New Books in Japanese Studies

Born and raised in Japan, Yujiro Seki discovered his passion for filmmaking when he was in high school. Yujiro earned a BA Degree in Film from the University of California, Berkeley. His forthcoming documentary film, "Carving the Divine," offers a rare and intimate look into the life and artistic process of modern-day Būshi – practitioners of a 1400 year lineage of woodcarving that’s at the beating heart of Japanese, Mahayana Buddhism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Ruth Ozeki, whose most recent novel is The Book of Form and Emptiness, speaks with critic Rebecca Evans and guest host Emily Hyde. This is a conversation about talking books, the randomness and serendipity of library shelves, and what novelists can learn in the editing room of a movie like Mutant Hunt. Ozeki is an ordained Zen Buddhist priest, and her novels unfold as warm-hearted parables that have been stuffed full of the messiness of contemporary life. The Book of Form and Emptiness telescopes from global supply chains to the aisles of a Michaels craft store and from a pediatric psychiatry ward to the enchanted stacks of the public library. The exigencies of environmental storytelling arch over this conversation. Evans asks Ozeki questions of craft (how to move a story through time, how to bring it to an end) that become questions of practice (how to listen to the objects stories tell, how to declutter your sock drawer). And we learn Ozeki’s theory of closure: her novels always pull together at the end so that readers are free to continue pondering the questions they raise.Mentioned in this episode: Mutant Hunt, directed by Tim Kinkaid (1987) My Year of Meats, Ruth Ozeki (1998) All Over Creation, Ruth Ozeki (2003) The Book of Form and Emptiness, Ruth Ozeki (2021) The Life-Changing Magic of Tidying Up, Marie Kondo (2014) Aarthi Vadde is Associate Professor of English at Duke University. Email: aarthi.vadde@duke.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Okinawa, one of the smallest prefectures of Japan, has drawn much international attention because of the long-standing presence of US bases and the people’s resistance against them. In recent years, alternative discourses on Okinawa have emerged due to the territorial disputes over the Senkaku Islands, and the media often characterizes Okinawa as the borderland demarcating Japan, China (PRC), and Taiwan (ROC). While many politicians and opinion makers discuss Okinawa’s national and security interests, little attention is paid to the local perspective towards the national border and local residents’ historical experiences of border crossings.Through archival research and first-hand oral histories, Liminality of the Japanese Empire: Border Crossings from Okinawa to Colonial Taiwan (University of Hawai’i Press, 2019) by Hiroko Matsuda uncovers the stories of common people’s move from Okinawa to colonial Taiwan and describes experiences of Okinawans who had made their careers in colonial Taiwan. Formerly the Ryukyu Kingdom and a tributary country of China, Okinawa became the southern national borderland after forceful Japanese annexation in 1879. Following Japanese victory in the First Sino-Japanese War and the cession of Taiwan in 1895, Okinawa became the borderland demarcating the Inner Territory from the Outer Territory. The borderland paradoxically created distinction between the two sides, while simultaneously generating interactions across them. Matsuda’s analysis of the liminal experiences of Okinawan migrants to colonial Taiwan elucidates both Okinawans’ subordinate status in the colonial empire and their use of the border between the nation and the colony.Drawing on the oral histories of former immigrants in Taiwan currently living in Okinawa and the Japanese main islands, Matsuda debunks the conventional view that Okinawa’s local history and Japanese imperial history are two separate fields by demonstrating the entanglement of Okinawa’s modernity with Japanese colonialism. The first English-language book to use the oral historical materials of former migrants and settlers—most of whom did not experience the Battle of Okinawa—Liminality of the Japanese Empire presents not only the alternative war experiences of Okinawans but also the way in which these colonial memories are narrated in the politics of war memory within the public space of contemporary Okinawa.Hiroko Matsuda is an associate professor in the Faculty of Contemporary Social Studies at Kobe Gakuin University in Kobe, Japan.Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Shakespeare’s plays enjoy a great deal of popularity across the world, yet most of us study Shakespeare's local productions and scholarship. Shakespeare & East Asia (Oxford University Press, 2021) addresses this gap through a wide-ranging analysis of stage and film adaptations related to Japan, South Korea, China, Singapore, and Taiwan. The book builds on Alexa Alice Joubin’s already extensive publication record regarding the circulation of Shakespeare’s plays in East Asia. In particular, it expands on her previous book, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009).Shakespeare & East Asia focuses on post-1950 adaptations that were produced in, distributed across, or associated with East Asia. Joubin offers a nuanced view of what it means to think about Shakespeare and East Asia by carefully considering the international circulation of various stagings and films. She identifies a quartet of characteristics that distinguish these adaptations: innovations in form, the use of Shakespeare for social critiques, the questioning of gender roles, and the development of global patterns of circulation. The varied body of Shakespearan adaptations she examines are alternately funny, dramatic, and thought-provoking, but never boring.Several of the works described in both the interview and the book are available online through the Global Shakespeares Video and Performance Archive.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently completing Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, a book about contemporary media and Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Minor Transpacific: Triangulating American, Japanese, and Korean Fictions (Stanford University Press, 2021), David S. Roh brings Asian Americanist study of Korean American literature in conversation with Asian studies scholars’ work on Zainichi literature—that is, the literature of ethnic Koreans displaced to Japan during the Japanese occupation of Korea—to model what a sustained dialogue between Asian studies and Asian American studies scholarship might reveal about both Korean American and Zainichi literatures.On this episode of New Books in Asian American Studies, David Roh chats about the fortunate happenstances that led him to this project, Younghill Kang’s thoughts on Syngman Rhee and the expansion of US empire in Korea, the legal status of the Zainichi and how it troubles Asian American assumptions about citizenship and nationality, the incorporation of American racial discourse into Kazuki Kaneshiro’s GO, tensions and problems in Asian American studies’ taking up of discourse around so-called “comfort women,” study abroad as it brings together the paths of both real and fictional Korean American and Zainichi lives, and the institutional barriers and structural obstacles to realizing this vision of a sustained minor transpacific framework of inquiry. Tune in for more!David S. Roh is an Associate Professor of English at the University of Utah.Jennifer Gayoung Lee is a writer and data analyst based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin.But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world’s most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937.Paul French’s Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin’s Southeast Asia arm, is a short telling of what happened on that fateful day.In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed.Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French’s blog China Rhyming.In our interview, we also mention another one of Paul’s works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

A thirtieth‑century toxic jungle, a bathhouse for tired gods, a red‑haired fish girl, and a furry woodland spirit—what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl’s Moving Castle, and The Wind Rises.In Miyazakiworld: A Life in Art (Yale UP, 2018), Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese filmmaker to provide a definitive account of his oeuvre. Napier insightfully illuminates the multiple themes crisscrossing his work, from empowered women to environmental nightmares to utopian dreams, creating an unforgettable portrait of a man whose art challenged Hollywood dominance and ushered in a new chapter of global popular culture.Raditya Nuradi is a Phd student at Kyushu University. He works on religion and popular culture, particularly anime pilgrimages. His research explores pilgrims’ experiences through materiality and space. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Midori Yamamura’s Yayoi Kusama: Inventing the Singular (MIT Press, 2015) is an in-depth examination of the famed artist’s early years in Japan and the United States. Based on extensive research in Kusama’s archives as well as interviews with Kusama herself, Inventing the Singular both tracks the evolution of Kusama’s artistic practice and maps the artistic, social, and political contexts in which Kusama developed as an artist. The result is as much an analysis of the development of a globalized art world after the end of World War II as a study of one artist, however influential. The book begins with Kusama’s childhood in Japan before following her integration into artist groups, styles, and themes with a steadily more international focus. Yamamura’s careful scholarship seizes on connections to movements as diverse as Surrealism, Pop Art, and the Dutch Nul group to show how art dealers’ nascent control of the global art market encouraged the careers of white male artists at the expense of artists such as Kusama. Yamamura’s highlighting of the context in which Kusama’s career was established brings into stark relief just how striking the artist’s many achievements are. The book further shows how a variety of artists from around the world responded to the post-World War II end of their fascist governments by experimenting in similar ways and questioning the role of art in society. Inventing the Singular is the first book-length treatment of Kusama’s oeuvre in English outside of exhibit catalogues, an opportunity that Yamamura exploits to cross continents and art movements in a virtuosic analysis of the post-WWII art world.Amanda Kennell is a scholar of modern Japanese media who works on digital and public humanities projects. I'm currently finishing up a book about Japanese adaptations of Lewis Carroll's Alice in Wonderland novels as an Assistant Teaching Professor of International Studies at North Carolina State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

One of the trailblazers in the field of Japanese philosophy, James W. Heisig, delivered his five lectures in 2019 at Boston College as the Duffy Lectures in Global Christianity. These lectures were compiled into this book, Of Gods and Minds: In Search of a Theological Commons (Nagoya & Brussels: Chisokudō Publications, 2019). In them the author begins from the assumption that if the Christian God is to have global significance, it will not merely be a matter of Christianity accepting cultural and religious diversity and retreating from its mission of converting the entire world to its own way of thinking about God. The conversion to tolerance and hospitality towards other modes of belief and practice marks a watershed for Christianity, but only as a transition to straighten out its past in the face of a graver, commoner concern: the care of an earth abused by human civilization and devalued by organized religion. The author approaches this question from a broader consideration of the origins and functions of gods in minds and from there suggests grounding metaphors of the divine and its relationship to the natural world in a nothingness beyond being and becoming.During our interview, I asked Jim: The ongoing challenges of bringing our ecological concerns and street activism to the centerstage of our intellectual and philosophical discussions in academia are daunting. We (academics) tend to create another specialised branch of "environmental philosophy" or "philosophy of nature" as an elective rather than the core discourse in the field of philosophy. I asked him what is needed for philosophers and specialists of religious studies to take seriously the practical concept of the "care of an earth." His nuanced answer was this: a "revolution." We also delved into the concept of nothingness as "connectedness" and the logic of soku 即 as a particular rendering of it in reference to contemporary Japanese philosophy. The examples he provided towards the end of the interview was stunning to say the least: A genuine connectedness between humans and nature, which also means to be faithful to emergences of gods in our minds from diverse cultural and historical backgrounds, should look like Kintsugi 金継ぎ. It can not only heal what is once broken but the process of healing can be beautiful and renew our appreciation of what we have broken once. We hope that philosophy programs from around the world will follow this revolutionary practice of connectedness.  Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The overwhelming majority of tea practitioners in contemporary Japan are women, but there has been little discussion on their historical role in tea culture (chanoyu). In Cultivating Femininity: Women and Tea Culture in Edo and Meiji Japan (U Hawaii Press, 2019), Rebecca Corbett (USC East Asian Library) writes women back into this history and shows how tea practice for women was understood, articulated, and promoted in the Edo (1603–1868) and Meiji (1868–1912) periods. Viewing chanoyu 茶の湯 from the lens of feminist and gender theory, she sheds new light on tea’s undeniable influence on the formation of modern understandings of femininity in Japan.Corbett overturns the iemoto 家元 tea school’s carefully constructed orthodox narrative by employing underused primary sources and closely examining existing tea histories. She incorporates Pierre Bourdieu’s theories of social and cultural capital and Norbert Elias’s “civilizing process” to explore the economic and social incentives for women taking part in chanoyu. Although the iemoto system sought to increase its control over every aspect of tea, including book production, eighteenth- and nineteenth-century popular texts aimed specifically at women evidence the spread of tea culture beyond parameters set by the schools. The expansion of chanoyu to new social groups cascaded from commoner men to elite then commoner women. Shifting the focus away from male tea masters complicates the history of tea in Japan and shows how women of different social backgrounds worked within and without traditionally accepted paradigms of tea practice. The direct socioeconomic impact of the spread of tea is ultimately revealed in subsequent advances in women’s labor opportunities and an increase in female social mobility. Through their participation in chanoyu, commoner women were able to blur and lessen the status gap between themselves and women of aristocratic and samurai status.Cultivating Femininity offers a new perspective on the prevalence of tea practice among women in modern Japan. It presents a fresh, much-needed approach, one that will be appreciated by students and scholars of Japanese history, gender, and culture, as well as by tea practitioners.This book is now available for free in open access at DOAB, ProjectMuse, and JSTOR. Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies