New Books in Western European Studies

Robert Payne's Reimagining the Family: Lesbian Mothering in Contemporary French Literature (Peter Lang, 2021) is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centered around the notion of «reimagining», the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France.Salvador Lopez Rivera is a PhD candidate in French language and literature at Washington University in St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Opulent jewelled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in mediaeval thought?In The Mineral and the Visual: Precious Stones in Medieval Secular Culture (Penn State University Press, 2022), art historian Dr. Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular mediaeval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Dr. Buettner focuses on three significant categories of art: the jewelled crown, the pictorialized lapidary, and the illustrated travel account.The global gem trade brought coveted jewels from the Indies to goldsmiths’ workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe’s literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India.Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in mediaeval art history, material culture, and mediaeval history.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Owen Stanwood's newest book, The Global Refuge: Huguenots in an Age of Empire (Oxford UP, 2019), places the history of Huguenot refugees in a global context, the first truly international history of the diaspora. In the early modern world these French Protestant exiles scattered around the world, fleeing persecution following the Revocation of the Edict of Nantes in 1685. The story begins with dreams of Eden, as religious migrants sought to build perfect societies far from the political storms of Europe. In order to build these communities, however, the Huguenots needed patrons, forcing them to navigate the world of empires. The refugees promoted themselves as a chosen people, religious heroes who also possessed key skills that could strengthen the British and Dutch states. This embrace of empire led to a gradual assimilation. For over a century, they learned that only by blending in and by mastering foreign institutions could they prosper. While the Huguenots never managed to find a utopia or to realize their imperial sponsors' visions of profits, The Global Refuge demonstrates how this diasporic community helped shape the first age of globalization and influenced the reception of future refugee populations.Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Heide Hausse's book The Malleable Body: Surgeons, Artisans, and Amputees in Early Modern Germany (Manchester University Press, 2023) uses amputation and prostheses to tell a new story about medicine and embodied knowledge-making in early modern Europe. It draws on the writings of craft surgeons and learned physicians to follow the heated debates that arose from changing practices of removing limbs, uncovering tense moments in which decisions to operate were made. Importantly, it teases out surgeons' ideas about the body embedded in their technical instructions. This unique study also explores the material culture of mechanical hands that amputees commissioned locksmiths, clockmakers, and other artisans to create, revealing their roles in developing a new prosthetic technology. Over two centuries of surgical and artisanal interventions emerged a growing perception, fundamental to biomedicine today, that humans could alter the body - that it was malleable.Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Volume 37 of Spenser Studies is a special issue on the theme of “Companionable Thinking: Spenser With.” As guest editors of this collection of essays, Namratha Rao (University of York), Joe Moshenska (University of Oxford), and David Hillman (King’s College, University of Cambridge) collect over two dozen essays which each “make a match” between Spenser’s work and a philosopher or theorist. For instance, Melissa Sanchez stages a conversation between Spenser and the trans theorist Julia Serrano; Patrick Aaron Harris reads Spenser’s Amoretti with Sianne Ngai’s theorization of cute poetics; and Joe Moshenska and Ayesha Ramachandran look at Spenser through Eduardo Viveiros de Castro’s “cannibal metaphysics.”Each essay, from Megan Bowman’s examination of “spectacular staring” in Rosemarie Garland-Thompson to Supriya Chaudhuri’s consideration of Donna Harraway, gestures toward new critical horizons for early modern studies to take up. Additionally, as the theorist’s work participates in “companionable thinking with” Spenser, the poetry of the Faerie Queene, Amoretti, and The Shepheardes Calender is shown to enrich contemporary discussions of literary theory.John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Late-Colonial French Cinema: Filming the Algerian War of Independence, Mani Sharpe peploys the term “late-colonial” to describe (mostly) French films made during, and in response to, the Algerian War of Independence (1954-1962). Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of “redemptive pacifism”.Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe’s areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The province of Grosseto in southern Tuscany shows two extremes in the treatment of Italian and foreign Jews during the Holocaust. To the east of the province, the Jews of Pitigliano, a four hundred-year-old community, were hidden for almost a year by sympathetic farmers in barns and caves. None of those in hiding were arrested and all survived the Fascist hunt for Jews. In the west, near the provincial capital of Grosseto, almost a hundred Italian and foreign Jews were imprisoned in 1943–1944 in the bishop's seminary, which he had rented to the Fascists for that purpose. About half of them, though they had thought that the bishop would protect them, were deported with his knowledge by Fascists and Nazis to Auschwitz. Thus, the Holocaust reached into this provincial corner as it did into all parts of Italy still under Italian Fascist control. Judith Roumani's Jews in Southern Tuscany During the Holocaust (Lexington Books, 2020) is based on new interviews and research in local and national archives.Judith Roumani is founder and director of the Jewish Institute of Pitigliano. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Written by a lawyer who works at the intersection between legal education and practice in access to justice and human rights, this book locates, describes and defines a collective identity for social justice lawyering in the UK.Underpinned by theories of cause lawyering and legal mobilisation, the book argues that it is vital to understand the positions that progressive lawyers collectively take in order to frame the connections they make between their personal and professional lives, the tools they use to achieve social change, as well as ethical tensions presented by their work.The book takes a reflexive ethnographic approach to capture the stories of 35 lawyers working to positively transform law and policy in the UK over the last 50 years. It also draws on a wealth of primary sources including case reports, historic campaign materials and media analysis alongside wider ethnographic interviews with academics, students and lawyers and participant observation at social justice conferences, workshops and events.The book explains the way in which lawyers' networks facilitate their collective positioning and influence their strategic decision making, which in turn shapes their interactions with social activists, with other lawyers and with the state itself.Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. Twitter: @batesmith. His latest publication, a chapter in the collection Leading Works on the Legal Profession (edited by Dan Newman, published by Routledge in July 2023) is entitled “Lawyers Who Want to Make the World a Better Place – Scheingold and Sarat’s Something to Believe In: Politics, Professionalism, and Cause Lawyering." Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

When it comes to the development of Western Europe there was religion and then there was science. That is how the story is generally told but Anna Gryzmala Busse believes that modern Europe owes more to the religious part of that than is generally appreciated. She has written Sacred Foundations: The Religious and Medieval Roots of the European State (Princeton UP, 2023) and talks to Owen Bennett Jones about religion and the European state.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution.Focusing on the period between 1847 and 1937, Outrage: The Arts and the Creation of Modernity (Stanford University Press, 2023) by Dr. Katherine Giuffre examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God.Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies