New Books in Western European Studies

During the crisis of the Second World War in Britain, official Air Raid Precautions made the management of daily life a moral obligation of civil defence by introducing new prescriptions for the care of homes, animals, and persons displaced through evacuation. This book examines how the Mass-Observation movement recorded and shaped the logics of care that became central to those daily routines in homes and neighbourhoods.In The Biopolitics of Care in Second World War Britain (Bloomsbury, 2022), Dr. Kimberly Mair looks at how government publicity campaigns communicated new instructions for care formally, while the circulation of wartime rumours negotiated these instructions informally. These rumours, she argues, explicitly repudiated the improper socialization of evacuees and also produced a salient, but contested, image of the host as a good wartime citizen who was impervious to the cultural invasion of the ostensibly 'animalistic', dirty, and destructive house guest. Mair also considers the explicit contestations over the value of the lives of pets, conceived as animals who do not work with animal caregivers whose use of limited provisions or personal sacrifice could then be judged in the context of wartime hardship.Together, formal and informal instructions for caregiving reshaped everyday habits in the war years to an idealized template of the good citizen committed to the war and nation, with Mass-Observation enacting a watchful form of care by surveilling civilian feeling and habit in the process.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor ageIn some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool.After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. In Fool: In Search of Henry VIII's Closest Man (Princeton UP, 2023), Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I.Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.Peter K. Andersson is senior lecturer in history at Örebro University in Sweden. He is the author of Streetlife in Late Victorian London and Silent History. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today’s guest is Aaron Kunin, Professor of English at Pomona College. We will discuss two books Aaron published in 2019: the first is Character as Form (Bloomsbury), a re-examination of the early modern understanding of “character” as stereotype, generalization, and convention. In Character as Form, Aaron braids together close readings of furniture in Christopher Marlowe’s Tamburlaine, a reflection on the concept of negative anthropology from Raul Ruiz’s Three Lives and Only One Death, and insight into formalism and anti-formalist views of fictive personhood.The second we discuss is Love Three: A Study of a Poem by George Herbert (Wave Books), a “reading diary” that takes a seventeenth-century poem as a springboard for a meditation on love, sexual experience, and power. Herbert’s poem is a fraught dialogue between a speaker and Love, which is unfolded to touch on the politics of eating, the allure of rhetorical power, and the nature of crowds.Aaron’s research focuses on English Renaissance literature. In addition to his scholarship, he is the author of five books, including Cold Genius: A Book of Poems (2014), The Mandarin (2008), and Folding Ruler Star: Poems (2005), all from Fence Books.John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys. Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history.Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine Palmer about the study of women’s participation in medieval musical culture, the process of putting together an edited volume such as this, and share insights on their own analyses of 13th-century French motets.Further Reading and Listening:For those interested, you can here performer’s renditions of some of the songs and motets mentioned in Anna’s chapter here, here, and here, and a rendition of the motet Lisa’s chapter focuses on can be found here.Those interested in Bahktinian approaches to early music should also read Helen Dell, Desire by Gender and Genre in Trouvère Song (Woodbridge: Suffolk, 2008), particularly chapters 5 and 6, and Anna Kathryn Grau ‘Hearing Voices: Heteroglossia, Homoglossia, and the Old French Motet’ in Musica Disciplina 58 (2013), pp. 73-100.Prof. Lisa Colton can be found on Twitter at @elsie33, and you can find Dr. Anna Kathryn Grau at @AnnaKathrynGrau.Aine Palmer is a PhD candidate in the Music Department at Yale. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford UP, 2022) looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death.Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself. Musical notation was generally not required as ballads were set to well-known tunes. Execution ballads were therefore a medium accessible to all, regardless of literacy, social class, age, gender or location. A genre that retained extraordinary continuities in form and content across time, space, and language, the execution ballad grew in popularity in the nineteenth century, and only began to fade as executions themselves were removed from the public eye. With an accompanying database of recordings, Singing the News of Death brings these centuries-old songs of death back to life.Una McIlvenna is Honorary Senior Lecturer at the Australian National University. A literary and cultural historian of early modern Europe, she is also the author of Scandal and Reputation at the Court of Catherine de Medici (2016). She has held positions at the Universities of Melbourne, Sydney, Kent and Queen Mary University of LondonMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.Nathan Smith is a PhD candidate in Music Theory at Yale University. Email: nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In the wake of the Second World War, the victorious Allied armies implemented a radical program to purge Nazism from Germany and preserve peace in Europe. Between 1945 and 1949, twenty million political questionnaires, or Fragebögen, were distributed by American, British, French, and Soviet armies to anxious Germans in positions of influence who had to prove their non-Nazi status to gain employment. Drafted by idealistic university professors and social scientists, these surveys came to define much of the denazification experience and were immensely consequential to the material and emotional recovery of Germans. In Everyday Denazification in Postwar Germany: The Fragebogen Questionnaire and Political Screening During the Allied Occupation (Cambridge University Press, 2023), Mikkel Dack draws the curtain to reveal what denazification looked like on the ground and in practice and how the highly criticized vetting program impacted the lives of individual Germans and their families as they recovered from dictatorship and war. Accessing recently declassified documents, this book challenges traditional interpretations by recounting a more comprehensive history of denazification, one of mid-level planners, civil affairs soldiers, and regular German citizens. The Fragebogen functions as a window into this everyday history.Mikkel Dack is Assistant Professor of History at Rowan University and Director of Research at the Rowan Center for the Study of the Holocaust, Genocide, and Human Rights.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I talked to Wolf Gruner about his new book Resisters: How Ordinary Jews Fought Persecution in Hitler's Germany (Yale UP, 2023).Drawing on twelve years of research in dozens of archives in Austria, Germany, Israel, and the United States, this book tells the story of five Jewish people--a merchant, a homemaker, a real estate broker, and two teenagers--who bravely resisted persecution and defended themselves in Nazi Germany. These stories have not been told until now, and each case is one of many, as Gruner shows by resurfacing similar accounts of Jewish refusal to accept persecution and violence in Germany and Austria between 1933 and 1943, upending the notion of passive Jews and expanding the concept of resistance.Each individual described here represents a category of resistance: written opposition, oral protest, contesting Nazi propaganda, defiance of anti-Jewish laws and measures, and self-defense against physical attacks. Many of these courageous acts resulted in the resisters being prosecuted and put on trial, and often receiving harsh punishments, while some led to acquittal by courts and others to changes in Nazi policies. Taken together, these accounts reframe our understanding of German Jewish attitudes during the Holocaust, while also providing an astonishing examination of the complex Nazi reactions to the many individual acts of Jewish resistance. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

There was a time when French people put up picture of Marshal Philippe Petain on their walls. He is a figure of immeasurable stature to the country of France. Victor of Verdun, a one-time minister of war, and finally, a traitor to his country. Or was he? Did Petain allow the stain of collaboration to tarnish his reputation, or did he use his figure to guard the French people from worse Nazi atrocities during the Vichy era? The answer to those questions would divide France in the years following World War II. The trial of Petain, which took place during a humid July in 1945, would leave some venerating the figure of Petain while others looked upon him as betrayer of the French people.Professor Julian Jackson, is professor emeritus of history with Queen Mary University of London. His latest work is France on Trial: The Case of Marshal Pétain published by Harvard University Press in 2023, covers the political trial of Marshal Petain for treason. Dr. Jackson has authored an award-winning biography of Charles de Gaulle and other works on the history of modern France including his next work an exploration of the life of Andre Gide.Rick Northrop is an ex-journalist and undergraduate student in Calgary, Alberta Canada. He can be reached at rnorthrop2001@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today I talked to Jeremy Black about his new book Why the Industrial Revolution Happened in Britain (Amberley Publishing, 2023).Britain's key importance in world history was a product of its constitution and its empire, but both, in turn, were sustained and supported by Britain's role in achieving the first Industrial Revolution. In part this was a matter of coal and steam but far more was involved. Alongside the 'push' factors of entrepreneurs and resources came the 'pull' factors of consumerism, fashion and an ability to purchase goods. There was also the context of parliamentary government, the rule of law, a society open to talent, and no internal tariff boundaries. The combination of these factors produced vital synergies. They also ensure that the history of the Industrial Revolution is the history of a country, a people, and of the factors that made them exceptional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies