New Books in Middle Eastern Studies

In 1798, young French general Napoleon Bonaparte entered Egypt with a veteran army and a specialist group of savants—scientists, engineers, and artists—his aim being not just conquest, but the rediscovery of the lost Nile kingdom. A year later, in the ruins of an old fort in the small port of Rosetta, the savants made a startling discovery: a large, flat stone, inscribed in Greek, demotic Egyptian, and ancient hieroglyphics. This was the Rosetta Stone, key to the two-thousand-year mystery of hieroglyphs, and to Egypt itself. Two years later, French forces retreated before the English and Ottoman armies, but would not give up the stone. Caught between the opposing generals at the siege of Alexandria, British special agents went in to find the Rosetta Stone, rescue the French savants, and secure a fragile peace treaty.Jonathan Downs' book Discovery at Rosetta: Revealing Ancient Egypt (American University in Cairo Press, 2020) uses French, Egyptian, and English eyewitness accounts to tell the complete story of the discovery, decipherment, and capture of the Rosetta Stone, investigating the rivalries and politics of the time, and the fate of the stone today.Madhumanti Datta completed her PhD in Linguistics from the University of Southern California, USA. Her primary research area is the syntax of human languages, focussing on what possible and impossible structures in human language tell us about how linguistic structures are built, how meaning is represented and about the knowledge of grammar that speakers of a language intuitively possess. She is interested in issues surrounding language, both from the social and cultural perspective as well as from the biological perspective of language as a window into human cognition. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Valentina Marcella's Laughing Matters: Graphic Satire Reckoning with the 1980 Coup in Turkey (Istituto per l’Oriente C. A. Nallino 2022) focuses on the production of political cartoons in Turkey in the context of authoritarianism and repression that was brought about by the coup d’état of September 12 1980, and by the military rule that followed. It builds on theories of political satire as an active element of political culture. Political cartoons serve as the lens through which the evolution of the political space under the regime is explored. The analysis revolves around Gırgır, the satirical magazine that in the decade prior to the coup had already contributed to the emergence of a socially and politically critical field with its politically engaged columns and illustrations and that, during the regime, became the best-selling weekly at a national level. Two main issues are investigated. On the one hand, how Gırgır’s satire survived under a regime that, in its attempt to turn citizens into a homogeneous, uniform, and apolitical society, came to repress any possibility of criticism. On the other hand, how an alternative political response was elaborated through the cartoons by civil society and intellectuals in reaction to authoritarianism. Overall, the book contributes to the study of the military regime of the early 1980s, of satire in Turkey, of censorship, and of the strategies of dissent in authoritarian regimes.Reuben Silverman is a Postdoctoral Researcher at Stockholm University’s Institute for Turkish Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Upon their independence, Moroccan, Algerian, and Tunisian governments turned to the Global South and offered military and financial aid to Black liberation struggles. Tangier and Algiers attracted Black American and Caribbean artists eager to escape American white supremacy; Tunis hosted African filmmakers for the Journées Cinématographiques de Carthage; and young freedom fighters from across the African continent established military training camps in Morocco. North Africa became a haven for militant-artists, and the region reshaped postcolonial cultural discourse through the 1960s and 1970s.Paraska Tolan-Szkilnik's book Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future (Stanford UP, 2023) dives into the personal and political lives of these militant-artists, who collectively challenged the neo-colonialist structures and the authoritarianism of African states. Drawing on Arabic, Spanish, Portuguese, French, and English sources, as well as interviews with the artists themselves, Paraska Tolan-Szkilnik expands our understanding of Pan-Africanism geographically, linguistically, and temporally. This network of militant-artists departed from the racial solidarity extolled by many of their nationalist forefathers, instead following in the footsteps of their intellectual mentor, Frantz Fanon. They argued for the creation of a new ideology of continued revolution—one that was transnational, trans-racial, and in defiance of the emerging nation-states. Maghreb Noir establishes the importance of North Africa in nurturing these global connections—and uncovers a lost history of grassroots collaboration among militant-artists from across the globe.Paraska Tolan-Szkilnik is assistant professor of history at Cornell University.Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From the overloaded courts with their constantly changing dates and appointments to the need to prove oneself the “right" kind of asylum seeker, the asylum system in the United States is an exacting and drawn-out immigration process that itself results in suffering. When anthropologist Rhoda Kanaaneh became a volunteer interpreter for Arab asylum seekers, she discovered how applicants learned to craft a specific narrative to satisfy the system's requirements.Kanaaneh tells the stories of four Arab asylum seekers who sought protection in the United States on the basis of their gender or sexuality: Saud, who relived painful memories of her circumcision and police harassment in Sudan and then learned to number and sequence these recollections; Fatima, who visited doctors and therapists in order to document years of spousal abuse without over-emphasizing her resulting mental illness; Fadi, who highlighted the homophobic motivations that provoked his arrest and torture in Jordan, all the while omitting connected issues of class and racism; and Marwa, who showcased her private hardships as a lesbian in a Shiite family in Lebanon and downplayed her environmental activism. The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America (U Texas Press, 2023) is a compelling portrait of Arab asylum seekers whose success stories stand in contrast with those whom the system failed.Rhoda Kanaaneh has taught anthropology and gender and sexuality studies at Columbia University, American University, New York University, and Fordham University. She is the editor of Displaced at Home: Ethnicity and Gender Among Palestinians in Israel and author of Surrounded: Palestinian Soldiers in the Israeli Military and Birthing the Nation: Strategies of Palestinian Women in Israel.Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Purple Color of Kurdish Politics: Women Politicians Write from Prison (Pluto Press, 2022) is a one-of-a-kind collection of prison writings from more than 20 Kurdish women politicians. Here they reflect on their personal and collective struggles against patriarchy and anti-Kurdish repression in Turkey; on the radical feminist principles and practices through which they transformed the political structures and state offices in which they operated. They discuss what worked and what didn't, and the ways in which Turkey's anti-capitalist and socialist movements closely informed their political stances and practices.Demonstrating Kurdish women's ceaseless political determination and refusal to be silenced - even when behind bars - the book ultimately hopes to inspire women living under even the most unjust conditions to engage in collective resistance.Gültan Kışanak is a longtime journalist, politician and anticolonial feminist activist for Kurdish liberation, who was elected to Parliament in 2007 as the MP from Diyarbakır. In 2016 she was arrested and charged with 'being a member of an armed illegal organization', for which she was sentenced to over 14 years imprisonment.Deniz Yonucu is a Lecturer (Assistant Professor) in the School of Geography, Politics, and Sociology at Newcastle University. Her work focuses on counterinsurgency, policing and security, surveillance, left-wing and anti-colonial resistance, memory, racism, and emerging digital control technologies. Her book, Police, Provocation, Politics Counterinsurgency in Istanbul (Cornell University Press, 2022), presents a counterintuitive analysis of policing, focusing particular attention on the incitement of counterviolence and perpetual conflict by state security apparatus. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Providing a longue durée perspective on the Arab uprisings of 2011, Benoît Challand narrates the transformation of citizenship in the Arab Middle East, from a condition of latent citizenship in the colonial and post-independence era to the revolutionary dynamics that stimulated democratic participation. Considering the parallel histories of citizenship in Yemen and Tunisia, Challand develops innovative theories of violence and representation that view cultural representations as calls for a decentralized political order and democratic accountability over the security forces. He argues that a new collective imaginary emerged in 2011 when the people represented itself as the only legitimate power able to decide when violence ought to be used to protect all citizens from corrupt power. Shedding light upon uprisings in Yemen and Tunisia, but also elsewhere in the Middle East, Violence and Representation in the Arab Uprisings (Cambridge UP, 2023) offers deeper insights into conceptions of violence, representation, and democracy.Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In From Adapa to Enoch: Scribal Culture and Religious Vision in Judea and Babylonia (Mohr Siebeck, 2017), Seth L. Sanders offers a history of first-millennium scribes through their heavenly journeys and heroes, treating the visions of ancient Mesopotamian and Judean literature as pragmatic things made by people. He presents each scribal culture as an individual institution via detailed evidence for how visionary figures were used over time. The author also provides the first comprehensive survey of direct evidence for contact between Babylonian, Hebrew, and Aramaic scribal cultures, when and how they came to share key features. Rather than irrecoverable religious experience, he shows how ideal scribal selves were made available through rituals documented in texts and institutions that made these roles durable. The result is as much a history of science as a history of mysticism, providing insight into how knowledge of the universe was created in ancient times. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In Gendered Fortunes: Divination, Precarity, and Affect in Postsecular Turkey (Duke UP, 2023), Zeynep K. Korkman examines Turkey’s commercial fortunetelling cafés where secular Muslim women and LGBTIQ individuals navigate the precarities of twenty-first-century life. Criminalized by long-standing secularist laws and disdained by contemporary Islamist government, fortunetelling cafés proliferate in part because they offer shelter from the conservative secularist, Islamist, neoliberal, and gender pressures of the public sphere. Korkman shows how fortunetelling is a form of affective labor through which its participants build intimate feminized publics in which they share and address their hopes and fears. Korkman uses feeling—which is how her interlocutors describe the divination process—as an analytic to view the shifting landscape of gendered vulnerability in Turkey. In so doing, Korkman foregrounds “feeling” as a feminist lens to explore how those who are pushed to the margins feel their way through oppressive landscapes to create new futures.Zeynep K. Korkman is Associate Professor of Gender Studies at the University of California, Los Angeles.Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production (Cambridge UP, 2023), Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Marvels like enchanted rings and sorcerers’ stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period’s philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation.Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture.Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies