Street Shots Photography Podcast

Walk up to sentimentality but don’t become it. -- Larry Sultan If you like something that someone is doing, tell them!  -- Todd Hido   In this episode, Antonio kicks things off with a hands-on review of the Fujifilm X-M5, a compact, feature-packed mirrorless camera that’s quickly become a favorite. He shares his impressions after testing it during the Lunar New Year celebrations in Chinatown, highlighting its speedy autofocus, convenient film simulation dial, and the nostalgic charm of the silver-top design. While the lack of a viewfinder presents some challenges in bright conditions, Antonio praises the camera’s versatility—especially when paired with manual lenses and a fun little retro flash he recently picked up. Two thumbs up! Ward recounts a recent encounter with acclaimed photographer Todd Hido, who visited Calgary for a public talk. Ward recounts Hido’s approachable, candid style and reveals some interesting behind-the-scenes tricks, like using glycerin on windshields for a rain-soaked effect. They discuss the emotional depth of Hido’s work and the compelling presentation of his new book The End Sends Advance Warning, with its large-format images and translucent family-photo insert. The episode wraps with Ward’s recap of his trip to Daytona for the 24-hour endurance race, where he had rare access to pit lane and behind-the-scenes action. Armed with a telephoto lens borrowed from Antonio, Ward describes the challenges of capturing high-speed cars at night, with the blur of headlights and motion adding an artistic dimension to the shots. He shares how the event’s unique lighting conditions pushed his ISO settings to their limits and gave him a chance to experiment with different shutter speeds and compositions. From sleek Ferraris under the lights to candid moments in the pits, Ward reflects on the thrill of documenting a world where precision and speed are everything—both on and off the track.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question. ----more---- Ward's Daytona Pix:   Show Links: Fujifilm X-M5 + XC15-45mmF3.5-5.6 OIS PZ Lens Kit - Silver TTArtisan 56mm F1.8 Fuji X-Mount TTArtisan 25mm F2 Fuji X-Mount Brightin Star 35mm F0.95 Fuji X-Mount   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Keith Goldstein, a seasoned photographer with a background at Getty Images and Shutterstock, shares his insights on the evolving landscape of stock photography and the impact of AI on the industry. He discusses the challenges photographers face, including competition from free sites and AI-generated content. The conversation dives into his book 'Manhatta', inspired by the 1921 film, capturing the essence of New York City. Keith also teases exciting upcoming projects focused on New York’s boroughs and Broadway, blending personal stories with industry reflections.

"I've learned over the years not to make big decisions based on short-term emotions because feelings aren't facts and they will pass or at least change.”   "Give yourself permission to begin again."  -- Sean Tucker   In this first episode of 2025, Antonio and Ward discuss what keeps the creativity alive when the motivation runs on low. Of course, revisiting older work, like photo shoots or journal entries, brings new ideas and gives a feeling of progress. Usually, at moments like this, looking back at those previous efforts brings to the foreground growth that was not as noticeable then. They talk about routines, small habits, keeping the juices flowing, like organizing one's gear or calling into photography groups-little rituals that play an enormous part. Still, they also talk about community, people they have got around them, which they get together with, share their thoughts with, and spark each other where and when it is really needed.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question. All Show Links - https://linktr.ee/streetshots   Links:   Ibarionex - The Candid Frame "Surviving the Loss of Everything"  Support Ibarionex by buying him some coffee. Lots of coffee. Sean Tucker "When You Feel Like Giving Up." Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

“Which of my photographs is my favorite? The one I’m going to take tomorrow.”  – Imogen Cunningham "Life is my subject matter." – Trent Parke Happy New Year, Everyone! So, in this end-of-year episode, Antonio and Ward just sit down and have a really thoughtful, easygoing chat about everything that stuck with them over the past year—photographers who left an impression, creative shifts in their own work, and the bigger conversations happening in the world of photography. It’s not like a bullet-point rundown or anything, more of a natural back-and-forth about what resonated with them and why. They dive into how certain photographers made them pause and think, how their own styles have evolved over time, and, of course, the growing presence of AI in photography—especially how it’s starting to change conversations around authenticity and the meaning behind an image. They also touch on this balance between preparation and spontaneity, you know, how planning can really shape your creative process, but also how important it is to leave space for those unexpected moments to surprise you. Overall, it’s just a super relaxed, honest conversation with a mix of curiosity and reflection as they try to make sense of the year and think about where things might be headed next.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

Antonio and Ward kick off this episode of Street Shots by chatting about some recent photography finds. Ward got his hands on a Godox Lux Junior flash, a small, retro-style unit that’s easy to use and sparks creative fun. Antonio talks about his latest book pick, Segregation Story by Gordon Parks, praising the powerful color photos that vividly depict segregation in America. Ward also discovered East Beats, Osaka 1964-1970 by Yoshihiro Suzuki, a street photography collection capturing everyday life in Osaka with a quiet, observant touch. Both books spark thoughtful discussions on how photographers interpret the world through their lenses.   This naturally leads to a deeper conversation about the unique role of photographers—being both distant observers and fully engaged participants. They explore how taking pictures can be a way of connecting while staying somewhat detached, a tricky balance that often leads to compelling images. They also touch on seasonal isolation and how solitude can sharpen creative focus, inspiring more intentional work. It’s a reflective episode about seeing, connecting, and creating while walking that fine line between observer and participant.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: Godox Lux Junior flash Segregation Story by Gordon Parks East Beats, Osaka 1964-1970 by Yoshihiro Suzuki Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

  In this episode, Antonio and Ward explore the idea of a “color voice” in photography—a personal and intentional use of color that can shape a photographer’s visual identity. They discuss how color choices can influence the emotional impact of an image, creating a mood or enhancing the story being told. From vibrant, high-contrast palettes to more subtle, muted tones, they examine how photographers can experiment with color to reflect their own creative vision and connect with their audience on a deeper level. The conversation focuses on how a photographer’s relationship with color extends beyond editing, involving how they perceive and capture colors in various environments. Antonio shares his thoughts on letting color become a defining feature of one’s style, while Ward discusses how lighting and surroundings can transform the way colors are experienced in an image. Their discussion highlights the interplay between observation, creativity, and intentionality in crafting a photographic voice through color.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

“When I photograph, what I’m really doing is seeking answers to things.”  -- Wynn Bullock “If you want to be a better photographer, stand in front of more interesting stuff.”  -- Jim Richardson   In this episode, Antonio and Ward reflect on photography’s unique role in preserving memories and stories. They discuss the importance of visual media literacy, highlighting how critical it is to go beyond just taking photos—to truly “read” images and understand the narratives they capture. Antonio shares his interest in teaching these skills, noting an upcoming workshop designed to deepen understanding in this area. They also touch on how photography serves as a bridge to the past, preserving moments that can evoke powerful emotions or insights upon rediscovery. Through examples and personal reflections, Antonio and Ward examine how images can be more than visual records—they’re a way to keep memories alive, capture personal history, and connect us to our own stories and those of others.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: Photoville Educator Lab - Catalyst Of Change: Visual Storytelling for 2024 & Beyond Lost Rolls America Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

  "Serendipity plays an enormous role in my work. I create the possibilities for accidents to happen." -- Robbert Flick   "I’m very interested in the uncanny and a way to find something mysterious or terrible within everyday life." -- Gregory Crewdson   In this episode, Antonio and Ward start, as usual, by discussing recent book acquisitions, including books received by Antonio, such as “Sons of the Living” by Bryan Schutmaat, Fred Hertzog’s “Black and White”, Anne Noggle’s “Flight of Spirit,” and Ward’s order of a book on Japanese female photographers titled “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.”    Subsequently, they dive into the aesthetics of the “uncanny” in photography, exploring how certain images evoke a sense of unease and elucidating the potential for these unsettling moments to serve as powerful storytelling devices. Ward shares a captivating photograph taken in New York, while Antonio discusses the significance of presenting students with Garry Winogrand’s thought-provoking work, encouraging them to interpret street photographs beyond their surface.   They also contemplate the role of serendipity in photography—those serendipitous, unplanned moments that elevate a photograph to greatness—and whether this can be cultivated through practice or is merely a matter of chance. They emphasize the importance of openness and attentiveness in capturing these unexpected gems and share personal anecdotes of moments when seemingly disparate elements aligned perfectly, resulting in photographs that felt almost predestined.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: Photographer Stephen Shore: God’s Eye But Human | Louisiana Channel “Sons of the Living” by Bryan Schutmaat Fred Hertzog’s “Black and White” Anne Noggle’s “Flight of Spirit,” “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.”  Ward's Photo from DUMBO, Brooklyn Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"What I'm always trying to do is to make a picture that goes beyond a story." "If you can shoot on the street, you can shoot anything." -- Mary Ellen Mark   In this episode, Antonio and Ward begin with some "light" conversation about the aurora making a rare appearance in New York. Antonio reflects on the quiet satisfaction of finally catching a glimpse, even though his neighbors’ iPhones seemed to perform better than his carefully chosen Fujifilm setup. It wasn’t just about getting the perfect shot—it was about being part of the moment and feeling connected to something beyond the ordinary. But the episode really finds its rhythm when the conversation turns to Mary Ellen Mark. Both Antonio and Ward admire her ability to disappear into the scenes she captured, especially during her time as the set photographer on Apocalypse Now. They talk about how her photographs of Brando feel less like production stills and more like windows into the very essence of his character, Colonel Kurtz. There’s a shared sense of respect between Antonio and Ward as they reflect on how Mark’s work goes beyond mere documentation—her images feel lived in, revealing moments that carry an emotional weight. It’s clear that discussing Mark taps into something personal for both of them: an appreciation for the kind of photography that isn’t just seen but felt.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: The PhotograpHER addiction diaries – Mary Ellen Mark The Essence Of Mary Ellen Mark, The Invisible Made Visible The Conet Project Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio   ----more---- Ward's Images: Mary Ellen Mark: Antonio's Images:  

"...talking about pictures as though you could tell anybody how to take good ones is nuts. Pictures are given, not taken." -- Robert Adams "The work of a photographer is to reveal hidden things." -- Matt Black   In this episode, Antonio and Ward kick things off by comparing the new iPhone camera to Fujifilm gear, debating whether the latest upgrades really make a difference for serious shooters. From there, Ward talks about his upcoming trip to Japan and how he plans to shoot street photography around Tokyo and beyond, hoping to capture some of the country’s unique character. He also shares his experience using different film stocks like Ilford HP5 and T-Max 100, reflecting on the challenges of exposure and why he’s leaning back toward Ilford for its flexibility and grain structure. They also dig into recent book finds like Bryan Shutmaat’s "Sons of the Living", which documents the gritty reality of the American Southwest, and Anne Noggle’s intimate black-and-white portraits. Antonio highlights Pau Buscató’s work in "Street O’Clock", and they discuss the challenge of capturing perfect coincidences in street photography. Sprinkled throughout are insights into film photography, reflections on processing styles, and a nod to the influence of FSA photographers.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram and Facebook page Ward Rosin’s Website, Vero, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio