Street Shots Photography Podcast

  It's Antonio alone this episode and while he meant it to be another Dispatches from Green-Wood, the audio gremlins acted up and, well... Antonio is asking about how everyone archives their work and also ponders those "then and now" images. Also, a quick "review" of some crazy software. Note: The show "The Alienist was broadcast on TNT network and not on AMC as Antonio mentioned. Oops.    Links: Images mentioned in the show. Topaz Gigapixel AI Brooklyn Botanic Garden The Alienist New York Changing: Revisiting Berenice Abbott's New York    

(© antonio m. rosario) Ward and Antonio do a quick post mortem to last episode's interview with Melissa Breyer and talk about Antonio's guest spot on Bart Busschot's "Let's Talk Photography" podcast. Then they discuss why some folks just love shallow depth of field.   Links: Let's Talk Photography podcast Ward Rosin’s Website, Instagram feed and Facebook page. Ornis Photo Website      (Antonio's DoF shots)   Ward's railroad images:   Photo of poet Charles Beaudelaire shot by Etienne Carjat.      

image courtesy of melissa breyer Ward and Antonio speak with street photog Melissa Breyer. Melissa is an award-winning photographer and author whose work has appeared in National Geographic and The New York Times. Her current role is that of Editorial Director at www.treehugger.com, a site with the mission of helping ordinary citizens make their lifestyle and our planet more sustainable. She is co-author of the 2014's best-selling photo workout manual "Build Your Running Body: A Total-Body Fitness Plan" Her images in New York Times' 2017 Album feature "The Quiet Moments of Waitresses at Work" depicts her subjects often with power, strength and dignity to present them as a the star in their own film. She spoke with us about a new book from Prestel Publishing called "Women Street Photographers". She has contributed both an image and an essay in this new work and joined us from in New York City.   image courtesy of melissa breyer Show Links: Melissa's Instagram "Women Street Photographers" TreeHugger.com   Ward Rosin's Website, Instagram feed and Facebook page. Ornis Photo Website         

(Midway Gamblers, Calgary, 2019 ©Ward Rosin)   I'm joined by Ward Rosin on this episode as we dive into Fred Herzog's "Modern Color" book. Not a review, per se, but more of an appreciation. Herzog is one of those "colorist" street photographers from the late 50s and 60s, photographing mainly in the city of Vancouver, Canada. Ward and I skim through some of the more thought provoking images in the book as well as discuss the controversy of a 2012 interview with Herzog. Also, stay tuned until the end where I make a much anticipated announcement.   Show Links: The Estate of Fred Herzog     Saul Leiter Ernst Haas Walker Evans Eugène Atget Bart Busschots Ward Rosin's Website, Instagram feed and Facebook page. Ornis Photo Website     

  After a rather long enforced absence due to Covid 19 AND joblessness, I'm back with a rambling walk in my favorite outdoor podcasting location, Green-Wood. Also, I'm making an announcement about an announcement, if that makes any sense.       

  For this first show of 2021, I have the pleasure of chatting with my buddy Ward Rosin again. This episode we're going on about my lens-buying binge during the past ten months and just lenses in general. Also, Ward tells us about his new lens "lemonade" stand. It's a bit of a long show and you'll prove your fandom if you listen to the whole thing. So grab your beverage of choice...   Show Links: Ward Rosin's Website, Instagram feed and Facebook page. Ornis Photo Website  Click here to see Ward's pix using the 7Artisan's 35mm lens ----more---- Ward's Pix:            

(image courtesy of ©Bryan Minear)   This last episode of 2020 (and my 3rd of December!) I chat with my friend Bryan Minear about processing. I was inspired to talk with Bryan after he posted a video he made of himself processing images in Capture One. I wanted to discuss this question that popped into my head: Has processing given us a solution for a problem that wasn’t there? While we don't fully answer this, I believe this is a beginning of a longer discussion about processing our photographs using apps like Capture One and the new artificial intelligence features of apps like Photoshop and Luminar AI. Processing is integral for many photographers (Bryan and myself included) whose visual voice is completed when they take their images into the digital darkroom, but is it possible to lose control over our creativity?   Show Links: Bryan Minear: Website & Twitter Bryan's Video Luminar AI Photoshop AI features      

Another jaunt to Green-Wood because it's one of the places I can gather my thoughts. This time I'm talking a little bit about my new lens and a lot bit about what it takes to judge a photo competition. Also, my thoughts (and a suggestion) about self critique.   Show links: Sean Tucker's video "How to get Good Feedback on your Photography (Reviews, Mentors and Travel Companions)" See more photos here: http://streetshots.photography/2020/12/14/street-shots-podcast-ep-128-dispatched-from-green-wood-10-judge/  

Yet another Dispatch from Green-Wood. What's new? During this walk I post a small challenge to myself and the rest of you. Also chat a little about my foray into bird photography. You can view more images here: http://streetshots.photography/2020/12/01/street-shots-podcast-ep-127-dispatches-from-green-wood-no-9-whats-new/   Some of the hawks I photographed:   Basquiat's grave marker:

Another walk and talk through Green-Wood Cemetery today. This time I'm talking mostly about my addiction to buying lenses during the pandemic and I dive into a couple old stories. It's what I do. :-) Look for the photos I mention in the show here:    ----more---- Photos taken with my old Nikkor 500mm lens at an airbase in Holland         ----------------------   First shot I took with new Viltrox 56mm f/1.4     Images taken with new Viltrox AF56mm f/1.4             Shots with new Fuji XF 100-400mm               Some street shots taken with my new Fuji X-100F