New Books in Middle Eastern Studies

The period from the Mamlūk reconquest of Acre (1291) to the Ottoman siege of Constantinople (1453) witnessed the production of a substantial corpus of Middle English crusade romances. In English Literature and the Crusades: Anxieties of Holy War, 1291–1453 (Cambridge University Press, 2024) Dr. Marcel Elias places these romances in dialogue with multifarious European writings to offer a novel account of late medieval crusade culture: as ambivalent and self-critical, animated by tensions and debates, and fraught with anxiety. These romances uphold ideals of holy war while expressing anxieties about issues as diverse as God's endorsement of the crusading enterprise, the conversion of Christians to Islam, the sinfulness of crusaders, and the morality of violence.Reinvigorating debates in medieval postcolonialism, drawing on emotion studies, and excavating a rich multilingual archive, this book is a major contribution to the cultural history of the crusades. This title is part of the Flip it Open programme and may also be available open access. Check our website Cambridge Core for details.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Dr. David Graves is a philosopher, artist, musician and author. He helped found the Academic College of Tel Aviv, where he is Senior Lecturer in Art and Philosophy. In this exciting interview, he talks about his recent book New Realism in Contemporary Israeli Painting (Austin Macauley, 2023), and shares insight on what is true and real about the world we live in, the stories we tell, and the worlds we create.About the book: Art today can be whatever one wants it to be: a rotting cadaver, a photograph of someone else's photograph, a banana... In this post-modern age of post-truth, of social media and the selfie, when everyone has a high-resolution digital camera at their fingertips, one wonders what would possess a talented artist to sit for days, weeks, often months, to paint a portrait of a friend or a landscape of home. Today, a group of 20 or so remarkable painters have revived a fascinating style of realistic painting, and in Israel of all places, where realistic art has never played any significant role. Their brand of realism is not mundane photographic realism, but rather it is an intensified sort of realism, a kind of hyper-realism. This book offers an initial explanation as to what these artists are doing, and how they are doing it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

William Gallois joins the podcast to discuss his latest book, Qayrawān: The Amuletic City, published by The Pennsylvania State University Press in 2024.Qayrawān: The Amuletic City investigates the fascinating history of the Tunisian city of Qayrawān, which in the last years of the nineteenth century found itself covered in murals. Concentrated on and around the city’s Great Mosque, these monumental artworks were only visible for about fifty years, from the 1880s through the 1930s. This book investigates the fascinating history of who created these outdoor paintings and why.Using visual archaeological methods, Qayrawān highlights the ‘unknown artist’ as an actor of ‘unnoticed agency’ and a practitioner of living traditional arts. Locating pictorial records of the murals from the backdrops of photographs, postcards, and other forms of European ephemera, Gallois identifies a form of religious painting that transposed traditional aesthetic forms such as house decoration, embroidery, and tattooing―which lay exclusively within the domains of women―onto the body of a conquered city. Gallois argues that these works were created by women as a form of “emergency art,” intended to offer amuletic protection for the community, and demonstrates how they differ markedly from “classical” Islamic antecedents and modern modes of Arab cultural production in the Middle East and North Africa.The book challenges tacit assumptions of foreign categories and standards of aesthetics imposed upon Islamic and African art. It contributes to further explorations of the exploration of the ways in which Islam was interwoven with preexisting cultures and forms of expression, particularly in calling for a continued reimagining of the study of “Islamic art.” The book makes welcome contributions to Islamic, African, and Middle Eastern studies, particularly in relation to colonial and art histories. It will be welcomed by scholars of Islamic Studies, African Studies, and Art History.William Gallois is Professor of the Islamic Mediterranean in the Institute of Arab and Islamic Studies at the University of Exeter, in England. In addition to Qayrawān: The Amuletic City, Prof Gallois is the author of A History of Violence in the Early Algerian Colony (2013) and The Administration of Sickness (2008), among other works.Yaseen Christian Andrewsen is a DPhil candidate at the University of Oxford, specialising in Islamic intellectual history in West Africa focusing on issues in Sufism, theology, renewal, and authority. Yaseen is a co-host for the New Books in Islamic Studies podcast.He can be reached by email at: christian.andrewsen@pmb.ox.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In this discussion, Peter Beinart, Editor at Jewish Currents and Professor at CUNY, dives into his timely book, "Being Jewish After the Destruction of Gaza: A Reckoning." He challenges Zionist narratives and explores the moral responsibilities of Jewish identity amidst the Israeli-Palestinian conflict. Beinart reflects on his family's experiences with apartheid in South Africa, connects the struggles of Gaza to broader global issues, and emphasizes the importance of solidarity and inclusivity within the Jewish community, particularly for younger voices.

The Ethics of Karbala: Myths, Modernity, and Virtues of Nobility (Routledge, 2024) investigates the relationship between sacred narratives and the development of character. Focusing on the warrior ethos expressed in accounts of the Battle of Karbala, Zargar searches for the place of the martial virtues in modern life and warfare.This book is the first of its kind in taking a virtue ethics approach to the study of Islamic history. It offers an ethical analysis of arguably the most pivotal moment in Islamic history. To do so, it makes use of interdisciplinary methods, especially global philosophy and religious studies, and draws on philosophical concepts spanning from Nietzsche to Iqbal. The book’s clear and engaging prose makes it accessible to readers seeking a profound understanding of intersections between practical philosophy and religious myths.This book targets upper-level undergraduate readers seeking to discover Islamic ethics. It will serve nonspecialists, specialists in Shiʿi Islamic studies, and all those interested in Islamic ethics, virtue ethics, cross-cultural philosophy, Nietzsche studies, military science, and religious studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Goodbye, Tahrir Square: Coming of Age as a Jew of the Nile (Cherry Orchard Books, 2025) is a first-person memoir written from the standpoint of a Jewish boy growing up in Egypt during the watershed years that shaped the Middle East into the powder keg it is today.Described as the “Holden Caulfield of the Nile” for his rebellious attitude, the boy witnessed—between the ages of seven to fourteen—the 1952 revolution that overthrew King Farouk and gave rise to the dictatorship of Gamal Abdel Nasser; the 1956 Suez war that marked the end of the British empire; and in its wake the destruction of the Jewish community that had lived in Egypt since Biblical times.Though set in times of revolution and war, Goodbye, Tahrir Square is not a political book. It is the story of a boy whose close-knit extended Sephardic family, full of rich traditions and colorful characters, is suddenly torn asunder by the forces of revolution and war. A man-child coming of age like a wild cactus in the rubble of the past, overcoming a hostile environment, forging friendships that transcend ethnic and religious animus, and finding his own identity as he awakens to literature, history, art, archaeology, and the magic of love and sex. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

This volume utilises the personal papers of Sir Ronald Storrs, as well as other archival materials, to make a microhistorical investigation of his period as Governor of Jerusalem between 1917 and 1926.It builds upon Edward Said’s work on the Orientalist ‘determining imprint’ by arguing that Storrs took a deeply personal approach to governing the city; one determined by his upbringing, his education in the English private school system and his service as a British official in Colonial Egypt. Burnham recognises the influence of these experiences on Storrs’ perceptions of and attitudes towards Jerusalem, identifying how these formative years manifested themselves on the city and in the Governor’s interactions with Jerusalemites of all backgrounds and religious beliefs. It also highlights the restrictions placed on Storrs’ approach by his British superiors, Palestinians and the Zionist movement, alongside the limitations imposed by his own attitudes and worldview. Placing Storrs’ personality at the centre of discussion on early Mandate Jerusalem exposes a nuanced and complex picture of how personality and politics collided to influence its everyday life and built environment.Sir Ronald Storrs: Personality and Policy in Mandate Palestine, 1917-1926 (Routledge, 2024) is aimed at historians and students of the late-Ottoman Empire and British Mandate in Palestine, colonialism and imperialism, and indeed microhistory.Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From the nineteenth to the early twentieth centuries, recurrent and extreme climate disruptions became an underlying yet unacknowledged component of escalating conflict between Christian Armenian peasants and Muslim Kurdish pastoralists in Ottoman Kurdistan. By the eve of the First World War, the Ottoman state's shifting responses to these mounting tensions transformed the conflict into organized and state-sponsored violence. In her book The Political Ecology of Violence: Peasants and Pastoralists in the Last Ottoman Century (University of Cambridge Press, 2024), Dr. Zozan Pehlivan examines the impact of climate on local communities, their responses and resilience strategies, arguing that nineteenth-century ecological change had a transformative and antagonistic impact on economy, state, and society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Brill Encyclopedia of Early Christianity: Authors, Texts, and Ideas (Brill, 2024) focuses on the history of early Christianity, covering texts, authors, ideas, and their reception. Its content is intended to bridge the gap between the fields of New Testament studies and patristics, connecting a number of related fields of study including Judaism, ancient history and philosophy, covering the whole period of early Christianity up to 600 CE.The BEEC aims both to provide a critical review of the methods used in Early Christian Studies and also to update the history of scholarship.The BEEC addresses a range of traditions, including iconographic, martyrological, ecclesiastical, and Christological traditions, as well as cultic phenomena, such as the veneration of saints. The history of the transmission of texts and the reception of early Christian writers are also addressed. The BEEC focuses on early Christianity from a historical perspective in order to uncover the lasting legacy of the authors and texts until the present day.David G. Hunter is the Margaret O'Brien Flatley Chair of Catholic Theology at Boston College.Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies