

The History Podcast
BBC Radio 4
When Antony Easton's enigmatic father passes away, he begins sorting through a suitcase filled with cryptic family clues. Neatly stacked German money, a family tree stretching back generations, and books filled with sprawling notes. He also finds his father's birth certificate, but bearing a different name. Confronting his dad's double identity, Antony begins a ten-year quest to uncover the truth. Piece-by-piece he comes to understand his family's dark history. Large numbers of his relatives were murdered by the Nazis and a vast fortune was stolen from his grandparents - factories, property and art - which now lie scattered across Germany. Antony is determined to find the descendants of those who looted his family's assets and continue to live off their wealth today. He sets out to meet them face to face.
Episodes
Mentioned books

Oct 14, 2024 • 15min
The Brighton Bomb: 10. No Penny for the Pat
Remember remember the 5th of November. The Gunpowder Plot has been seared into centuries of British popular history. Why have the events of October 1984 and the attempt to wipe out a Prime Minister and her cabinet not been committed to our public consciousness in the same way? For the principal contributors in our series, the events of 40 years ago had a seismic impact on their lives. What, if anything, did the Brighton time bomb achieve?Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer Rachel HooperA Walk on Air production in association with Keo Films

Oct 14, 2024 • 14min
The Brighton Bomb: 9. Performance
When you get right down to it, everything in life is a matter of timing.Any other evening, a knock at the door would put Patrick Magee on alert. As chance would have it, though, it being a Saturday, rent day, Magee, and the four other people in the flat with him on Glasgow’s Langside Road, are expecting the landlord. Instead Magee opens the door to dozens of police and Special Branch officers who have over the past few hours massed around the address. They rush into the flat and overpower them before they have time to react. After six years of trying, Special Branch finally have the man they have dubbed ‘the Chancer’, the man only a few of them as yet know bombed Brighton’s Grand Hotel.Getting him to confess to it, or even speak, is another matter.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer Rachel HooperA Walk on Air production in association with Keo Films

Oct 14, 2024 • 14min
The Brighton Bomb: 8. A Hotel Too Far
Spring 1985, six months on from the bomb at Brighton’s Grand Hotel that killed five men and women in town for the Conservative Party conference and came within feet of killing Prime Minister Margaret Thatcher. Police are now satisfied that they have identified the man responsible for planting the bomb - Patrick Magee, aka the Chancer.They just don’t know where he is. Magee is back in Britain, planting a bomb in a hotel across the road from Buckingham Palace with an even longer timer fuse than the Brighton bomb. A police surveillance operation on another IRA suspect, meanwhile, leads to an unexpected result.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer Rachel HooperA Walk on Air production in association with Keo Films

Oct 14, 2024 • 14min
The Brighton Bomb: 7. Fight Them on the Beaches
Patrick Magee plays mouse to the cat of the Southern Irish police, acting on a tip-off from their colleagues in the North. He escapes back to Great Britain from Dublin and joins a new IRA unit planning a summer-long campaign targeting seaside resorts: more bombs in hotels and a new tactic - burying bombs on beaches. It will be the most concentrated wave of IRA attacks since the 1930s.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer Rachel HooperA Walk on Air production in association with Keo Films

Oct 14, 2024 • 14min
The Brighton Bomb: 6. Out of the Rubble
It's the day after one of the most shocking terror attacks in British history - a timebomb hidden in the Brighton hotel where the Prime Minister, Margaret Thatcher, and her cabinet are staying during the 1984 Conservative Party conference. The casualties have all now been recovered. Four are dead, several of the injured are fighting for life. Now all that remains is the rubble. Somewhere in here will lie the answer to who was responsible. Not the organisation – the Provisional IRA has already said it was them – but the individual human being, or beings, who left the bomb. All the police have to do is find them.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer Rachel HooperA Walk on Air production in association with Keo Films

Oct 7, 2024 • 15min
The Brighton Bomb: 5. 2:54am
The IRA’s Patrick Magee has left a bomb, under a bath, in room 629 of the Brighton’s Grand Hotel. It’s timed to go off in three weeks, three days, six hours and thirty-six minutes, at 2.54am on Friday 12 October. The day of Prime Minister Margaret Thatcher’s speech to the Conservative Party Conference in Brighton.
While Party colleagues socialise, or prepare for bed on the last night of conference, the Prime Minister settles down to write her big speech until the early hours. Or until 2:54am, when the bomb goes off. It's the biggest direct assault on a British Government since the Gunpowder Plot.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown Productions Executive Producer: Rachel HooperA Walk on Air production in association with Keo Films for BBC Radio 4

Oct 7, 2024 • 14min
The Brighton Bomb: 4. It's Going to Happen
When you get right down to it, everything in life is a matter of timing.
It's the night of 17 September 1984. The guest in room 629 of Brighton’s Grand Hotel has ordered a bottle of vodka and three cokes.
A few minutes before, the guest – who signed in two days ago as Roy Walsh – put the panel back on the side of the bath in 629’s en suite.
Behind that panel he has left a bomb, timed to go off in three weeks, three days, six hours and thirty-six minutes, at 2.54am on Friday 12 October. The day of Prime Minister Margaret Thatcher’s speech to the Conservative Party Conference in Brighton.
And the Prime Minister and all her cabinet, as this man who calls himself Roy Walsh knows, will be staying in the Grand Hotel. How do you feel as the timer ticks down? How do you fill your days? And what of those who, all unknowing, are travelling towards the end date you have set?Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer: Rachel HooperA Walk on Air production in association with Keo Films for BBC Radio 4

Oct 7, 2024 • 14min
The Brighton Bomb: 3. England Teams
The bomb is set for 12 October 1984 - but the IRA have been building to this for decadesIt's the night of 17 September 1984. The guest in room 629 of Brighton’s Grand Hotel has ordered a bottle of vodka and three cokes. It seems he is having a small party.
A few minutes before, the guest – who signed in two days ago as Roy Walsh – put the panel back on the side of the bath in 629’s en suite.
Behind that panel he has left a bomb, timed to go off in three weeks, three days, six hours and thirty-six minutes, at 2.54am on Friday 12 October. The day of Prime Minister Margaret Thatcher’s speech to the Conservative Party Conference in Brighton.And the Prime Minister and all her cabinet, as this man who calls himself Roy Walsh knows, will be staying in the Grand Hotel.
It's the biggest direct assault on the British Government since the Gunpowder Plot. The bomb will kill 5 people and injure 30.
It's the latest in a line of Irish republican attacks in England that stretches back to 1867.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown Productions Executive Producer: Rachel HooperA Walk on Air production in association with Keo Films for BBC Radio 4

Oct 7, 2024 • 14min
The Brighton Bomb: 2. The Man Who Wasn't Walsh
The clock – the long-delay timer – nobody is meant to hear is counting down to 2.54am on the 12th October, 1984.It's attached to a bomb, behind the panel of the bath of Room 629 in Brighton’s Grand Hotel, left there by a man who signed in as Roy Walsh. Except he's not Roy Walsh.Who is the man using his name? And how did he go from a childhood in the east of England to attempting to assassinate the Prime Minister and all her cabinet in the biggest assault on a British government since the Gunpowder Plot on 5th November 1605?
The long timer to this moment was set many, many years before.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown ProductionsExecutive Producer: Rachel HooperA Walk on Air production in association with Keo Films for BBC Radio 4

Oct 7, 2024 • 15min
The Brighton Bomb: 1. A Matter of Timing
When you get right down to it, everything in life is a matter of timing.The clock that propels this story went unheard for three weeks, three days, six hours and thirty-six minutes…until the bomb it was attached to went off at 2.54am on Friday 12 October, 1984. The day of Prime Minister Margaret Thatcher’s speech to the Conservative Party Conference in Brighton.
Which means the Prime Minister and all her cabinet are guaranteed to be in the Grand Hotel.
It's the biggest direct assault on the British parliamentary system since the Gunpowder Plot in 1605.
And in the bomber's mind, it’s only the start.Written and presented by Glenn PattersonSeries Producer: Owen McFadden
Story Consultant and Sound Design: Alan Hall
Producer: Lena Ferguson
Archive Producer: Fran Rowlatt McCormick
Production Co-Ordinator: Hollie Wallace
Composer: Mark McCambridge
Sound Engineer: Claire Marquess
Mixing Engineer: Mike Woolley
Patrick Magee archive courtesy of Peter Taylor and Whistledown Productions Executive Producer: Rachel HooperA Walk on Air production in association with Keo Films for BBC Radio 4


