New Books in Western European Studies

In his new book Inkface: Othello and White Authority in the Era of Atlantic Slavery (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in The William and Mary Quarterly, The Journal of Popular Music Studies, and Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, 2018). Inkface is his first monograph.John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society.The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Often cited but rarely studied in their own right, family directories allow a reconsideration of how ancestry and genealogy became an object of widespread commercialization across the eighteenth century. These directories replaced the expensive, locally-produced, early modern artefacts (tombs, windowpanes, illuminated pedigrees), and began to reach a wide audience of readers in the British Isles and the colonies. In Selling Ancestry: Family Directories and the Commodification of Genealogy in Eighteenth Century Britain (Oxford University Press, 2023), Dr. Stéphane Jettot offers an insight into the cumulative process leading to the creation of these hybrid products — a combination of court almanacks, county histories, and town directories. Employed by contemporaries as reference tools to navigate through a dynamic and changing society, they could be used as a means to probe contemporary attitudes towards social status and political events. Published by the most prominent London booksellers who shared their copyrights among themselves, they relied on the considerable involvement of thousands of families in the counties.In their correspondence with publishers, many new and old elites desired to insert their own narrative into a general history of Britain by dispatching documents, quotations, and anecdotes. Based on a unique source-base, this book provides a systematic review of these directories, their production, and sale, but also their potential role in shaping the character of social change. Dr. Jettot demonstrates the wider ramifications of genealogy and its structural ability to reinvent itself, associate amateurs and antiquarians alike, and thrive on the wavering lines between facts and fiction, offering an exciting and unique insight into the social history of eighteenth-century Britain.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In The Queer Art of History: Queer Kinship After Fascism (Duke UP, 2023), Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a practice of queer history that moves beyond bounded concepts and narratives of identity. Drawing on Black feminism, queer of color critique, and trans studies, Evans points out that although many rights for LGBTQI people have been gained in Germany, those rights have not been enjoyed equally. There remain fundamental struggles around whose bodies, behaviors, and communities belong. Evans uses kinship as an analytic category to identify the fraught and productive ways that Germans have confronted race, gender nonconformity, and sexuality in social movements, art, and everyday life. Evans shows how kinship illuminates the work of solidarity and intersectional organizing across difference and offers an openness to forms of contemporary and historical queerness that may escape the archive’s confines. Through forms of kinship, queer and trans people test out new possibilities for citizenship, love, and public and family life in postwar Germany in ways that question claims about liberal democracy, the social contract, and the place of identity in rights-based discourses.Jennifer V. Evans is Professor of History at Carleton University and author of Life among the Ruins: Cityscape and Sexuality in Cold War Berlin.Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Eighty years after the fall of Benito Mussolini, controversy remains about what his dictatorship represented. This reflects the different sides to the Duce's leadership: while adept at nurturing and enforcing his personal political power, Mussolini's lack of insight into the requirements of governance prevented him from converting this power into influence to achieve his goals. His efforts to maintain the support of Italy's conservative elites--economic, social and political--also created tensions with his radical Fascist ambitions, diminishing the momentum behind his regime.Mussolini is frequently portrayed as a charismatic leader, but his rule was secured principally by coercion, violence and a 'spoils system'. Nonetheless, his personality cult had significant popular appeal, even if based upon a political myth. This enabled him to consolidate his position and to dominate his Fascist colleagues--but at a price of over-centralized, dysfunctional decision-making.In Duce: The Contradictions of Power: The Political Leadership of Benito Mussolini (Oxford UP, 2023), the first comprehensive English-language study of Mussolini in nearly two decades, Peter J. Williamson brings to life the contradictions within the Duce's leadership. Using a wide range of sources, Williamson reveals how these conflicts impeded the dictator's ambitions, leaving him increasingly frustrated, all while most Italians endured the severe privations of both failure and Fascism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Anti-Heimat Cinema: The Jewish Invention of the German Landscape (U Michigan Press, 2020) studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-- a provincial German landscape associated with belonging and authenticity -- it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. The book shows how these filmmakers devised the landscapes of the German "Homeland" as Jews, namely as acculturated "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from the end of World War One to the early decades of the Cold War. Consequently, the Jewish filmmakers discussed in this book anticipated the anti-Heimatfilm of the ensuing decades and functioned as an uncredited inspiration for the critical New German Cinema.Ofer Ashkenazi is an Associate Professor of History and the Director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. He published monographs and articles on various topics in modern German and German-Jewish history, including Weimar visual culture, the German antiwar movement, and the German memory of Nazism and the Holocaust. His current project considers photographs that were taken by Jews to document their daily life in Nazi Germany.Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in Berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-German Occultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Jennifer Cazenave’s An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah (SUNY Press, 2019) is a fascinating analysis of the 220 hours of outtakes edited out of the final nine and a half-hour 1985 film with which listeners and readers might be familiar. Well known around the world as one of the greatest documentary films ever made, and certainly one of the most important works/artifacts of Holocaust history and memory, Lanzmann’s eventual finished film emerged from an astonishing 230 hours of interview footage shot in various locations. Commissioned originally by the State of Israel to make a film about the catastrophe, Lanzmann collected these testimonies over a period of several years before beginning the epic task of editing the film. He saved the outtakes as a vital repository of accounts of those who had lived through the Shoah. The footage has since been acquired, preserved, and digitized as an archive by the United States Holocaust Memorial Museum.The chapters of Cazenave’s book explore the film’s conceptualization and production, reframing the final film in terms of all that it left out, to think about what was included in relationship to those stories and scenes excluded for different reasons. Over years from an initial dissertation project to this volume, Cazenave pursued the story of the film and its outtakes through archival research, detective work, and close technical, aesthetic and theoretical consideration. The resulting analysis takes author and reader from consideration of the film/archive in relationship to Holocaust trials (and especially the Eichmann trial of 1961), to issues of gender and the feminine, to the question of rescue and refugees, as well as debates about representation, witnessing, and testimony. The book is a wonderful and complex study that will be of great interest to readers in Holocaust and cinema studies. The magnum opus of a French filmmaker working with a largely French crew, and produced with funding provided in part by the French government, the film also illuminates, in its own ways (including its silences) the difficult French past and politics of Holocaust history and memory.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A centuries-old story with remarkable contemporary resonance, Blood and Faith: The Purging of Muslim Spain, 1492-1614 (Hurst, 2017) is celebrated journalist Matthew Carr's riveting and "richly detailed" (Choice) chronicle of what was, by 1614, the largest act of ethnic cleansing in European history.Months after King Philip III of Spain signed an edict in 1609 denouncing the Muslim inhabitants of Spain as heretics, traitors, and apostates, the entire Muslim population of Spain was given three days to leave Spanish territory, on threat of death. In the brutal and traumatic exodus that followed, entire families and communities were forced to abandon homes and villages where they had lived for generations, leaving their property in the hands of their Christian neighbors. By 1613, an estimated 300,000 Muslims had been removed from Spanish territory.Blood and Faith presents a remarkable window onto a little known period of modern Europe--a complex tale of competing faiths and beliefs, cultural oppression, and resistance against over-whelming odds that sheds new light on national identity and Islam. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Emma Kuby’s new book, Political Survivors: The Resistance, the Cold War, and the Fight against Concentration Camps After 1945 (Cornell UP, 2019) traces the fascinating history of the International Commission Against the Concentration Camp Regime (CICRC) established in 1949 by the French intellectual and Nazi camp survivor David Rousset. In the wake of the Second World War, Rousset called upon fellow deportees who had been detained for their political activities to serve as expert witnesses to Nazism’s “concentrationary universe” and to oppose any repetition of its crimes in the postwar world.Following the work of the CICRC through the 1950s and up to the end of the Algerian War, Political Survivors examines the vicissitudes of an organization whose makeup and activities embodied the complexities of the post-1945 political field. Negotiating the traumatic experience and memory of the war, the CICRC’s members and activism were caught up in the politics of the Cold War. This included receiving funding support from the CIA. Attending to sites of political repression and incarceration around the globe, from the Soviet Union’s gulag system to Franco’s Spain, Greece, Tunisia, China, and French Algeria, the international group’s preoccupations also expressed the specificities of French national and imperial politics. The CICRC’s investigations and dramatic mock trials exposed and denounced some injustices, but short-circuited in the face of others. The organization’s insistence on the repeatability of the Nazi camp system was both a source of its power to judge and a weakness. When confronted with situations in which past and present could not be compared so easily, the group’s mission fell short. Plagued by a number of tensions, including a membership policy that refused “racial” victims and did not engage the issue of genocide, the organization ultimately foundered over the case of the Algerian War. Analyzing this complex history, Political Survivors is a book that feels all-too-urgent in 2019. Readers interested in learning more about political violence and resistances past and present will find its insights challenging, and deeply thought-provoking.To read Emma’s thoughts on the contemporary relevance of the history she treats in Political Survivors, particularly with respect to the detention of migrants in the United States today, see her July 2, 2019 piece in Dissent here.Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest, please send an email to: panchasi@sfu.ca.*The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.Ryan Tripp teaches history in California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies