Slate History

On this week’s show, we preview the Oscars and Trump’s demolition throughout renowned institutions of art.Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf.First, the hosts discuss I’m Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer.Endorsements:Dana: The documentary Pictures of Ghosts (2023)Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023Isaac: The film Z (1969), available on streamingPodcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Elizabeth, Lucy and Zak answer a listener’s voicemail about planning a field trip to DC — and trying to avoid politics. The parents at this school have very different politics than our listener, and the listener’s already gotten her 10-year-old to agree to skip the White House… but is that the right call? And can you even avoid politics on a history lover’s tour of DC?And after that discussion, we’ll of course circle up for a round of triumphs and fails.Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you’ll get an ad-free experience across the network. And you’ll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts.Podcast produced by Maura Currie.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Bazelon talks with author Rich Benjamin about his new book, Talk to Me: Lessons From a Family Forged by History. They delve into Rich’s complex family history— particularly the experiences of his grandfather, Daniel Fignolé. Fignolé was the president of Hatti in 1957 before being ousted by a coup that involved American influence. Rich and Emily discuss how the political upheaval had a lasting impact on Rich and his family, the immigrant experience of “internalizing America” and the lasting scars of trauma.   Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.)Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late 1980s, the English synth-pop duo Pet Shop Boys dominated the U.K. pop charts and staged an invasion of the American charts. Years later, founding member Neil Tennant dubbed this streak of creative and commercial supremacy the group’s “imperial phase”—a term that eventually caught on among music critics and pop fans.So, what does it take for an artist to achieve imperial dominance? Why might Fleetwood Mac in the 1970s or The Weeknd in the 2010s qualify, while Cher or Lizzo don’t quite fit the bill? Are there rules for imperial phases?Hit Parade’s Chris Molanphy says yes—he’s got chart rules for determining when an artist is at peak imperiality. And he says Madonna’s late ’80s streak of hits might be the ultimate imperial phase.Join Chris as he dissects the most regal artists across the decades, defining what makes them imperial—and he walks hit by hit through Madonna’s biggest phase, which may remain unmatched.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

You may never have thought very hard about scratch-off tickets, but that’s part of their power. They’re a form of gambling that’s simply a pedestrian part of American life. But not so long ago, they were risky and innovative, the killer app of their time and the must-play game of the state lottery. In this episode, Ian Coss, host of the new podcast series Scratch & Win, is going to walk us through the history of the scratch-off ticket: its invention, its popularization, and its connection to the explosion in gambling that’s now all around us. This episode of Decoder Ring was produced by Katie Shepherd. Decoder Ring is also produced by Willa Paskin, Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.Scratch & Win is a production of GBH News. It is produced by Isabel Hibbard and Ian Coss and edited by Lacy Roberts. Its editorial supervisor is Jenifer McKim with support from Ryan Alderman. Mei Lei is the project manager, and the Executive Producer is Devin Maverick Robins.If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com. And you can also now call us at our Decoder Ring hotline — that number is 347-460-7281. We love hearing your ideas, and we especially enjoyed all the messages we got about our last episode on the ’90s swing craze. Keep ‘em coming! And even better, tell your friends to check us out.Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts discuss Max’s new medical drama The Pitt – a show that we legally can’t call an ER reboot but does have Noah Wyle donning scrubs and handling the next bodily emergency yet again. Our regular hosts also discuss an article from the Intelligencer, The Cruel Kids’ Table about how young Republicans now feel empowered to bring cruelty back into public discourse. Finally, we welcome LA Film Critic Amy Nicholson to discuss the Oscar-nominated film September 5 about the hostage crisis during the 1972 Munich Olympics.Also, we’re looking for a new Production Assistant! To apply, send us an email introducing yourself and give two ideas for segments to culturegabfestassistant@gmail.com. In the exclusive Slate Plus segment, the panel tackles the biggest luminary question of the year: Do you use ‘The Big Light’? Email us at culturefest@slate.com. Endorsements:Dana: Just sort of a beautiful moment: Live wolf howls in Manitoba, Canada Julia: Branded in Memory | Signs.com / Draw Logos From Memory – Test your recall and see if you can recreate popular brand logosSteve: The Wired Starter Pack on bsky and Subscribe to WiredPodcast production and research by Vic Whitley-Berry. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that?Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music.Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist.Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

When we recently got a couple of listener emails asking about the swing revival of the late 1990s, host Willa Paskin’s first, knee jerk reaction was just: no. She lived through it, and remembers it as being so incredibly corny and uncool. Insofar as the swing revival persists in the cultural memory, it’s usually as a punchline or as head-scratcher, a particularly odd-seeming fad. But then we started talking to everyone who was anyone in the swing scene, from Big Bad Voodoo Daddy to the dancers in the infamous Gap khakis commercial. It turns out the 90’s swing revival is more involved, more interesting and, OK, maybe cooler than we ever imagined. It’s about an underground scene that went above ground in a major way, and how that level of success can obscure what’s happening while it’s happening—but also long after it’s over. This episode was written and produced by Willa Paskin, Evan Chung, and Sofie Kodner with mix help from Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Max Freedman and Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.Thank you to listeners Lorraine Denman and Alex Friendly for originally asking us about the ‘90s swing revival.In this episode, you’ll hear from Mando Dorame, Michael Moss, Scotty Morris, Tom Maxwell, Sylvia Skylar, Christian Perry, Steve Perry, John Bunkley, and Carl Byrd.  Thank you to Kerstin Emhoff, Tom Breihan, Stephanie Landwehr, and Ken Partridge, whose conversation and book Hell of a Hat: The Rise of '90s Ska and Swing was extremely helpful.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com. Or you can also call us now at our new Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show.Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Bazelon talks with author Yael van der Wouden about her debut novel, The Safekeep. They discuss why Yael chose a queer love story, how Yael’s own Dutch and Jewish heritage influenced her writing, the history of dispossession after World War II, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.)Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that?Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob’s voice got rougher, but loyal audiences kept buying his music.Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist.Join Chris Molanphy as he walks through Bob Dylan’s career decade by decade, from his ’60s folkie years to his 21st-century revival. With the biopic reviving interest in rock’s poet laureate, there’s never been a better time to get tangled up in Bob.Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices