, JJ Bersch, Mark Flood, and Cynthia Carr, whose book On Edge: Performance at the End of the 20th Century inspired this episode.If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Judging from teen dramas on Netflix, the slow dance seems to be alive and well. But when you talk to actual teens, it’s clear this time-honored tradition is on life support. In this episode, we trace the history of slow dancing from its origins in partner dances like the waltz to the modern “zombie sway” seen at middle-school dances and high-school proms. Plus, former slow dancers offer up stiff-armed, nostalgia-soaked stories about a rite of passage that’s fading fast.Decoder Ring is produced by Willa Paskin and Katie Shepherd. This episode was edited by Zakiya Gibbons. Derek John is executive producer. Joel Meyer is senior editor/producer. Merritt Jacob is our senior technical director.Thank you to Benjamin Frisch and Carlos Pareja. Special thanks to everyone who shared their slow dancing stories, including Ralph Giordano, Matt Baume, Meryl Bezrutczyk, Ari Feldman, Ava Candade, Eileen Zheng, and Harper KoisHere’s the article by Kyle Denis that we mentioned in the episode: The Death of the Slow Dance? How the One-Time Rite of Passage Has Evolved for Gen Z. If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, we’d love for you to sign up for Slate Plus. Members get to listen to Decoder Ring without any ads. Their support is also crucial to our work. So please go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… I’m just a bill.A lot of Americans will agree, even across party lines, that our democracy feels broken. A commonly proposed solution is beefing up, or formalizing, the way we teach young people civics. Entities from the Center for American Progress to Vivek Ramaswamy have suggested that it’s time that we get students to know more about their government — in the hopes that knowing more leads to caring more, and engaging more. But by prioritizing civics, what else could students be missing? Reason Magazine’s Christian Barnard is our guest, here to argue that civics won’t save us.If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… sailing the ocean blue.Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level.Indigenous People’s Day, or Native Americans’ Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that’s no longer kind to Columbus? Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us. If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ten years after the atomic bombing of Hiroshima, 25 women who’d been disfigured by the blast came to the United States. Those Japanese survivors would go to the White House and end up on a bizarre proto reality TV show. They’d also put their lives in the hands of American doctors, hoping that risky, cutting-edge surgeries might repair their injuries and give them a chance for a fresh start.Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung.This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Holly Allen created the artwork for this season.Join Slate Plus to get a bonus 1955 episode at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of the gains of the Civil Rights movement were built by African Americans who turned grief—often over the violent deaths of loved ones—into activism. At the same time, grief over anticipated or theoretical losses within the white community is frequently harnessed into political power. On today’s episode of A Word, Jason Johnson is joined by political science professor Juliet Hooker, author of Black Grief/White Grievance, about why anger and even violence has often been framed as a justified response to white losses of power and influence, but inappropriate among Black people, even when there’s loss of life.Guest: Juliet Hooker, Professor of Political Science at Brown UniversityPodcast production by Ahyiana AngelYou can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices