On The Literary Life podcast today, our hosts continue their discussion of C. S. Lewis’ science fiction novel Out of the Silent Planet, covering chapters 6-15. Angelina Stanford, Cindy Rollins, and Thomas Banks begin by sharing their commonplace quotes, including some heated debate about sausages, then dive in to this section. They start by looking at Ransom’s need to let go of some of his own modern preconceptions and categories, in spite of being steeped in the classics. Angelina, Thomas, and Cindy also discuss a variety of other themes, including: the contrasts between Lewis and Tolkien in world-building, Lewis’ crafting a medieval tale in the genre of modern science fiction, and the problems with Ransom’s anthro-centric perspective. House of Humane Letters is thrilled to announce an all new webinar from Dr. Jason Baxter coming October 31st! Register today for Can Dante’s Inferno Save the World? Also coming up from House of Humane Letters on November 16, 2023, Jennifer Rogers’ webinar on Tolkien and The Old English Tradition. You can sign up nowand save your spot! Commonplace Quotes: It is to me inconceivable that Nature as we see it is either what God intended or merely evil; it looks like a good thing spoiled. C. S. Lewis, from Letters of C. S. Lewis What do you usually do when you are shut up in a secret room, with no chance of getting out for hours? As for me, I always say poetry to myself. It is one of the uses of poetry–one says it to oneself in distressing circumstances of that kind, or when one has to wait at railway stations, or when one cannot get to sleep at night. You will find poetry most useful for this purpose. So learn plenty of it, and be sure it is the best kind, because this is most useful as well as most agreeable. Edith Nesbit, from The House of Arden Lewis began the trilogy as a conscious critique of what he called “Wellsianity,” a philosophy that applies Darwinism to the metaphysical sphere, believing that humans may evolve into a new species of gods, spreading from world to world and galaxy to galaxy. Though one finds this quasi-religious belief sometimes called “Evolutionism” in Olaf Stapledon, G. B. Shaw, and C. H. Waddington, Lewis found it most fully embodied in Wells’ novels, and he set out to produce a Wellsian fantasy with an anti-Welsian theme. Lewis’ Ransom books contrast so sharply from other stories of space voyages that Robert Scholes and Eric S. Rabkin credit him with inventing a new genre: “anti-science fiction.” from Reading the Classics with C. S. Lewis, edited by Thomas L. Martin A Selection from “I Saw Eternity the Other Night” by Henry Vaughn I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driv'n by the spheres Like a vast shadow mov'd; in which the world And all her train were hurl'd. Books Mentioned: Kingsley Amis William Morris Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week on The Literary Life podcast, Angelina, Cindy, and Thomas bring us the first installment in their series of discussions about C. S. Lewis’ science fiction novel Out of the Silent Planet. Angelina shares some background on how Lewis began writing this book and what he set out to do through the genre of science fiction within the form of a romance. In looking at the historical time period in which he was writing, Thomas brings out the transcendent quality of Lewis’ message. They talk about Ransom’s character and his embodiment of the “old ways.” Cindy points out the Dante-esque details of the beginning of Ransom’s journey. Other themes our hosts discuss are the problem of eugenics, the study of philology, the similarities in setup with First Men in the Moon, the enchantment of modernity, medieval cosmology, and so much more! House of Humane Letters is thrilled to announce an all new webinar from Dr. Jason Baxter coming October 31st! Register today for Can Dante’s Inferno Save the World? Also coming up from House of Humane Letters on November 16, 2023, Jennifer Rogers’ webinar on Tolkien and The Old English Tradition. You can sign up now and save your spot! Commonplace Quotes: “I’m with Orwell,’ said Strike. “Some ideas are so stupid, only intellectuals believe them.” Robert Galbraith (J. K. Rowling) An age of discovery…is apt to loathe established institutions, and be filled with spiritual arrogance. Agnes Mure Mackenzie, The Kingdom of Scotland It is a strange comment on our age that such a book lies hid in a hideous paper-backed edition, wholly unnoticed by the cognescenti, while any “realistic” drivel about some neurotic in a London flat–something that needs no real invention at all, something that any educated man could write if he chose, may get seriously reviewed and mentioned in serious book–as if it really mattered. I wonder how long this tyranny will last? Twenty years ago I felt no doubt that I should live to see it all break up and great literature return: but here I am, losing teeth and hair, and still no break in the clouds. C. S. Lewis, from a letter to Joy Davidman, Dec. 1953 A Selection from New Heaven and New Earth by D. H. Lawrence I was greedy, I was mad for the unknown. I, new-risen, resurrected, starved from the tomb starved from a life of devouring always myself now here was I, new-awakened, with my hand stretched out and touching the unknown, the real unknown, the unknown unknown. My God, but I can only say I touch, I feel the unknown! I am the first comer! Cortes, Pisarro, Columbus, Cabot, they are nothing, nothing! I am the first comer! I am the discoverer! I have found the other world! Books Mentioned: On Stories by C. S. Lewis Gulliver’s Travels by Jonathan Swift Voyage of the Dawn Treader by C. S. Lewis The Discarded Image by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

H. G. Wells, a groundbreaking science fiction author, dives into the themes of his classic, The First Men in the Moon. The discussion weaves personal anecdotes from travel and literature, sparking a lively exchange about creativity and sci-fi's evolution. They explore Wells' influence on C.S. Lewis and the philosophical implications of his works, critiquing imperialism and human exploitation. The hosts also dissect the differences between hard and soft sci-fi, reflecting on how narrative shapes the genre while examining film adaptations of Wells' visionary stories.

On this week’s episode of The Literary Life, we bring you another installment in our “Best of” Series. Angelina Stanford, Cindy Rollins, and Thomas Banks continue their discussion of J. R. R. Tolkien’s short story “Leaf by Niggle“. If you missed the Back to School 2020 Conference when it was live, you can still purchase access to the recordings at MorningTimeforMoms.com. Angelina opens the book chat highlighting Tolkien’s mirroring of Dante’s Divine Comedy with Niggle’s journey, and our hosts move through a recap of the story. The questions we should be asking as we read are whether this story deals with the recovery of our vision and whether it ends with a eucatastrophe. Cindy brings out more of the autobiographical nature of this story for Tolkien. Angelina tosses around the idea that Parish and Niggle may be doubles and be a picture of Tolkien’s two selves. Thomas talks about what Niggle has to do in the “purgatory” section of the story. They also talk about the themes of art and the artist, sub-creation, and redemption. Come back next week to hear a discussion about why we ought to read myths. Commonplace Quotes: It is when a writer first begins to make enemies that he begins to matter. Hilton Brown Kill that whence spring the crude fancies and wild day-dreams of the young, and you will never lead them beyond dull facts—dull because their relations to each other, and the one life that works in them all, must remain undiscovered. Whoever would have his children avoid this arid region will do well to allow no teacher to approach them—not even of mathematics—who has no imagination. George MacDonald There were people who cared for him and people didn’t, and those who didn’t hate him were out to get him. . . But they couldn’t touch him. . . because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deidre of the Sorrows, Sweeney in the nightingales among trees. Joseph Heller On the Death of Dr. Robert Levet by Samuel Johnson Condemned to Hope’s delusive mine,     As on we toil from day to day, By sudden blasts, or slow decline,     Our social comforts drop away. Well tried through many a varying year,     See Levet to the grave descend; Officious, innocent, sincere,     Of every friendless name the friend. Yet still he fills Affection’s eye,     Obscurely wise, and coarsely kind; Nor, lettered Arrogance, deny     Thy praise to merit unrefined. When fainting Nature called for aid,     And hovering Death prepared the blow, His vigorous remedy displayed     The power of art without the show. In Misery’s darkest cavern known,     His useful care was ever nigh, Where hopeless Anguish poured his groan,     And lonely Want retired to die. No summons mocked by chill delay,     No petty gain disdained by pride, The modest wants of every day     The toil of every day supplied. His virtues walked their narrow round,     Nor made a pause, nor left a void; And sure the Eternal Master found     The single talent well employed. The busy day, the peaceful night,     Unfelt, uncounted, glided by; His frame was firm, his powers were bright,     Though now his eightieth year was nigh. Then with no throbbing fiery pain,     No cold gradations of decay, Death broke at once the vital chain,     And freed his soul the nearest way. Book List: Rudyard Kipling by Hilton Brown A Dish of Orts by George MacDonald Catch-22 by Joseph Heller When Books Went to War by Molly Guptill Manning The Moonstone by Wilkie Collins The Great Divorce by C. S. Lewis Paradise Lost by John Milton Letters from Father Christmas by J. R. R. Tolkien Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome to another episode of our “Best Of” Series on The Literary Life with Angelina Stanford, Cindy Rollins, and Thomas Banks. Both this week and next, our hosts will be discussing J. R. R. Tolkien’s short story “Leaf by Niggle“. Angelina sets the stage with a little historical background on Tolkien’s writing of this story as well as some thoughts on allegory and how to read a fairy tale. She talks about this story as an exploration of the struggle of the ideals and demands of art against the demands of practical life and the question of whether or not art is useful. Cindy shares her ideas about the importance of the Inklings for Tolkien to get his work out into the world. Angelina shares about the type of journey on which the main character, Niggle, is called to go on in this story. As you read, we encourage you to look for how Tolkien harmonizes the different tensions within the story. Commonplace Quotes: Here are some of the points which make a story worth studying to tell to the nestling listeners in many a sweet “Children’s Hour”;––graceful and artistic details; moral impulse of a high order, conveyed with a strong and delicate touch; sweet human affection; a tender, fanciful link between the children and the Nature-world; humour, pathos, righteous satire, and last, but not least, the fact that the story does not turn on children, and does not foster that self-consciousness, the dawn of which in the child is, perhaps, the individual “Fall of Man.” Charlotte Mason The essay began by noting that total war was underway, with fighting not only “in the field and on the sea and in the air,” but also in “the realm of ideas.” It said: “The mightiest single weapon this war has yet employed” was “not a plane, or a bomb or a juggernaut of tanks”–it was Mein Kampf. This single book caused an educated nation to “burn the great books that keep liberty fresh in the hearts of men.” If America’s goal was victory and world peace, “all of us will have to know more and think better than our enemies think and know,” the council asserted. “This was is a war of books. . . Books are our weapons.” Molly Guptill Manning, quoting from the essay “Books and the War” In everything I have sought peace and not found it, save in a corner with a book. Thomas à Kempis Milton by Edward Muir Milton, his face set fair for Paradise, And knowing that he and Paradise were lost In separate desolation, bravely crossed Into his second night and paid his price. There towards the end he to the dark tower came Set square in the gate, a mass of blackened stone Crowned with vermilion fiends like streamers blown From a great funnel filled with roaring flame. Shut in his darkness, these he could not see, But heard the steely clamour known too well On Saturday nights in every street in Hell. Where, past the devilish din, could Paradise be? A footstep more, and his unblinded eyes Saw far and near the fields of Paradise. Book List: Formation of Character by Charlotte Mason When Books Went to War by Molly Guptill Manning The Imitation of Christ by Thomas à Kempis Planet Narnia by Michael Ward The Company They Keep by Diana Pavlac Glyer Smith of Wooten Major by J. R. R. Tolkien Farmer Giles of Ham by J. R. R. Tolkien Letters from Father Christmas by J. R. R. Tolkien A Hobbit, a Wardrobe, and a Great War by Joseph Loconte Spirits in Bondage by C. S. Lewis Enemies of Promise by Cyril Connolly Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Today on The Literary Life podcast, we bring you another episode from the “Best of” series vault, our discussion of J. R. R. Tolkien’s essay “On Fairy Stories“. Tune in again over the next two weeks as we continue the conversation with Tolkien’s short story Leaf by Niggle. If you missed the 2020 Back to School conference that Cindy introduced in this episode, you can still get the recording at MorningTimeforMoms.com. Angelina sets the stage for this discussion by orienting us to the context for the essay by Tolkien as a critique of what is considered a fairy story. She points out the difference between cautionary tales like those by Charles Perrault and the German folk and fairy tales collected by the Grimm Brothers. Our hosts highlight Tolkien’s definition of true fairy stories, ones that take place in the “perilous realm” and involve a journey element. He critiques Andrew Lang as including many stories as fairy tale that are not truly fairy stories. They also discuss topics from the essay including sub-creation, magic and spells, suspension of disbelief, and children’s responses to fairy stories. Commonplace Quotes: One should forgive one’s enemies, but only after they are hanged. Heinrich Heine The German folk soul can again express itself. These flames do not only illuminate the final end of the old era. They also light up the new. Never before have the young men had so good a right to clean up the debris of the past. If the old men do not understand what is going on, let them grasp that we young men have gone and done it. The old goes up in flames. The new shall be fashioned from the flame of our hearts. Joseph Goebbles Human beings are not human doings. Nigel Goodwin Into My Heart an Air That Kills by A. E. Houseman Into my heart an air that kills From yon far country blows; What are those far remembered hills, What spires, what towns are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot go again. Book List: When Books Went to War by Molly Guptill Manning Culture Care by Makoto Fujimura Roger Lancelyn Green Gulliver’s Travels by Jonathan Swift A Connecticut Yankee in King Arthur’s Court by Mark Twain The Wonderful Wizard of Oz by L. Frank Baum David Copperfield by Charles Dickens The Faerie Queene by Edmund Spenser Much Ado About Nothing by William Shakespeare Bandersnatch by Diana Pavlac Glyer The Company They Keep by Diana Pavlac Glyer Surprised by Joy by C. S. Lewis Til We Have Faces by C. S. Lewis Phantastes by George MacDonald Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

On The Literary Life podcast today we are pleased to bring you a special episode focusing on the importance of a good translation when reading works originally written in other languages. Angelina, Cindy and Thomas are joined for this conversation by Dr. Anne Phillips, who has a BA in Latin and Greek and a Doctorate in Classical Studies and teaches Latin at the House of Humane Letters. They start out with the question of basic principles for determining what makes a good translation. Angelina brings up C. S. Lewis’ review of Fitzgerald’s translation of The Odyssey and the principles he sets forth. Anne shares her experience with reading classic works in their original languages and how much richer and more enjoyable it is for her. Another topic they cover is the challenge of translating poetry. Angelina, Thomas, and Anne both share some of their least liked translations of classical Greek and Latin works, as well as some recommendations for better translations. They also talk about finding good translations of Old English and Middle English works. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: He had the successful portrait painters essential gift and saw men, with few exceptions, as they liked to see themselves. C. V. Wedgwood In my opinion value-judgements in literature should not be hurried. It does a student little good to be told that A is better than B, especially if he prefers B at the time. He has to feel values for himself, and should follow his individual rhythm in doing  so. In the meantime, he can read almost anything in any order, just as he can eat mixtures of food that would have his elders reaching for the baking soda. A sensible teaching or librarian can soon learn how to give guidance to a youth’s reading that allows for undeveloped taste and still doesn’t turn him into a gourmet or a dyspeptic before his time. Northrop Frye A good translation is one that lets Homer sing. Thomas Banks There is a sense in which everything is untranslatable. A man may write what is as good or even better than the original, but from the nature of the case it cannot be precisely the same thing. There are even moments when one feels it is something of a desecration to translate at all, but that is surely over-scrupulous, a weakness which, if all had yielded to it, would certainly have left the world poorer. Walter Headlam Ode 5, Book 1: To Pyrrha by Horace, trans. by John Milton What slender youth, bedew’d with liquid odors, Courts thee on roses in some pleasant cave, Pyrrha? For whom bind’st thou In wreaths thy golden hair, Plain in thy neatness? O how oft shall he Of faith and changed gods complain, and seas Rough with black winds, and storms Unwonted shall admire! Who now enjoys thee credulous, all gold, Who, always vacant, always amiable Hopes thee, of flattering gales Unmindful. Hapless they To whom thou untried seem’st fair. Me, in my vow’d Picture, the sacred wall declares to have hung My dank and dropping weeds To the stern god of sea. Books Mentioned: Velvet Studies by C. V. Wedgwood The Educated Imagination by Northrop Frye The Private Memoirs and Confessions of a Justified Sinner by James Hogg The Way of All Flesh by Samuel Butler The Children’s Homer by Padraic Colum The Odyssey trans. by Richmond Lattimore The Iliad trans. by Richmond Lattimore The Aeneid trans. by Sarah Ruden A. E. Stallings Surprised by Joy by C. S. Lewis Beowulf trans. by Burton Raffel Sir Gawain and the Green Knight trans. by Burton Raffel Beowulf: A Translation and Commentary by J. R. R. Tolkien The Canterbury Tales by Geoffrey Chaucer, trans. by Burton Raffel The Landmark Heroditus trans. by Andrea L. Purvis The Landmark Thucydides trans. by Richard Crawley The Landmark Xenophon trans. by John Marincola Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week on The Literary Life podcast, we wrap up our discussion of The Man Who Was Thursday by G. K. Chesterton. After sharing their commonplace quotes, Angelina, Cindy and Thomas dive right in to the last section and share their various thoughts on finishing this book. Angelina and Thomas talk about some of Chesterton’s thoughts on Impressionism in the arts. Cindy and Thomas make some connections with the old rhyme about “Monday’s Child.” They talk about more of the allegorical elements that are clearly spelled out by Chesterton, as well as many other relations they make to other stories, including the one great story. Be sure to join us next week when we have a special episode about why translation matters with Dr. Anne Phillips! Angelina is teaching a class on How to Read Beowulf August 28-September 1, 2023. Get in on this mini-class at House of Humane Letters. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: Almost everywhere and almost invariably the man who has sought a cryptogram in a great masterpiece has been highly exhilarated, logically justified, morally excited, and entirely wrong. But it is all detail; and detail by itself means madness. The very definition of a lunatic is a man who has taken details out of their real atmosphere. The truth is, I fear, that madness has a great advantage over sanity. Sanity is always careless. Madness is always careful. G. K. Chesterton, from The Soul of Wit Looking for an author’s life in his books is vulgar anyhow, and can be most misleading. L. P. Hartley, from A Perfect Woman Perhaps it is not worthwhile to try to kill heresies which so rapidly kill themselves, and the cult of suicide committed suicide some time ago. But it should not wish it supposed as some think I have supposed, that in resisting the heresy of pessimism, I have implied the equally morbid and diseased insanity of optimism. I was not then considering whether anything is really evil but whether is really evil, and in relation to the latter nightmare, it does still seem to me relevant to say that nightmares are not true and that in them even the faces of friends may appear as the faces of fiends. I tried to turn this notion of resistance to a nightmare into a topsy-turvy tale about a man who fancied himself alone among enemies and found that each of the enemies was, in fact, on his own side and in his own solitude. G. K. Chesterton, on The Man Who Was Thursday The End of the World by Dana Gioia “We're going,” they said, “to the end of the world.” So they stopped the car where the river curled, And we scrambled down beneath the bridge On the gravel track of a narrow ridge. We tramped for miles on a wooded walk Where dog-hobble grew on its twisted stalk. Then we stopped to rest on the pine-needle floor While two ospreys watched from an oak by the shore. We came to a bend, where the river grew wide And green mountains rose on the opposite side. My guides moved back. I stood alone, As the current streaked over smooth flat stone. Shelf by stone shelf the river fell. The white water goosetailed with eddying swell. Faster and louder the current dropped Till it reached a cliff, and the trail stopped. I stood at the edge where the mist ascended, My journey done where the world ended. I looked downstream. There was nothing but sky, The sound of the water, and the water’s reply. “The End of the World” from Interrogations at Noon. Copyright © 2001 by Dana Gioia. Reprinted for educational purposes only. Books Mentioned: W. Summerset Maugham The Go-Between by L. P. Hartley That Hideous Strength by C. S. Lewis Twelfth Night by William Shakespeare The Human Beast by Emile Zola Theodore Dreiser Jack London On the Place of Gilbert Chesterton in English Letters by Hilaire Belloc Napoleon of Notting Hill by G. K. Chesterton Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

On the Literary Life podcast this week Angelina, Cindy and Thomas continue their series on G. K. Chesterton’s The Man Who Was Thursday. Before diving into the plot of these chapters, our hosts discuss the similarities and differences between Chesterton and Kafka’s works of fiction. Thomas gives some historical context on anarchy as well as assassinations in the time period of this book. Angelina points out the Dante-esque language in this section, as well as the continuing themes of chivalry. Cindy highlights the character of Sunday and how he looms large, quite literally, over everyone’s imaginations in the story. Some other thoughts our hosts discuss include modernity’s mindset as it relates to the atmosphere of this story, the idea of the underdog fighting against all odds, and the humorous moments that break some of the tension. Be sure to come back next week when we wrap up our series on The Man Who Was Thursday. If you missed our 2023 Back to School Conference when it was live, you can still go back and view the recordings when you purchase access to the conference at MorningTimeforMom.com. Angelina is teaching a class on How to Read Beowulf at the end of August 2023. Get in on this mini-class at House of Humane Letters. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: It’s important, too, that everything that has a story, such as a myth, should be read or listened to purely as a story. Many people grow up without really understanding the difference between imaginative and discursive writing. On the rare occasions when they encounter poems or even pictures, they treat them exactly as though they were intended to be pieces of more or less disguised information. Their questions are all based on this assumption: “What is he trying to get across?” “What am I supposed to get out of it?” “Why doesn’t someone explain it to me?” “Why couldn’t he have written it in a different way so that I could understand him?” The art of listening to story is a basic training for the imagination. Northrop Frye, The Educated Imagination The biographer is there to explain rather than to judge. To get a clear view of a man we do not need to be told if his actions were good…but how and why he came to do them. Lord David Cecil, “Modern Biography” Or read again The Man Who Was Thursday. Compare it with another good writer, Kafka. Is the difference simply that the one is ‘dated’ and the other contemporary? Or is it rather that while both give a powerful picture of the loneliness and bewilderment which each one of us encounters in his (apparently) single-handed struggle with the universe, Chesterton, attributing to the universe a more complicated disguise, and admitting the exhilaration as well as the terror of the struggle, has got in rather more, is more balanced: in that sense, more classical, more permanent? C. S. Lewis, “Period Criticism” Selection from Paradise Lost, Book 1 by John Milton Innumerable force of Spirits arm’d That durst dislike his reign, and me preferring, His utmost power with adverse power oppos’d In dubious Battel on the Plains of Heav’n, And shook his throne.   What though the field be lost? All is not lost; the unconquerable Will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome? Books Mentioned: The Oxford Book of Christian Verse ed. by Lord David Cecil On Stories by C. S. Lewis The Trial by Franz Kafka The Castle by Franz Kafka Day of the Assassins by Michael Burleigh The Defendant by G. K. Chesterton The Song of Roland trans. by Dorothy L. Sayers Tess of the D’Urbervilles by Thomas Hardy King Lear by William Shakespeare The Duchess of Malfi by John Webster Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome back to the Literary Life podcast this week and our new series on G. K. Chesterton’s The Man Who Was Thursday. Angelina, Cindy, and Thomas open with their commonplace quotes, as usual, then proceed to setting up the background for this book and the man Chesterton himself. Thomas also shares Chesterton’s poem to E. C. Bentley that opens this book and gives a brief explication of the poem. Following this, our hosts recap each chapter in the first section. Angelina makes several connections to Paradise Lost in this section, as well as pointing out the romantic and chivalric quest elements in the story. Cindy highlights the fact that we also have the fair maiden character here. Join us again next week when we will cover chapters 5-10 as events become even more strange. If you missed our 2023 Back to School Conference when it was live, you can still go back and view the recordings when you purchase access to the conference at MorningTimeforMom.com. Angelina is teaching a class on How to Read Beowulf at the end of August 2023. Get in on this mini-class at House of Humane Letters. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: Had her mother been somebody else’s mother she would perhaps have admired her unreservedly. L. P. Hartley, A Perfect Woman When a child is reading, he should not be teased with questions as to the meaning of what he has read, the signification of this word or that; what is annoying to older people is equally annoying to children. Charlotte Mason And there is…Mooreeffoc, or Chestertonian Fantasy. Mooreeffoc is a fantastic word, but it could be seen written up in every town in this land. It is Coffeeroom, view from the inside through a glass door, as it was seen by Dickens on a dark London day; and it was used by Chesterton to denote the queerness of things that have become trite, when they are seen suddenly from a new angle. J. R. R. Tolkien, “On Fairy Stories“ GKC by Walter de la Mare Knight of the Holy Ghost, he goes his way, Wisdom his motley, Truth his loving jest; The mills of Satan keep his lance in play, Pity and innocence his heart at rest. Books Mentioned: The Go-Between by L. P. Hartley Cold Comfort Farm by Stella Gibbons The Secret Agent by Joseph Conrad John Le Carre Graham Greene Oscar Wilde Franz Kafka John Buchan Thursday Next Series by Jasper Fforde Trent’s Last Case by E. C. Bentley Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB