New Books in Western European Studies

Charly Coleman's latest book, The Spirit of French Capitalism: Economic Theology in the Age of Enlightenment (Stanford University Press, 2021) is at once a history of ideas, the economy, religion, and material culture. Pursuing the imbrication of the economy and theology with respect to both worldly and spiritual value and wealth, the book explores the emergence and development of a specifically Catholic ethic of capitalism particular to the French context in the century and more leading up to the French Revolution.In its six chapters, the book examines the Eucharist, John Law's system, speculation and debt, usury, consumption, luxury, and more. By the time this reader reached the epilogue, it became clear that The Spirit of French Capitalism is both a history of the Age of Enlightenment and a genealogy/prehistory of the commodity fetishism elaborated by Marx and Marxist thinkers from the nineteenth century to the present. Faith in infinite wealth creation, obsessive consumption, pleasure, abundance, and enchantment are as much a part of the history of capitalism as scarcity, regulation, and restraint. Provocative and complicated, the book will be of great interest scholars and students of the histories of the early modern economy, religion, and the state in France and elsewhere, as well as the history of capitalism more broadly.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Spiritual Empires in Europe and India: Cosmopolitan Religious Movements from 1875 to the Interwar Era (Palgrave MacMillan, 2021) provides a comparative analysis of cosmopolitan (esoteric) religious movements, such as Theosophy, Groupe Independent des Études Ésotériques, Anthroposophy, and Monism, in England, France, Germany, and India during the late nineteenth-century to the interwar years. Ultimately, it illustrates how an innovative religious discourse converged with the secular world and became applied to envision a new social order—to spiritually re-engineer the world.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

With this book, Emmelyn Butterfield-Rosen brings a new formal and conceptual rubric to the study of turn-of-the-century modernism, transforming our understanding of the era’s canonical works. Butterfield-Rosen analyzes a hitherto unexamined formal phenomenon in European art: how artists departed from conventions for posing the human figure that had long been standard. In the decades around 1900, artists working in different countries and across different media began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, both archaic and modern, broke with the centuries-old tradition of rendering bodies in torsion, with poses designed to simulate the human being’s physical volume and capacity for autonomous thought and movement. This formal departure destabilized prevailing visual codes for signifying the existence of the inner life of the human subject.Exploring major works by Georges Seurat, Gustav Klimt, and the dancer and choreographer Vaslav Nijinsky— replete with new archival discoveries—Modern Art and the Remaking of Human Disposition (U Chicago Press, 2021) combines intensive formal analysis with inquiries into the history of psychology and evolutionary biology. In doing so, it shows how modern understandings of human consciousness and the relation of mind to body were materialized in art through a new vocabulary of postures and poses.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to Portuguese Member of Parliament and internationally renowned biologist Alexandre Quintanilha about the many valuable lessons Portugal's handling of the COVID-19 pandemic could teach all of us, if only we'd take the time to pay attention.Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details.Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition (Cambridge UP, 2020), Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy "of different nationalities", the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On the eve of the First World War, the German Social Democratic Party (SPD) was the largest and most powerful socialist party in the world. German Social Democracy through British Eyes: A Documentary History, 1870–1914 (U Toronto Press, 2021) examines the SPD’s rise using British diplomatic reports from Saxony, the third-largest federal state in Imperial Germany and the cradle of the socialist movement in that country.Rather than focusing on the Anglo-German antagonism leading to the First World War, the book peers into the everyday struggles of German workers to build a political movement and emancipate themselves from the worst features of a modern capitalist system: exploitation, poverty, and injustice. The archival documents, most of which have never been published before, raise the question of how people from one nation view people from another. The documents also illuminate political systems, election practices, and anti-democratic strategies at the local and regional levels, allowing readers to test hypotheses derived only from national-level studies.This collection of primary sources shows why, despite the inhospitable environment of German authoritarianism, Saxony and Germany were among the most important incubators of socialism.Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Freedom Seekers: Escaping from Slavery in Restoration London (University of London Press, 2022) by Professor Simon P. Newman reveals the hidden stories of enslaved and bound people who attempted to escape from captivity in England’s capital.In 1655 White Londoners began advertising in the English-speaking world’s first newspapers for enslaved people who had escaped. Based on the advertisements placed in these newspapers by masters and enslavers offering rewards for so-called runaways, this book brings to light for the first time the history of slavery in England as revealed in the stories of resistance by enslaved workers. Featuring a series of case-studies of individual "freedom-seekers", this book explores the nature and significance of escape attempts as well as detailing the likely routes and networks they would take to gain their freedom.The book demonstrates that not only were enslaved people present in Restoration London but that White Londoners of this era were intimately involved in the construction of the system of racial slavery, a process that traditionally has been regarded as happening in the colonies rather than the British Isles. An unmissable and important book that seeks to delve into Britain’s colonial past.R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Spanning the decades from the rise of photography to the age of the selfie, The Culture of Male Beauty in Britain: From the First Photographs to David Beckham (University of Chicago Press, 2021) traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culture—from the rising cult of the athlete to changing views on hairlessness—while connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in “looking good.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Diana Garvin’s Feeding Fascism: The Politics of Women's Food Work (U Toronto Press, 2022) is an expansive and multifaceted look at women’s food work in Fascist Italy. From less-explored archives, Garvin has assembled a diverse set of sources―diaries, work songs, cookbooks, kitchen plans and utensils, factory records, and more―to tell the story of how women negotiated the daily tasks of producing and preparing food under a Fascist regime, its autarkic policies, and, as the war progressed, increasingly dire food rationing and shortages. Feeding Fascism is particularly attentive to the intersections of class, gender, and the politics and realities of women’s food work, as well as to the material culture of life under Fascism and what it says about the dialectic between practicality and patriotism, resistance and consent.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Jeroen Koch, Senior Lecturer of European History at the University of Utrecht talks to Jana Byars about his 2018 book, The House of Orange in Revolution and War, just published in English (Reaktion Books, 2022). About half discussion about the importance of public intellectuals and popular history and half history lesson, this unusual and lively interview is sure to delight. An epic account of the House of Orange-Nassau over one hundred and fifty years of European history. Three rulers from the House of Orange-Nassau reigned over the Netherlands from 1813 to 1890: King William I from 1813 to 1840, King William II from 1840 to 1849, and King William III from 1849 to 1890. Theirs is an epic tale of joy and tragedy, progress and catastrophe, disappointment and glory--all set against the backdrop of a Europe plagued by war and revolution. The House of Orange in Revolution and War relates one and a half centuries of House of Orange history in a gripping narrative, leading the reader from the last stadholders of the Dutch Republic to the modern monarchy of the early twentieth century, from the French Revolution and the Napoleonic wars to World War I and the European Revolutions that came after it.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies