Slate History

This week Bryan talks to writer Neil J. Young about his new book Coming Out Republican: A History of the Gay Right. They dig into some of the inherent contradictions of the Gay Right and the pillars of their political strategy and reveal how central whiteness and maleness is to their politic. Podcast production by Palace Shaw. Learn more about your ad choices. Visit megaphone.fm/adchoices

April is Autism Acceptance Month, and how we’ve come to understand autism has evolved over the past several decades. For years, autism spectrum disorder (ASD) was thought of as something that needed to be cured. Through better data and years of activism, that misunderstanding is changing.On this week’s episode of Well, Now we discuss that evolution with Sara Luterman, caregiving reporter for The 19th.Podcast production by Vic Whitley-Berry and Ahyiana Angel with editorial oversight by Alicia Montgomery.Send your comments and recommendations on what to cover to wellnow@slate.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

John Dickerson reflects on the emotional experience of sending his son to college, exploring parental milestones and the bittersweet moments of transition. He discusses capturing memories, offering advice, and the transformative nature of self-discovery during life's challenges.

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls?As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own.From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.)Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.”Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether.And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford.In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp?Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan.This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit.Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred?The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough?Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.”Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1986, Andrew Wyeth was the most famous painter in America. He was a household name, on the cover of magazines and tapped to paint presidents. And then he revealed a secret cache of 240 pieces of artwork, many provocative, all featuring the same nude female model. This collection, called The Helga Pictures, had been completed over 15 years and hidden from his wife, until they were revealed and wound up on the covers of both Time Magazine and Newsweek. The implication of these paintings were clear: Wyeth must have been having an affair, but then the story got complicated. Was it a genuine sex scandal? A hoax? Or something else entirely? Some of the voices you’ll hear in this episode include Doug McGill, former New York Times reporter; Neil Harris, author of Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience; Cathy Booth Thomas, former Time Magazine correspondent; Gwendolyn Dubois Shaw, art historian and curator; Jeannie McDowell, former Time Magazine correspondent; Chris Lione, former art director at Art and Antiques; Joyce Stoner, Wyeth scholar; Peter Ralston, Wyeth photographer and friend; and Jim Duff, former director of the Brandywine River Museum.This episode was written by Willa Paskin and produced by Willa Paskin and Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. We had research assistance from Cleo Levin. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.A very special thank you to Paula Scaire.If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Myrlie Evers was arguably the first civil rights widow, a woman who was plunged into activism after the assassination of her husband—Mississippi NAACP field secretary Medgar Evers—in 1963. She survived to become a leader of the movement in her own right. But what’s less well known is the remarkable story of how the couple came together, and how their love endures, decades after his death. On today’s episode of A Word, Jason Johnson is joined by journalist Joy-Ann Reid to talk about her book, Medgar & Myrlie: Medgar Evers and the Love Story That Awakened America.Guest: Joy-Ann Reid, host of MSNBC’s The ReidOutPodcast production by Ahyiana AngelWant more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit.Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred?The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough?Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.”Podcast production by Olivia Briley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyoncé has announced that the second act of Renaissance will be a country album. “Cowboy Carter” is set for release at the end of March, Women’s History Month. Beyoncé has already made history as the first Black woman to top the country charts with “Texas Hold ‘Em,” and recently received Dolly Parton’s blessing to cover her classic song, Jolene. While Beyoncé may seem to be breaking new ground, much of country music has always been rooted in African American culture, and Black women have been singing country for decades. On today’s episode of A Word, Jason Johnson is joined by DePaul University Professor Francesca Royster, the author of Black Country Music: Listening for Revolutions. They talk about the history of Black women in country music, the racial tension that has kept many African American fans away from the genre, and whether this moment represents a new era for Black country artists. Guest: Professor Francesca Royster, author of Black Country Music: Listening for RevolutionsPodcast production by Kristie Taiwo-MakanjuolaWant more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices